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    Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002) [DD 24bit/192kHz]

    Posted By: tiburon
    Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002) [DD 24bit/192kHz]

    Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002)
    FLAC tracks 24bit/192kHz | Digital Booklet | 3.46GB + 5% Recovery
    Studio Master, Official Digital Download, Deutsche Grammophon

    Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings. This set includes Richter’s excellent recordings of the Brandenburg concertos, the Orchestral Suites, and the Triple Concerto for flute, violin, harpsichord and strings. In the Brandenburgs, Richter provides a light, airy sound for the strings, very different from what was common in the 1960s. His tempi, relatively quick, give the music vigour it had not known perhaps for some 200 years. The instruments take their rightful place here as soloists in an ensemble, and the balance among them is exemplary. Rare indeed, even today, are the conductors who manage to play the Second Concerto with such joy and brio as Richter. Each instrument - the trumpet, the flute, and the oboe - stands out perfectly in the first movement, with its brilliantly lively tempo. The contrast of the second movement, andante, is excellent, and the trumpet shines again as the third movement opens, in this delightful performance. Richter’s Orchestral Suites are much denser than the Brandenburgs, and the tempi more 'standard'. He reads these more as symphonies than suites, but, then again, he puts his own imprimatur on the music. They sound a bit too German, and not French enough for my taste, but one cannot ignore that these performances are full of deep spirit and thought.
    Track List
    01. Suite No.1 in C major, BWV 1066- I. Ouverture
    02. Suite No.1 in C major, BWV 1066- II. Courante
    03. Suite No.1 in C major, BWV 1066- III. Gavotte I-II
    04. Suite No.1 in C major, BWV 1066- IV. Forlane
    05. Suite No.1 in C major, BWV 1066- V. Menuet I-II
    06. Suite No.1 in C major, BWV 1066- VI. Bourree I-II
    07. Suite No.1 in C major, BWV 1066- VII. Passepied I-II
    08. Suite No.2 in B minor, BWV 1067- I. Ouverture
    09. Suite No.2 in B minor, BWV 1067- II. Rondeau
    10. Suite No.2 in B minor, BWV 1067- III. Sarabande
    11. Suite No.2 in B minor, BWV 1067- IV. Bourree I-II
    12. Suite No.2 in B minor, BWV 1067- V. Polonaise
    13. Suite No.2 in B minor, BWV 1067- VI. Menuet
    14. Suite No.2 in B minor, BWV 1067- VII. Badinerie
    15. Suite No.3 in D major, BWV 1068- I. Ouverture
    16. Suite No.3 in D major, BWV 1068- II. Air
    17. Suite No.3 in D major, BWV 1068- III. Gavotte I-II
    18. Suite No.3 in D major, BWV 1068- IV. Bourree
    19. Suite No.3 in D major, BWV 1068- V. Gigue
    20. Suite No.4 in D major, BWV 1069- I. Ouverture
    21. Suite No.4 in D major, BWV 1069- II. Bourree I-II
    22. Suite No.4 in D major, BWV 1069- III. Gavotte
    23. Suite No.4 in D major, BWV 1069- IV. Menuet I-II
    24. Suite No.4 in D major, BWV 1069- V. Rejouissance

    Aurèle Nicolet - flute (Suite No.2)
    Münchener Bach-Orchester
    Karl Richter - conductor


    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter / Bach, J.S.: Orchestral Suites, BWV 1066-1069 (1-6)
    Münchener Bach-Orchester, Karl Richter / Bach, J.S.: Orchestral Suites, BWV 1066-1069 (7-19)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -4.91 dB -16.95 dB 9:18 08-Suite No.2 in B minor, BWV 1067: I. Ouverture
    DR11 -5.50 dB -20.32 dB 1:55 09-Suite No.2 in B minor, BWV 1067: II. Rondeau
    DR9 -4.93 dB -17.54 dB 3:59 10-Suite No.2 in B minor, BWV 1067: III. Sarabande
    DR10 -4.96 dB -18.68 dB 3:30 12-Suite No.2 in B minor, BWV 1067: V. Polonaise
    DR11 -6.52 dB -22.13 dB 1:28 13-Suite No.2 in B minor, BWV 1067: VI. Menuet
    DR13 -5.71 dB -22.31 dB 1:39 14-Suite No.2 in B minor, BWV 1067: VII. Badinerie
    DR10 -6.48 dB -20.26 dB 8:16 01-Suite No.1 in C major, BWV 1066: I. Ouverture
    DR12 -7.55 dB -23.66 dB 2:27 02-Suite No.1 in C major, BWV 1066: II. Courante
    DR13 -10.93 dB -28.83 dB 3:23 03-Suite No.1 in C major, BWV 1066: III. Gavotte I/II
    DR10 -8.59 dB -21.97 dB 1:58 04-Suite No.1 in C major, BWV 1066: IV. Forlane
    DR12 -7.71 dB -26.08 dB 3:06 05-Suite No.1 in C major, BWV 1066: V. Menuet I/II
    DR11 -11.39 dB -26.55 dB 3:35 07-Suite No.1 in C major, BWV 1066: VII. Passepied I/II
    DR8 -2.16 dB -14.28 dB 9:08 15-Suite No.3 in D major, BWV 1068: I. Ouverture
    DR12 -8.68 dB -25.69 dB 5:45 16-Suite No.3 in D major, BWV 1068: II. Air
    DR11 -3.64 dB -18.61 dB 4:04 17-Suite No.3 in D major, BWV 1068: III. Gavotte I/II
    DR9 -3.49 dB -15.49 dB 3:14 19-Suite No.3 in D major, BWV 1068: V. Gigue
    DR11 -4.35 dB -19.89 dB 9:51 20-Suite No.4 in D major, BWV 1069: I. Ouverture
    DR12 -6.32 dB -22.99 dB 2:00 22-Suite No.4 in D major, BWV 1069: III. Gavotte
    DR12 -9.24 dB -25.47 dB 3:37 23-Suite No.4 in D major, BWV 1069: IV. Menuet I/II
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 19
    Official DR value: DR11

    Samplerate: 192000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 5175 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the original customer