100 tracks. Status Quo, Uriah Heep, Slade, The Allman Brothers Band, Thin Lizzy, The Guess Who, Lynyrd Skynyrd, Atomic Rooster, The Moody Blues, Steppenwolf, Blue Oyster Cult, Santana, Rainbow, Lou Reed, Kiss, Toto, Ted Nugent, Electric Light Orchestra, Iggy Pop, Rush, Motorhead, Cheap Trick, Judas Priest, REO Speedwagon, Yngwie Malmsteen, Soundgarden, Accept, Alice Cooper, Dio and more, and more…

With Billion Dollar Babies, Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound (courtesy of super-producer Bob Ezrin), resulting in a mega-hit album that reached the top of the U.S. album charts. Song for song, Billion Dollar Babies is probably the original Alice Cooper group's finest and strongest. Such tracks as "Hello Hooray," the lethal stomp of the title track, the defiant "Elected" (a rewrite of an earlier song, "Reflected"), and the poison-laced pop candy of "No More Mr. Nice Guy" remain among Cooper's greatest achievements. Also included are a pair of perennial concert standards – the disturbing necrophilia ditty "I Love the Dead" and the chilling macabre of "Sick Things" – as well as such strong, lesser-known selections as "Raped and Freezin'," "Unfinished Sweet," and perhaps Cooper's most overlooked gem, "Generation Landslide."

Foreigner is the self-titled debut studio album by British-American rock band Foreigner, released in 1977. It spun off a barrage of hit singles, including "Feels Like the First Time", "Cold as Ice" and "Long, Long Way from Home". It also features album tracks such as "Headknocker" and "Starrider", the latter of which features a rare lead vocal from lead guitarist and co-founder Mick Jones. The first attempt at mixing the album was done at Sarm Studios, London, but dissatisfied with result the album was re-mixed at Atlantic Recording Studios by Mick Jones and Jimmy Douglass.

Performance Rockin' the Fillmore is the 1971 live double-LP/single-CD by English blues-rock group Humble Pie. It reached #21 on the Billboard 200, and hit the UK Top 40. The hour-long set contains one original song and several covers. "I Don't Need No Doctor" was the biggest hit from the album, having been issued as an edited single and reaching #73 on the Billboard Hot 100 in October 1971. Shortly before the album's release, guitarist Peter Frampton left due to growing friction between him and Marriott. The album's steady sales helped Performance: Rockin' the Fillmore to become the band's first gold record. Its popularity helped the band's previous album, Rock On, reach gold album status.

Hard Rock Live is a live album and video by the English hard rock band Bad Company released in 2010. It was recorded at the Hard Rock Live in Hollywood, Florida on August 8, 2008, and marked the first time original members Paul Rodgers, Mick Ralphs and Simon Kirke had performed together, since their brief reunion in 1999.

Two mid-'70s albums from ex-Traffic man Dave Mason. Both albums made the US Top 30 where Mason enjoyed a decade of success. Mason toured throughout the '80s and '90s, even joining Fleetwood Mac for a while in 1994. Digitally remastered and slipcased with new notes.

2006 digitally re-mastered two-fer from the legendary Savoy Brown featuring two of their most popular albums (Street Corner Talking from 1971 and Hellbound Train from '72). The line-up on these albums feature the ever-present Kim Simmonds on guitar with Dave Walker (vocals), Andy Sylvester (bass), Paul Raymond (keyboards) and Dave Bidwell (drums), all of the formerly of Chicken Shack! Standard jewel box in a slipcase with extensive liner notes.

What you hear on Fly is Yoko Ono's disarming combination of opacity and visceral, personal transparency in full bloom. It's one of the most unbridled, most captivating soul albums ever made. And that's right where she wants you: vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She's a master of spinning your head around. First, you get the Bar Band from Hell of "Midsummer New York" to kick things off. It's about the last thing you'd expect from Ono coming off Plastic Ono Band. But here you are, listening to Ono channeling Elvis. Why am I all of a sudden bopping along to it? At 16-minute-plus, the tranced-out, motorik-inspired boogie "Mind Train" is rough-and-ready for your next basement get down. Movement and perspiration required. Then, we have the absolutely gutting blues of “Don’t Worry, Kyoko (Mummy's Only Looking For Her Hand in The Snow)." Full of ache and raw emotion, the song is a love note, a plea for forgiveness, to her estranged daughter Kyoko shot across the universe on a flaming arrow. Ono follows this stampede of emotion with the self-referential torch song "Mrs. Lennon," a wounded song that gets right into the Universal Loneliness. And so here you are. You're devastated. You're exhausted. You're exhilarated. And you're only 1/4 of the way up the mountain that is Fly. Dig deep, traveler, it’s worth the climb.

