King Gizzard & The Lizard Wizard surprised fans on Wednesday with the release of a new live album featuring recordings from the band’s milestone shows at Red Rocks Amphitheatre. Entitled Live At Red Rocks ’22, the album includes a staggering 86 tracks from KGLW’s first-ever shows at the iconic Colorado venue, where they played three-hour marathon sets on October 10th and 11th and November 2nd, 2022.

As far back as he can remember, Capricorn Studios was calling Eddie 9V. As a kid scanning the sleeves of his favorite vinyl records, this fabled facility in Macon, Georgia, was always the secret ingredient, adding a little grit and honey to every song born on it's floor.

Following the success of his 2022 mod-club, soul-jazz adventure with Mick Talbot, on 27 January Acid Jazz Records will release Chris Bangs’ compendium of dance-floor fillers and Latin dynamite.

Born in New Zealand, Kimbra has been performing since she was a teenager. Her first album came out in 2011, when she was 21 – the same year she featured on the hit song Somebody That I Used to Know with Gotye.

Auf ihrem zweiten Album »High Priestess« markiert Sarah McCoy einen Wendepunkt in ihrem musikalischen Schaffen und vollzieht gleichzeitig eine Demontage ihrer Beziehung zu sich selbst.

Unjustly forgotten, Eugène Walckiers left some extraordinary chamber music: works that are amazingly theatrical and lyrical, and constantly full of humor.

To be an independent artist means to not only be free to share your most ambitious artistic impulses, but to retain ownership of them, working tirelessly to market and produce a body of work that stands apart from corporate decision-making and interference.

A dream has come true: François-Frédéric Guy has recorded music by Chopin for the first time, recalling the colors and scents of his childhood.

Irascible, demanding, bullying, and probably a genius, Charles Mingus cuts himself a uniquely iconoclastic path through jazz in the middle of the 20th century, creating a legacy that became universally lauded only after he was no longer around to bug people. This album is a result of a session for 'Period Records' that was originally issued on two ten-inch records entitled 'Jazzical Moods'. The experimental workings of Mingus are briliantly explained in the booklet notes by the man himself in this suitably renamed format.

"Will the Circle Be Unbroken" is the timeless 1972 classic by the Nitty Gritty Dirt Band. It features breathtaking collaborations, steeped in tradition while pioneering a new form of Americana. This triple-Platinum album features an array of accomplished country songwriters and musicians including Mother Maybelle Carter, Roy Acuff, Doc Watson, Earl Scruggs, Merle Travis, Jimmy Martin and many others. It showcases thrilling compositions by luminaries including Scruggs, Acuff, Travis, Martin, Hank Williams, Joni Mitchell and more. Will the Circle Be Unbroken united fans of country and rock music, reaching #4 on Billboard’s Top Country Albums. In 2005, the album was selected for the National Recording Registry by the Library of Congress. This edition was remastered from the original analogue tapes in 2012 to celebrate the album's 40th anniversary.

A challenge! Twenty years after his harmonia mundi recordings reviving the tradition of performing the great French harpsichord composers (Rameau, Couperin) on the piano, Alexandre Tharaud now joins forces with his longstanding partner Jean-Guihen Queyras to explore the works of Marin Marais . . .

The composer Mieczysław Weinberg was born in Poland but spent most of his life in the Soviet Union, where he was actively supported by Shostakovich. His rediscovery is still in full swing.

The Esterházy princes’ love of hunting prompted their ‘house composer’ Joseph Haydn to make extensive use of the horn.

Die erste Trio-Aufnahme von Victoria Shereshevskaya (Mezzosopran), Alexandra Soumm (Violine) und Rémi Geniet (Klavier) enthält Werke, die in ihrer Atmosphäre weit voneinander entfernt sind, aber alle von einem universellen Gedankengut geprägt sind, das russische, indische und französische Dichter, volkstümliche und gelehrte Musik miteinander verbindet, und ist ein Album von einzigartiger Farb- und Ausdrucksvielfalt.

Die Weimarer Jahre von 1848 bis 1861 waren Franz Liszts produktivste Zeit als Komponist.