The 18th century had a dynamic musical scene in which much experimentation went alongside respect for accepted traditions. A wide range of hybrid forms emerged in the wake of the French dance suite and the new Italian solo sonata: not only sonatas with divergent forms and suites in which French character titles suddenly gave way to Italian tempo indications, but also everything in between. Korneel Bernolet here presents an anthology of European 'compiled' sonatas in the form of or derived from suites, alongside contrasting compositions that sought the true sonata form. He plays the Joannes Daniel Dulcken magisterial 1747 single-keyboard harpsichord, whose ambassador and titular player he is.

"The harpsichord maker of the greatest eminence… was Joannes Daniel Dulcken". With this quote from Charles Burney, Dulcken stands as one of the most important Flemish harpsichord makers of the 18th century in the tradition of the Ruckers-Couchet dynasty of the previous century. This recording explores the sound the magnificent single-manual Dulcken harpsichord from 1747, now in the collection of the Royal Conservatoire of Antwerp on permanent loan at the Museum Vleeshuis.