Luxury Liner ranks as Emmylou Harris' best-selling solo record to date, and it's one of her most engaging efforts as well; her Hot Band is in peak form, and the songs are even more far afield than usual, including Chuck Berry's "(You Never Can Tell) C'est la Vie" and Townes Van Zandt's painterly tale of aging outlaws, "Pancho & Lefty."

Front Line Assembly (FLA) is a Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. FLA has developed its own sound incorporating elements of electronic body music (EBM) and electro-industrial. The band's membership has rotated through the years, including Michael Balch, Rhys Fulber, and Chris Peterson, all of whom are associated with several other acts…

A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production that he usually helped in, this album seems remarkably true to the general vision of Bob Marley's albums…

THIRD EAR BAND was one of the earliest signings to EMI’s Progressive imprint, Harvest Records. The band was formed in 1968 around a nucleus of GLEN SWEENEY (percussion), PAUL MINNS (Oboe), RICHARD COFF (Violin, Viola) and MEL DAVIS (cello). Third Ear Band were unique in their exploration of exotic baroque music fused with experimental rock. Signing to Blackhill Enterprises in 1969, the quartet opened for many of the legendary Hyde Park free concerts by Pink Floyd, The Rolling Stones and Blind Faith. Their debut album, “Alchemy”, released in July 1969, was championed by legendary DJ John Peel and is regarded as one of the most striking and original works of the era with its unique gothic improvisational music.

Leonard Bernstein was an American conductor, composer, pianist, music educator, author, and humanitarian. Among the most important conductors of his time, he was also the first American conductor to receive international acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history".

Indelibly Stamped, Supertramp's second album, was an improvement on their debut, although the group did have a tendency to indulge themselves in long-winded instrumental sections…

Rickie Lee Jones released her auspicious self-titled debut album in 1979 and its equally impressive follow-up, Pirates, in 1981. By the spring of 1983, she apparently was not close to having a third full-length collection of all original songs ready, so Girl at Her Volcano appeared instead…

While Emmylou Harris spent much of her career carrying on the legacy of Gram Parsons, Elite Hotel ranks among her most overt tributes to his genius, thanks to its covers of the Flying Burrito Brothers' "Sin City" and "Wheels," along with "Ooh Las Vegas" from the Grievous Angel album…

They've dropped the Fabulous from their name but one can't remove it from their music. This is the funkiest album they made. They've stepped out of core group, did a few covers, and brought in some outside players…

Formed in Los Angeles, California, USA, in 1967 by former Leaves guitarist Bobby Arlin, Hook also consisted of Buddy Sklar (bass) and Craig Boyd (drums). Will Grab You showed little of the folk/rock style Arlin’s previous group was noted for, offering instead power-trio heavy rock…

Free as a Bird is the ninth studio album by the English rock band Supertramp, released in 1987. The album was a turn of direction of sorts, with most of the songs stepping back from their progressive rock sound, employing synthesised dance beats and rhythms…

As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era…

Mixed by Grammy Award-winning mixer/engineer Paul Hicks, overseen by Dhani Harrison and remastered and cut at Abbey Road by Alex Wharton, All Things Must Pass is George’s spiritual high, a true classic and unquestionably one of the greatest albums ever made.