Such an unimaginative title for such a imaginative boxful. Across four discs and 105 songs, Cliff Richard's earliest catalog comes in for precisely the kind of treatment every rock & roll star should have: an all-encompassing study of his most important period. Even more impressively, though the song titles all sound familiar, the performances rarely are. Thirty-seven tracks are bona fide unreleased (South African 78s notwithstanding), but several dozen more are culled from scarce EP-only mixes, rarely resurfacing B-sides, and unusual mixes.

Présent dans les hit-parades britanniques depuis six décennies, Cliff Richard est une institution du rock anglais. Né Harry Rodger Webb à Lucknow, en Inde, le 14 octobre 1940, il fait ses débuts dans le rock'n'roll seize ans plus tard avec son premier groupe The Drifters, qui devient The Shadows et collectionne les succès : « Move It », « Livin' Doll », « Bachelor Boy », entre autres. Après un passage en solo, l'idole des jeunes se convertit au christianisme en 1964 et poursuit une carrière multiple de chanteur, acteur et animateur de télévision extrêmement populaire au Royaume-Uni. Doyen du rock britannique en activité depuis 1958, Cliff Richard a logé quatorze chansons au sommet des classements de ventes, dont « We Don't Talk Anymore » (1979) et « Millenium Prayer » (1999). Il continue d'enregistrer des albums entre pop, rock et chansons de Noël. Anobli par la reine Elizabeth II en 2009, Sir Cliff Richard retrouve son groupe historique, The Shadows, pour l'album Reunited. Puis, après un album de blue-eyed soul, Soulicious (2011), le septuagénaire consacre deux volumes au rock'n'roll de sa jeunesse, The Fabulous Rock'N'Roll Songbook (2013) et Just…Fabulous Rock'N'Roll (2016). Ce dernier, son centième album, est suivi deux ans plus tard par Rise Up et en 2020 par Music… The Air That I Breathe, qui rassemble des duos avec Bonnie Tyler, Albert Hammond, The Bellamy Brothers, Sheila Walsh et The Piano Guys.

CLASSIC 1978 BROADCAST FROM GERMANY S THEN DIVIDED CITY After falling out with his long-time manager Herb Cohen, Frank Zappa spent much of the late 1970s in a legal battle with Cohen and later with Warner Brothers too. With the majority of his own recorded material thus tied up, Zappa concentrated on touring with a small, rock-oriented band. March 1978 witnessed the release of Zappa In New York, recorded live with a 13-strong band at the Palladium in late December 1976. Demonstrating in equal measure Zappa s extraordinary ability as a composer and fearless approach to controversial topics, the record reached a respectable No. 57 on the Billboard chart. Two standout numbers from In New York, Titties & Beer and The Black Page , would be a fixture of Zappa sets by the time his 1978 European tour rolled around, as the concert featured on this two CD set can attest.

Bonnie Tyler’s multi-platinum mid-Eighties link with Meat Loaf songwriter Jim Steinman that saw the Welsh songstress etch her name into rock history. Those distinctive husky tones graced classic after classic, from the bombastic transatlantic chart-topper ‘Total Eclipse Of The Heart’ to ‘Holding Out For A Hero’, a US Number 2 from the soundtrack of hit movie Footloose. Add duets with Todd Rundgren and Shakin’ Stevens, the feelgood ‘A Rockin’ Good Way’, plus top album tracks and you’ve a package sure to please fans both in the Principality and the wider rock’n’roll world. This 2CD collection contains 28 hits from the albums Goodbye to the Island, Faster Than the Speed of Night, Secret Dreams and Forbidden Fire, and Hide Your Heart. Also contains multiple b-sides and rarities.

Presenting radio with one of the best rock ballads ever, Cornerstone gave Chicago's Styx their big break with the number one single "Babe," which held that spot for two weeks in October of 1979. "Babe" is a smooth, keyboard-pampered love song that finally credited Dennis De Young's textured vocals. While this single helped the album climb all the way to the number two spot on the charts, the rest of the tracks from Cornerstone weren't nearly half as strong. "Why Me" made it to number 26, and both "Lights" and "Boat on the River" implement silky harmonies and welcoming choruses, yet failed to get off the ground.

This is an astonishing collection from many of the greatest prog bands. 2003. Virgin.

Giles, Giles & Fripp’s 1968 demo home recordings, newly remastered by David Singleton A must-have collection for King Crimson fans with some early indication of the band’s sound / repertoire CD includes all 21 previously released tracks from the Brondesbury Road tapes 200-gram superheavyweight vinyl and digital release picks 13 of the best quality recordings from the tapes.

