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Hello everyone! If you have an old AdSense account with a search feed (as shown in the screenshot) and you are ready to part with it for a good monetary reward - write to us at likeaboss@pm.me (you don't need to give the email registered to AdSense), we are interested in all countries except Russia.

Yes - Fragile (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Yes - Fragile (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - Fragile (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 305 Mb | MP3 CBR320 ~ 113 Mb
Front Cover | 00:41:15 | RAR 5% Recovery
Progressive Rock | Atlantic / Rhino Records / Warner Music Japan Inc. #WPCR-18562

Fragile is the fourth studio album by the English progressive rock band Yes, released in November 1971 by Atlantic Records. After touring in support of their previous album, The Yes Album (1971), the band entered rehearsals in London in preparation for their next studio album. Early into the sessions, keyboardist Tony Kaye was fired over his reluctance to utilize more electronic synthesizers. He was quickly replaced with Rick Wakeman of the Strawbs, whose experience with various instruments helped expand the group's sound with the addition of the electric piano and harpsichord, Mellotron, and Minimoog synthesiser. Four tracks are group compositions; the remaining five are solo pieces written by each member.

Yes - The Yes Album (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Yes - The Yes Album (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - The Yes Album (1971) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 297 Mb | MP3 CBR320 ~ 115 Mb
Front Cover| 00:41:40 | RAR 5% Recovery
Progressive Rock | Atlantic / Rhino Records / Warner Music Japan Inc. #WPCR-18561

The Yes Album is the third studio album by the English progressive rock band Yes, released on 19 February 1971 by Atlantic Records. It is their first album with guitarist Steve Howe, who replaced Peter Banks in 1970, and their last in the 1970s to feature keyboardist Tony Kaye. The album was the first by the group not to feature any cover versions of songs. The band spent mid-1970 writing and rehearsing new material at a farmhouse at Romansleigh, Devon, and the new songs were recorded at Advision Studios in London in the autumn.

The Allman Brothers Band - The Allman Brothers Band At Fillmore East (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}

Posted By: popsakov
The Allman Brothers Band - The Allman Brothers Band At Fillmore East (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}

The Allman Brothers Band - The Allman Brothers Band At Fillmore East (1971) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 495 Mb | MP3 CBR320 ~ 206 Mb
Covers Included | 01:20:22 | RAR 5% Recovery
Southern Rock, Blues Rock, Boogie Rock | Mercury / Universal Music # UICY-40186

Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully trimmed some of the performances down to relatively concise running time (edits later restored on the double-disc set The Fillmore Concerts), at times condensing several performances into one track.

Lee Morgan - The Sidewinder (1964) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Lee Morgan - The Sidewinder (1964) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Lee Morgan - The Sidewinder (1964) {2020, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 278 Mb | MP3 CBR320 ~ 109 Mb
Covers Included | 00:40:58 | RAR 5% Recovery
Jazz, Hard Bop | Blue Note / Universal Music #UCCU-40139

Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military. Henderson makes a major contribution to the album, especially on "Totem Pole," where his solos showed off his singular style, threatening to upstage Morgan, who is also fairly impressive here. Barry Harris, Bob Cranshaw, and Billy Higgins are all in good form throughout the album as well, and the group works together seamlessly to create an album that crackles with energy while maintaining a stylish flow.

The Police - Outlandos D'Amour (1978) {2021, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Posted By: popsakov
The Police - Outlandos D'Amour (1978) {2021, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

The Police - Outlandos D'Amour (1978) {2021, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 288 Mb | MP3 CBR320 ~ 125 Mb
Scans Included | 00:38:13 | RAR 5% Recovery
New Wave, Post-Punk, Alternative Rock, Reggae | A&M Records / Universal Music #UICY-40347

While their subsequent chart-topping albums would contain far more ambitious songwriting and musicianship, the Police's 1978 debut, Outlandos d'Amour (translation: Outlaws of Love) is by far their most direct and straightforward release. Although Sting, Andy Summers, and Stewart Copeland were all superb instrumentalists with jazz backgrounds, it was much easier to get a record contract in late-'70s England if you were a punk/new wave artist, so the band decided to mask their instrumental prowess with a set of strong, adrenaline-charged rock, albeit with a reggae tinge.

