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Art Blakey & The Jazz Messengers ‎- A Night In Tunisia (Blue Note 80 Vinyl Reissue Series) (1960/2019) [24bit/96kHz]

Posted By: delpotro
Art Blakey & The Jazz Messengers ‎- A Night In Tunisia (Blue Note 80 Vinyl Reissue Series) (1960/2019) [24bit/96kHz]

Art Blakey & The Jazz Messengers ‎- A Night In Tunisia (Blue Note 80 Vinyl Reissue Series) (1960/2019)
Vinyl Rip | FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 37:56 minutes | 858 MB
Jazz, Bop, Hard Bop | Label: Blue Note Records

Art Blakey was, without doubt, one of the most explosive and rock-solid swinging drummers of all time. He also is one of the finest bandleaders and discoverers of new talent the music has ever known. On the title cut of 1960's A Night in Tunisia, Art is at his most passionate, starting off with a solo full of polyrhythms, color and fire, nearly primal in its intensity. The word "fire" can easily apply to this version of the Jazz Messengers, featuring the blistering trumpet of Lee Morgan, the highly original tenor-saxophonist Wayne Shorter, the funky pianist Bobby Timmons and the always-reliable bassist Jymie Merritt.

In addition to their remarkable instrumental prowess, Morgan, Shorter and Timmons were skilled songwriters. Each contributes a song or two this classic set, including Timmons' "So Tired." However, it is the 11-minute version of Dizzy Gillespie's "A Night in Tunisia," given arguably its greatest recording, that really makes this album a transcendent jazz listening experience for the ages.

This pressing is on SRX Vinyl. SRX stands for “Silent Running Xperience.” SRX is our own proprietary formula, conceived and developed by Rick Hashimoto of Record Technology and manufactured by TPC Plastics. Its noise floor is fathoms lower than any other vinyl we know of out there past or present. Records pressed with it look like normal black discs until you hold them up to the light and see that they are translucent and smoky, silvery gray in color. The near-perfect silence of SRX Vinyl virtually frees the music from groove noise and draws you further into the listening space, setting it in relief so distinct, full and spacious it’s nearly sculptural. You hear more of what’s on the original tapes, not only of the notes played on the instruments but the experience of the event itself. That's why we call it Silent Running Xperience.

Like all Music Matters Jazz releases, this is cut from the original analog tapes, mastered by Ron Rambach and Kevin Gray at Cohearant Audio, and pressed at Record Technologies Inc (RTI). The gorgeous gatefold jacket is from Stoughton Printing in City of Industry, California and includes exclusively licensed photos from the original session inside.

Tracklist:
A1 – A Night In Tunisia
A2 – Sincerely Diana
B1 – So Tired
B2 – Yama
B3 – Kozo's Waltz

foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2020-11-24 15:17:10

––––––––––––––––––––––––––––––––––––––––
Analyzed: Art Blakey and The Jazz Messengers / A Night In Tunisia (MM33)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.70 dB -14.52 dB 11:16 01-A Night In Tunisia
DR11 -1.19 dB -15.97 dB 6:50 02-Sincerely Diana
DR11 -0.99 dB -15.96 dB 6:39 03-So Tired
DR13 -1.34 dB -18.36 dB 6:24 04-Yama
DR11 -1.62 dB -16.68 dB 6:48 05-Kozo's Waltz
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 5
Official DR value: DR11

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3195 kbps
Codec: FLAC
================================================================================



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