Frank Vincent Zappa was of Italian origins, his grandfather having arrived in America from Partinico, Sicily. Frank Zappa grew to be one of the most accomplished composers of the rock era, his music combining an understanding and appreciation for such contemporary classical figures as Igor Stravinsky, Karlheinz Stockhausen and Edgard Varèse. These influences, coupled with an affection for late '50s doo-wop, rock & roll and skillful guitar-heavy rock, dominated pop in the '70s. However, Zappa was also a keen satirist, whose reserves of scorn and parody seemed bottomless and whose wicked sense of humor and absurdity continued to delight his numerous fans - even when his lyrics crossed the broadest bounds of taste.

EXTRAORDINARY 1979 BROADCAST, HOT ON THE HEELS OF THE SHEIK YERBOUTI ALBUM Largely recorded live during 1977 and 1978, Frank Zappa s 1979 double, Sheik Yerbouti, was the first release on the musician s newly formed Zappa Records, following Frank s departure from Warner Bros Records. Featuring the Grammy nominated Dancin Fool , as well as the controversial Bobby Brown , a track banned from US airplay. Released on March 3rd 79 - at the time Zappa was touring Europe, where his audience had long outweighed his domestic fan-base - the album became his best-selling album of all during his lifetime. On March 19th, the band performed at the Parc de Penfeld, in Brest, France, for a show that was recorded for live FM Radio Broadcast, transmitted across continental Europe and synched too on many US stations. Featuring a line-up which included, Ike Willis and Warren Cuccurullo on guitars, Tommy Mars and Peter Wolf on keyboards, Ed Mann on percussion, Arthur Barrow on bass and Vinnie Colaiuta on drums, the musicianship was, as always, second-to-none, and the gig a roaring success with many describing it as among the fines Zappa played during this era.

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records. Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. Songs such as "Brown Sugar," the country ballad "Dead Flowers," "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile" were chart-toppers. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.

Music Scene is a spectacular, one-of-a-kind program that originally aired on ABC-TV from 1969-1970. The show featured the most popular contemporary performers along with many varied musical legends. Hosted by comedian David Steinberg and special guests, Music Scene was based on Billboard magazine's hit record charts and offered exclusive live performances by virtually every major star from the rock, country, soul, folk, and pop genres. Includes full-length, hit performances by: James Brown, Crosby, Stills, Nash & Young, Joe Cocker, Merle Haggard, Isaac Hayes, Richie Havens, Janis Joplin, Jerry Lee Lewis, Little Richard, Lulu, Roger Miller, Buck Owens, Charley Pride, Lou Rawls, Della Reese, Bobby Sherman, B.B. King, Sly & the Family Stone, Smokey Robinson & the Miracles, the Everly Brothers, the Grass Roots, the Rascals, the Temptations, Three Dog Night, and many, many more!

Pictures at Eleven is the debut solo album by former Led Zeppelin singer Robert Plant, released on 25 June 1982 in the US and on 2 July in the UK. Genesis drummer Phil Collins played drums for five of the album's eight songs. Ex-Rainbow drummer Cozy Powell handled drums on "Slow Dancer" and "Like I've Never Been Gone." On the song "Fat Lip", guitarist Robbie Blunt played a TR-808 drum machine. The title was an often-heard phrase in U.S. television news that would follow a brief announcement of a story of interest to be shown later during a station's 11 PM news program. Pictures at Eleven is the only one of Plant's solo albums to appear on Led Zeppelin's record label Swan Song. By the time of Plant's next release, 1983's The Principle of Moments, Swan Song had ceased to function, and Plant had started his own label named Es Paranza, which would also be distributed by Atlantic Records.

Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. His disparate influences included doo wop music and avant-garde classical music; although he led groups that could be called rock & roll bands for much of his career, he used them to create a hybrid style that bordered on jazz and complicated, modern serious music, sometimes inducing orchestras to play along.

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

Just Testing is the tenth studio album by the British rock band Wishbone Ash, released on 18 January 1980 by MCA Records. Recorded primarily at Surrey Sound Studios in England, it was the last to feature the original lead vocalist and bass guitarist Martin Turner until the release of Nouveau Calls (1987). The track "Helpless" is only the second cover version released by the band on a studio album, the previous one being "Vas Dis" on Pilgrimage.