Controversial at the time, delayed because of fights with the record company over lyrical content and the original title (Volunteers of America), Volunteers was a powerful release that neatly closed out and wrapped up the '60s. Here, the Jefferson Airplane presents itself in full revolutionary rhetoric, issuing a call to "tear down the walls" and "get it on together." "We Can Be Together" and "Volunteers" bookend the album, offering musical variations on the same chord progression and lyrical variations on the same theme…

More than any other Fleetwood Mac album, Tusk is born of a particular time and place – it could only have been created in the aftermath of Rumours, which shattered sales records, which in turn gave the group a blank check for its next album…

Ever since 2001's Songs from the West Coast, Elton John and his longtime collaborator, Bernie Taupin, have been deliberately and unapologetically chasing their glory days of the early '70s, but nowhere have they been as candid in evoking those memories as they are on 2006's The Captain & the Kid, the explicitly stated sequel to 1975's masterpiece Captain Fantastic and the Brown Dirt Cowboy…

Tesla visited famed iconic recording studio Abbey Road Studios for a one-night musical event capturing the band performing songs from their legendary arsenal including “Love Song” and “What You Give” along with their classic covers of “Signs” and “We Can Work It Out.” Additionally, the band performed live for the first-time-ever their new song “California Love Song” from their latest album Shock including “Tied To The Tracks” and “Forever Loving You.”…

Having not hit the road for most of the 80s, The Steel Wheels Tour was an astounding return for the Rolling Stones, not least as it was the longest tour they had by that point undertaken. It was also to be their last with Bill Wyman. Steel Wheels Live was recorded towards the end of the band’s 60-date run through the stadiums of North America, in the second half of 1989.

Fogerty’s Factory is a newly recorded album of stripped back tracks from legendary singer, songwriter and guitarist JOHN FOGERTY. All tracks were recorded during the lockdown of summer 2020 by John and his family; including his sons Shane and Tyler (who together are the band Hearty Har) and daughter Kelsy. These versions of classic tunes have featured on The Late Show With Stephen Colbert, NPR’s Tiny Desk Concert and Sirius XM, with this being the first time any of them are available on CD and LP. The first track, “CENTERFIELD,” was recorded on the Field at Dodger Stadium to celebrate John’s 75th Birthday.

Taking a cue from the Eagles, Foreigner decided to release their first album in 15 years, creating a package that touches upon all phases of their past and into the present on the three-disc Can't Slow Down…

Not strictly a "greatest-hits" collection, Love Songs contains Elton John's most famous ballads, from "Your Song" and "Don't Let the Sun Go Down on Me" to "Can You Feel the Love Tonight." Featuring two new songs, including the single "You Can Make History (Young Again)," Love Songs is designed for the casual John fan who is familiar with his songs through adult contemporary radio…

There has been no shortage of Deep Purple compilations over the years, but unlike some of the British hard rock legends' contemporaries (Sabbath, Zeppelin, etc.), they've managed a fairly consistent stream of output since their 1968 debut. Rhino's A Fire in the Sky, a 40-track career retrospective that includes at least one song from every studio album through 2013's Now What?!, is easily the most comprehensive anthology that the band has released to date – a more manageable, largely singles-oriented 20-track version is also available, as is a triple-vinyl edition. Despite cycling through too many lineup iterations to mention, the band has consistently adhered to the heavy blues-rock foundation that made career highlights like "Hush," "Smoke on the Water," "Highway Star," and "Woman from Tokyo" so essential.

Rush is an excellent dark blues score written by Eric Clapton (with help on the three songs) and performed by an augmented version of his band. This soundtrack album produced one big hit for Clapton with "Tears in Heaven," but it's a wonderfully intense piece of work all the way through, with some terrific guitar work from Clapton himself…

Rumours is the kind of album that transcends its origins and reputation, entering the realm of legend – it's an album that simply exists outside of criticism and outside of its time, even if it thoroughly captures its era…

Made in England could as easily be the follow-up to Elton John's self-titled 1970 album as his first recording since the success of his songs for the Lion King soundtrack. John has brought back some of his old associates, including percussionist Ray Cooper, guitarist Davey Johnstone, and, particularly, orchestrator Paul Buckmaster, who gave the Elton John album its distinctive sound 25 years ago and contributes four string charts here…

Queen II was a breakthrough in terms of power and ambition, but Queen's third album Sheer Heart Attack was where the band started to gel. It followed quickly on the heels of the second record – just by a matter of months; it was the second album they released in 1974 – but it feels like it had a longer incubation period, so great is the progress here. Which isn't quite to say that Sheer Heart Attack is flawless – it still has a tendency to meander, sometimes within a song itself, as when the killer opening "Brighton Rock" suddenly veers into long stretches of Brian May solo guitar – but all these detours do not distract from the overall album, they're in many ways the key to the record itself: it's the sound of Queen stretching their wings as they learn how to soar to the clouds.

Recorded on December 15, 1988, during the tour for Talk Is Cheap, Live at the Hollywood Palladium is a loose, groove-laden affair, featuring the best from Keith Richards' first solo album as well as some Stones classics – mostly tunes he took lead vocals on. Opening with "Take It So Hard," the first thing that hits the listener is the lack of the gloss that was probably the only drawback to Talk Is Cheap, which is a very good thing, because while the album was still leaps and bounds more real than, say, Dirty Work, this live collection is loose without ever getting away from the band, and has an organic feel not present in the Stones' work since the early '70s.