Bernhard Lang's album Voice and Ensemble offers a sonic journey through three distinct compositions. In Das Hirn he juxtaposes a solo voice with a chamber ensemble, capturing the end-time force of Durrenmatt's text through intense recitation and dynamic structures. The Travel Agency is on Fire explores William S. Burroughs' cut-up experiments, referencing his innovative techniques in an electroacoustic piece enriched with synthesizers, samplers, and a processed electric guitar. In DW 16.4 'Songbook I.4,' Lang transforms pop songs into a shattered past using the cut-up/scrambler program Abulafia. Lyrics undergo fragmented reconstruction, accompanied by damaged beats and scratch loops, creating a distinctive sonic landscape.

Samuel Andreyev’s music is incredibly varied, from the sparse resonance of the Sonata da Camera, the ‘cartoon music’ – as the composer puts it -of Vérifications, characterised by primary colours and strong instrumental timbres; the Sextet in Two Parts which in contrast focuses on minute timbral shadings; and of course the cantata for solo voice and ensemble which is the title track of the album.