John Lennon Out of all the Beatles, John Lennon had the most interesting – and frustrating – solo career. Lennon was capable of inspired, brutally honest confessional songwriting and melodic songcraft; he also had an undying love of straight-ahead rock & roll. But the extremes, both in his music and his life, were what made him fascinating. Where Paul McCartney was content to be a rock star, Lennon dabbled in everything from revolutionary politics to the television talk show circuit during the early '70s. After releasing a pair of acclaimed albums, John Lennon/Plastic Ono Band and Imagine, in the early '70s, Lennon sunk into an infamous "lost weekend" where his musical output was decidedly uneven and his public behavior was often embarrassing. Halfway through the decade, he sobered up and retired from performing to become a house-husband and father. In 1980, he launched a comeback with his wife Yoko Ono, releasing the duet album Double Fantasy that fall.

I Saw Her Standing There is a 2CD collection of Beatles material, some previously unreleased, digitally remastered. The album includes the Tony Sheridan/Beat Brothers recordings, Decca demos, recordings from the Cavern Club in 1962, and the Beatles' first radio interview.

You Thrill Me To Pieces is Teensville's retrospective at the neglected side of beat and pop music from the U.K in the mid-1960s. The CD features 34 remastered tracks spanning 1963-1966, highlighting groups like The News, The Bruisers, The Peeps and many others. Also included is a 28 page booklet containing a 7,000 word essay and many pictures of the artists.

This is a stripped-down single-CD equivalent to the U.S. Reprise double-disc set of the same name issued in 2002. And for a single CD it does a fair job of covering the major touchstones in the history of a band with a four-decade legacy – or, at least, of Fleetwood Mac's two best-known incarnations, as a mid- to late-'70s pop/rock outfit and a late-'60s blues-rock band. Of course, given the popularity of the '70s-'80s version of Fleetwood Mac, they're represented first out of the gate, and in profusion, and there isn't even an attempt made at chronological sequencing. Although the original incarnation of the band doesn't get much room here, at least it is acknowledged in the form of three tracks, "Black Magic Woman," "Albatross," and "Man of the World."

USM Media is proud to present My Kind Of Music, a new brand series of compilations focusing on affordable musical nostalgia. Following the success of our first release: My Kind Of Music: The Fabulous Fifties we present My Kind Of Music; The Rock n Roll Years - 3CDs and 60 classic tracks of primetime rock n roll from the pioneers that defined this unforgettable era. The track listing includes all-time classics from the likes of Bill Haley & His Comets, Little Richard, Chuck Berry, Cliff Richard, Eddie Cochran and many more. Beautifully presented in an outer box with an exclusive illustrative montage of classic rock `n` roll imagery capturing the energy of the Rock n Roll years. The album continues with the feel of the first title with the striking My Kind Of Music logo and will build into a great new range of albums.

Bob Dylan One of the greatest figures of the 20th century, Bob Dylan helped shape the sound and form of popular music in the rock & roll era. Dylan emerged from the Greenwich Village folk scene in the early 1960s, earning a reputation as a perceptive, powerful songwriter, equally capable of penning a protest anthem or a romantic love song. His flair for impressionistic, stream-of-conscious lyrics marked a shift within folk music, an evolution Dylan also introduced to rock & roll when he picked up an electric guitar in 1965. Over the course of 18 months, he released Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde, a trio of records that broadened the vocabulary of rock & roll, placing Dylan at the cutting edge of popular culture. Although he subsequently stepped away from the zeitgeist, his restless, occasionally messy work of the '70s and the '80s expanded his formidable songbook through a combination of classic albums (Blood on the Tracks) and intriguing detours (Empire Burlesque).

Bob Dylan One of the greatest figures of the 20th century, Bob Dylan helped shape the sound and form of popular music in the rock & roll era. Dylan emerged from the Greenwich Village folk scene in the early 1960s, earning a reputation as a perceptive, powerful songwriter, equally capable of penning a protest anthem or a romantic love song. His flair for impressionistic, stream-of-conscious lyrics marked a shift within folk music, an evolution Dylan also introduced to rock & roll when he picked up an electric guitar in 1965. Over the course of 18 months, he released Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde, a trio of records that broadened the vocabulary of rock & roll, placing Dylan at the cutting edge of popular culture. Although he subsequently stepped away from the zeitgeist, his restless, occasionally messy work of the '70s and the '80s expanded his formidable songbook through a combination of classic albums (Blood on the Tracks) and intriguing detours (Empire Burlesque).