King Crimson - Lizard (1970) {2021, Japanese MQA-CD, Remastered}

Posted By: popsakov
King Crimson - Lizard (1970) {2021, Japanese MQA-CD, Remastered}

King Crimson - Lizard (1970) {2021, Japanese MQA-CD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 355 Mb | MP3 CBR320 ~ 150 Mb
Front Cover | 00:59:07 | RAR 5% Recovery
Art Rock, Progressive Rock | Wowow Entertainment, Inc. #IEMQ-10

Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974) trilogy. Plus, the Lizard sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader/guitarist Robert Fripp, with lyricist Peter Sinfield, continued brave efforts to save King Crimson from disintegrating as the group's lengthy history was just getting underway.

Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}

Creedence Clearwater Revival - Green River (1969) {2020, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 214 Mb | MP3 CBR320 ~ 79 Mb
Covers Included | 00:29:22 | RAR 5% Recovery
Roots Rock / Blues Rock / Country Rock / Psychedelic Rock / Classic Rock
Universal Music / Fantasy / Craft Recordings #UCCO-40045

If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally.

John Mayall With Eric Clapton - Blues Breakers (1966) {2018, Japanese MQA-CD x UHQCD, Special Edition, Remastered}

Posted By: popsakov
John Mayall With Eric Clapton - Blues Breakers (1966) {2018, Japanese MQA-CD x UHQCD, Special Edition, Remastered}

John Mayall With Eric Clapton - Blues Breakers (1966) {2018, Japanese MQA-CD x UHQCD, Special Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 283 Mb | MP3 CBR320 ~ 107 Mb
Covers Included | 00:37:48 | RAR 5% Recovery
Blues Rock, Electric Blues, Chicago Blues | Deram / Universal Music #UICY-40171

Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist – more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises.

Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Posted By: popsakov
Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Eric Clapton - 461 Ocean Boulevard (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 109 Mb
Covers Included | 00:39:18 | RAR 5% Recovery
Blues Rock, Classic Rock | Polydor / Universal Music #UICY-40177

461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean Boulevard is a tighter, more focused outing that enables Clapton to stretch out instrumentally. Furthermore, the pop concessions on the album – the sleek production, the concise running times – don't detract from the rootsy origins of the material, whether it's Johnny Otis' "Willie and the Hand Jive," the traditional blues "Motherless Children," Bob Marley's "I Shot the Sheriff," or Clapton's emotional original "Let It Grow." With its relaxed, friendly atmosphere and strong bluesy roots, 461 Ocean Boulevard set the template for Clapton's '70s albums. Though he tried hard to make an album exactly like it, he never quite managed to replicate its charms.

Yes - Time And A Word (1970) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Yes - Time And A Word (1970) {2022, Japanese MQA-CD x UHQCD, Limited Edition}

Yes - Time And A Word (1970) {2022, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 295 Mb | MP3 CBR320 ~ 106 Mb
Front Cover | 00:40:06 | RAR 5% Recovery
Progressive Rock | Atlantic / Warner Music Japan Inc. #WPCR-18560

Time and a Word, released in July 1970 by Atlantic Records, is the second album by the progressive rock band Yes. The group continued to follow their early musical direction of performing original material and cover versions of songs by pop, jazz, and folk artists. An orchestra was used on most of the album's songs; Peter Banks did not support the idea which resulted in him being replaced by Steve Howe after the album was released. Time and a Word became the group's first release to enter the UK chart at #45. It however failed to chart in the US and received mixed reviews from critics. During their UK tour in April 1970, guitarist Peter Banks was fired from the group. By the time of the album's release, he was replaced by Steve Howe, who is photographed with the group on the album's North American cover.

