"If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dancefloor John’s work (predominately with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists.
Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the era, was fascinated by this new art-form that was saturating the airwaves and rebelling parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gig at the influential Stardust Ballroom in the Bronx (his father had early owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54.

French 24-bit remastered reissue of 1967 album includes three bonus tracks, 'Harlem Lady', 'This Side of Heaven', & 'Poverty Street', packaged in a digipak. David Samuel McWilliams (4 July 1945 – 8 January 2002) was a singer, songwriter, and guitarist from Northern Ireland, best known for his 1967 song "Days of Pearly Spencer".

Bulk Image Downloader is a specialized tool designed to automatically download and save images from thumbnailed image galleries, bypassing all annoying popups and adverts. It can also extract image information from regular text files (such as saved html pages or plain text files containing links) and web pages where image links are listed as plain text.

This 1972 film broke reggae into U.S. pop culture with Jimmy Cliff's Many Rivers to Cross ; the Maytals' Pressure Drop , and the rest of its stellar soundtrack. 30 years later Island and Hip-O teamed to create this 2-CD edition, the definitive master of the original plus 18 cuts of crucial 1968-72 reggae: Guava Jelly Johnny Nash; Sweet Sensation Melodians, and many more of Cliff's classics. Great new liners, too! Jamaican filmmaker Perry Henzell made reggae an integral player in his gritty 1973 saga of a renegade Kingston singer who becomes a modern Robin Hood, casting one of the style's earliest stars, Jimmy Cliff, in the lead, and filling this soundtrack–here presented in a remastered version–with classics from Toots & the Maytals ("Pressure Drop," "Sweet and Dandy"), Desmond Dekker ("Shanty Town"), the Melodians ("Rivers of Babylon"), and the Slickers ("Johnny Too Bad"). Cliff himself gets pole position, however, getting in the first ("You Can Get It If You Really Want") and last ("The Harder They Come") words in this first-rate reggae primer, which also features Cliff's enduring "Many Rivers to Cross." –Sam Sutherland

Join Iain McCaig on a journey into the hidden side of creation, or as he calls it, "The Invisibles". Through this eight lesson course, you'll learn how to engage a viewer with your art, direct their eye with purpose and intent, and create visual stories with a long lasting impact.

Introducing StartAllBack, Windows 11 from better timeline, Embrace, enhance, unsweep classic UI from under the rug.

9 1/2 Weeks Review by Thom Jurek
Every Valentine's Day, video stores and online rental outlets are swamped with requests for the film this soundtrack represents. Crazy as it sounds, this tale of obsession, surrender, masochism, and domination really gets under the skin of some people over and over again. (For those who either don't remember or never knew, the film was an interpretation of a seemingly authentic account of just such an affair by a well-known socialite who wrote it under a nom de plume.) While the film might have a sort of timeless appeal – Kim Basinger and Mickey Rourke were young then, and while one has aged gracefully, the other has become a plastic surgery disaster – the soundtrack (which also experiences a bit of a sales spike during this holiday) has lost much of it. Certainly the theme song, "I Do What I Do," penned by John Taylor (right), Michael Des Barres, and Jonathan Elias and performed by them along with B.J. Nelson, Michael Brecker, and Dalbello, sounds so dated as to be almost laughable, as are contributions by Devo ("Bread and Butter"), Dalbello ("Black on Black"), and Corey Hart ("Eurasian Eyes"). Other cuts here have become classics (or already were): Bryan Ferry's "Slave to Love," Joe Cocker's "You Can Leave Your Hat On," and Eurythmics' "This City Never Sleeps." Still others, such as Luba's "The Best Is Yet to Come" and "Let It Go," are campy fun, and Stewart Copeland's moody "Cannes" is a miniature masterpiece that actually reflects something akin to incidental music in a film score.