Parlophone Records is proud to announce the third in a series of three digital David Bowie live releases from the 90s. The previously unreleased David Bowie live album, ‘Something In The Air (Live Paris 99)’ recorded live at the Elysée Montmartre on 14th October, 1999, is available from 14th August.

Abandoning the intoxicating blend of art rock and glam-pop that distinguished Stranded and Country Life, Roxy Music concentrates on Bryan Ferry's suave, charming crooner persona for the elegantly modern Siren. As the disco-fied opener "Love Is the Drug" makes clear, Roxy embraces dance and unabashed pop on Siren, weaving them into their sleek, arty sound. It does come at the expense of their artier inclinations, which is part of what distinguished Roxy, but the end result is captivating. Lacking the consistently amazing songs of its predecessor, Siren has a thematic consistency that works in its favor, and helps elevate its best songs – "Sentimental Fool," "Both Ends Burning," "Just Another High" – as well as the album itself into the realm of classics.

Raven presents, on a great value Double CD, three landmark albums by legendary multi-instrumentalist, producer and solo artist Al Kooper. Few American musicians have pursued a more diverse or fascinating career than Kooper. As well as having played organ on Bob Dylan's timeless 'Like a Rolling Stone', formed Blood Sweat & Tears and produced Lynyrd Skynyrd, Kooper has issued more than a dozen solo albums and continues to record. Easy Does It (1970), New York City (You're a Woman) (1971) and A Possible Projection of the Future (1972) were his 5th, 6th and 7th albums recorded for Columbia and incorporate soul, pop, country and jazz elements with seamless ease. All showcase Kooper's incredible musicianship at its creative and innovative peak. Also features a stellar cast of session musicians including Herbie Flowers, Joe Beck, Rick Marotta, Carol Kaye, Sneaky Pete Kleinow, Rita Coolidge etc.

2009 UK compilation from the late great American singer/songwriter. Harry Nilsson's career began on a high in the '60s, when critics (and even The Beatles) took notice of his amazing vocal and composing talents. Having written hits for Three Dog Night, The Monkees and others, Nilsson finally had a few hits of his own, ironically enough, with other peoples' songs ('Everybody's Talkin'' was written by Fred Neil and 'Without You' was penned by Badfinger's Pete Ham and Tommy Evans). This compilation gathers 18 of Nilsson's best including the aforementioned hits plus 'One', 'Without Her', 'Remember (Christmas)', 'Joy' and more.

Heroes Are Hard To Find is the 1974 album by Fleetwood Mac. Released in August 1974, this was the last to feature Bob Welch. This was released in 1990 by Reprise.

Underneath the Colours, INXS' second album, was a nearly identical continuation of the new wave pop of their debut, yet the record featured better arrangements and songs.

Highly ambitious, challenging, idiosyncratic, and confounding, Boys for Pele expands on the more experimental and progressive tendencies of Under the Pink. Amos frequently discards traditional song structures and employs wide-ranging, eclectic instrumentation in her music, while her lyrics seem to grow even more obscure, giving the album a very impressionistic feel…

While INXS made a few consistent albums, singles are the best format for the group's stylish dance-rock. Throughout the '80s and early '90s, the group racked up nine Top 40 hits and seven of those singles hit the Top Ten…

Paul McCartney’s tenth solo album, 1997’s Flaming Pie, will become the 13th instalment in his Grammy-winning Archive Collection on 31 July. The acclaimed set, which featured such favourites as ‘Young Boy,’ ‘Calico Skies’ and ‘Beautiful Night,’ will be released in multiple formats with a treasure trove of unheard home recordings, demos and other rarities.

From the Choirgirl Hotel is the fourth studio album by American singer and songwriter Tori Amos, released on May 5, 1998. A departure from her previous albums, it was more a heavily produced project featuring a full rock band sound (instead of Amos's usual minimalist piano sound). The album debuted at number 5 on the Billboard 200 and number 6 in the UK. In 1999, Amos received two Grammy nominations: Alternative Music Performance, and Female Rock Vocal Performance for "Raspberry Swirl".

Otra Cosa, the eagerly awaited fifth studio album by Julieta Venegas, is remarkably similar to her previous two, Sí (2003) and Limón y Sal (2006). The similarity is remarkable because both those albums were all-around excellent, loaded with Latin pop hits and first-rate album tracks. There wasn't a bad track on either album, and Otra Cosa is likewise rock-solid, starting off with three fantastic songs in a row, "Amores Platónicos," "Bien o Mal," and "Despedida." Moreover, all three albums are similar in style, produced by Cachorro López and comprised of upbeat pop songs with clever lyrics, rich melodies, and a range of instrumentation (guitar, piano, accordion, and beats, above all). Otra Cosa was eagerly awaited in part because of the four years since Limón y Sal. During that time, Venegas became one of the most popular and critically acclaimed Latin pop artists in the world.

Peter Schilling is a German synthpop musician whose songs often feature science-fiction themes like aliens, astronauts and catastrophes. He is best-known for his 1983 hit single "Major Tom (Coming Home)" which was an international success.

TO VENUS AND BACK pairs a disc of studio tracks with a disc of live concert recordings. The first disc features some of Amos' most electronic-sounding productions to date. Though her acrobatic singing is given its usual full rein, many of the studio songs feature intricate, effects-rich orchestrations. The album-opening "Bliss" begins as a windswept soundscape, only to open up into a hook-laden chorus. "Juarez" is an intoxicating stew of disembodied voices, roiling synthesizers, and propulsive percussion. "Glory of the '80s" visits a night of drug-fueled hedonism during a decade that defined excess. "Josephine" is a standout track that will appeal to fans of Amos' more open, piano-centered work. The second disc culls tracks from Amos' 1998 Plugged Tour. The live rendering of "Cornflake Girl" is a particularly stirring affair, noteworthy for Amos' vocal bravura and for the cascading sheets of piano that she adds during the song's climax. Also featured is "Cooling," a track that Amos has never committed to album. No Tori Amos fan will want to be without TO VENUS AND BACK. Album was nominated for the 2000 Grammy Award for Best Alternative Music Performance.

Throughout rock history it always seems that when a lead singer from a popular group goes solo, the albums are rather mellow and lackluster, but not this record, it rocks! There is a definite slick big New Wave sound here without sounding dated on this superbly well produced album…