Steely Dan - Pretzel Logic (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition}

Posted By: popsakov
Steely Dan - Pretzel Logic (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition}

Steely Dan - Pretzel Logic (1974) {2018, Japanese MQA-CD x UHQCD, Limited Edition}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 259 Mb | MP3 CBR320 ~ 115 Mb
Covers Included | 00:33:55 | RAR 5% Recovery
Soft Rock, Pop Rock, Jazz Rock, Classic Rock | Universal Music #UICY-40199

Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was written by principal band members Walter Becker and Donald Fagen, and recorded at The Village Recorder in West Los Angeles with producer Gary Katz. It was the final album to feature the full quintet lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter (who left to join The Doobie Brothers) and also featured significant contributions from many prominent Los Angeles-based studio musicians and the last to be made and released while Steely Dan was still an active touring band. The album was a commercial and critical success. Its hit single "Rikki Don't Lose That Number" helped restore Steely Dan's radio presence after the disappointing performance of their 1973 album Countdown to Ecstasy. Pretzel Logic was reissued on CD in 1987 and remastered in 1999 to retrospective critical acclaim.

King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}

Posted By: popsakov
King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}

King Crimson - In The Court Of The Crimson King (1969) {2021, Japanese MQA-CD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 450 Mb | MP3 CBR320 ~ 198 Mb
Covers Included | 01:17:52 | RAR 5% Recovery
Progressive Rock | Wowow Entertainment, Inc. #IEMQ-8

In the Court of the Crimson King (subtitled An Observation by King Crimson) is the debut album from the English rock band King Crimson, released on 10 October 1969 on Island Records in England and Atlantic Records in America. The album is one of the first and most influential of the progressive rock genre, where the band largely departed from the blues influences that rock music was founded upon and combined elements of jazz, classical, and symphonic music. The album reached No. 5 on the UK Albums Chart and No. 28 on the US Billboard 200, where it was certified Gold.

The Allman Brothers Band - Brothers And Sisters (1973) {2018, Japanese MQA-CD x UHQCD, Remastered}

Posted By: popsakov
The Allman Brothers Band - Brothers And Sisters (1973) {2018, Japanese MQA-CD x UHQCD, Remastered}

The Allman Brothers Band - Brothers And Sisters (1973) {2018, Japanese MQA-CD x UHQCD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 248 Mb | MP3 CBR320 ~ 102 Mb
Covers Included | 00:38:13 | RAR 5% Recovery
Southern Rock, Blues Rock, Classic Rock | Mercury / Universal Music #UICY-40187

Released a year after Eat a Peach, Brothers and Sisters shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley – their sound is rock-hard and crisp.

The Rolling Stones - Sticky Fingers (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}

Posted By: popsakov
The Rolling Stones - Sticky Fingers (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}

The Rolling Stones - Sticky Fingers (1971) {2018, Japanese MQA-CD x UHQCD, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 304 Mb | MP3 CBR320 ~ 120 Mb
Covers Included | 00:46:33 | RAR 5% Recovery
Classic Rock, Hard Rock, Rock & Roll | Universal Music #UICY-40164

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records. Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. Songs such as "Brown Sugar," the country ballad "Dead Flowers," "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile" were chart-toppers. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.

Cream - Disraeli Gears (1967) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Posted By: popsakov
Cream - Disraeli Gears (1967) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}

Cream - Disraeli Gears (1967) {2018, Japanese MQA-CD x UHQCD, Limited Edition, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log ~ 487 Mb | MP3 CBR320 ~ 207 Mb
Covers Included | 01:22:50 | RAR 5% Recovery
Blues Rock, Psychedelic Rock | Polydor / Universal Music #UICY-40172

Cream teamed up with producer Felix Pappalardi for their second album, Disraeli Gears, a move that helped push the power trio toward psychedelia and also helped give the album a thematic coherence missing from the debut. This, of course, means that Cream get further away from the pure blues improvisatory troupe they were intended to be, but it does get them to be who they truly are: a massive, innovative power trio. The blues still courses throughout Disraeli Gears – the swirling kaleidoscopic "Strange Brew" is built upon a riff lifted from Albert King – but it's filtered into saturated colors, as it is on "Sunshine of Your Love," or it's slowed down and blurred out, as it is on the ominous murk of "Tales of Brave Ulysses." It's a pure psychedelic move that's spurred along by Jack Bruce's flourishing collaboration with Pete Brown.