Warren Haynes et Allen Woody, tous deux ex-Allman Brothers, forment Gov't Mule en 1994 et livrent un premier album éponyme dès 1995, certificat de naissance d'un groupe naviguant entre rock sudiste, hard rock et blues avec un fort penchant psychédélique et une tendance aux jams aussi longues qu'enfièvrées. C'est ainsi sur scène que Gov't Mule dévoile tout son potentiel et bâtit sa réputation, comme en témoigne le nombre de disques live à son catalogue de Live at Roseland Ballroom (1996) à Mulennium (2010) en passant par Live…With a Little Help from Our Friends (1999) ou The Deepest End (2003). En outre, nombreux sont les musiciens de renom à avoir répondu aux invitations du groupe, parmi lesquels Billy Gibbons, Flea, Bootsy Collins, The Black Crowes, Steve Winwood ou encore Dr John, attestant du potentiel illimité de l'entreprise.

Having already sampled the best of T-Bone Walker’s late 1940s recordings (T-Bone Jumps Again - JASMCD3149) and 1950s recordings (Get These Blues Off Me - JASMCD3051), Jasmine now turns the spotlight on the more obscure session work undertaken by the great guitarist when his career allowed. Spanning over twenty years from his post-war entrance as a singer with Les Hite’s popular West Coast orchestra and his guitar-for-hire stint with Freddie Slack’s swing band, through his early 1950s indie label session work backing California bluesmen Mercy Dee Walton and Roy Hawkins to his European rediscovery in the early 1960s, using his guitar and seldom-heard piano skills to back his fellow headliners Memphis Slim, Sonny & Brownie, Shakey Jake and John Lee Hooker, as well as performing in his own right at the American Folk Blues Festival in 1962.

The sixth night of the 1995 European Tour – and our bold adventurers find themselves in Dusseldorf.While waiting for definitive notes from Sid the Smith, we have Stormy’s show notes. His personal highlights were Walking on Air, Red, the Thrakking, Elephant Talk and the Talking Drum (with the exception of THRAK, a very different selection to the night before).

Presented here are two classic John Coltrane live recordings made at the Birdland jazz club in the early 1960s. While the first three tracks feature the leader with his immortal quartet (featuring McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums), on the last three the great Eric Dolphy is added to that group.

The Greatest Hits is a greatest hits compilation released by Australian rock band INXS in 1994. The compilation was a chart success in Australia, peaking at number two, and in the UK, where it reached number three. It stalled at number 112 on the US Billboard 200; however, it was eventually certified platinum. The album included two new songs: "The Strangest Party (These Are the Times)" and "Deliver Me".The Greatest Hits was originally released with different tracks in the UK, US, Australia, Brazil, and Mexico, and also as a limited edition release with All Juiced Up in the UK and Australia. Japan's release carried the US track listing, and all other nations received the UK track listing. The album was subsequently re-released in 1996 in Australia and in 1997 in Japan with the UK track listing.A special edition of this compilation includes a bonus CD with remixes.

A native to Louisiana, Jerry Lee Lewis embodied the wildest form of rock in the 1950s. He appeared suddenly, after the success of Elvis Presley, whom he challenged. His originality was the key to his popularity: long, blonde, messy hair, a dazzling pianist performing energized country, blues, and rock and roll. He was a born performer who could play standing, as well as with his feet or who could set fire to his piano and continue playing it; he was also a singer of outstanding charisma. His career was broken overnight by a moral scandal in 1958, but his complete output released at the time is indispensable to any rock fan.

With A Little Help From My Friends: Covers of The Beatles 1967–1970 is a massive 74-track, 3-CD collection released by Strawberry (a division of Cherry Red) on November 28, 2025. It is a follow-up to the We Can Work It Out compilation.The collection showcases the Beatles' influence on artists across a wide range of genres—from rock and soul to jazz, folk, and even classical.It includes both established hits (such as Wilson Pickett and Aretha Franklin) and exotic covers, such as Lord Sitar's sitar version of "I Am the Walrus" or William Shatner's infamous rendition of "Lucy in the Sky with Diamonds."

Goose Self-described "indie groove" outfit Goose employs a dynamic, genre-blending sound rooted in American traditional rock, jazz, funk, folk, and progressive rock. Drawing inspiration from jam band legends like Phish, Grateful Dead, and Umphrey's McGee, the band quickly rose through the ranks of the scene, maintaining a prolific live performance schedule and releasing a steady stream of concert albums (2024's Live at the Greek Theater) and studio efforts (Shenanigans Nite Club (2021), Dripfield (2022), and Chain Yer Dragon (2025). Goose was founded in 2014 by ex-Vasudo members Rick Mitarotonda (vocals, guitar), Ben Atkind (drums), and Trevor Weekz (bass). Based out of Norwalk, Connecticut, the group issued their debut album, Moon Cabin, in 2016 – keyboardist, guitarist, and vocalist Peter Anspach joined the roster the following year.

The 1970s was a truly glorious decade of reggae. While the likes of Bob Marley, Burning Spear and Culture powerfully highlighted political and social inequalities, and the message of Rasta, other artists, both in Jamaica and the UK, drew inspiration from the joys and pains of romantic love.

West, Bruce & Laing played Circus Krone in Munich during their final run of shows. This live set catches the band in full swing—no overdubs, just three musicians playing loud, loose, and with something to prove. Jack Bruce, Leslie West, and Corky Laing move between heavy blues, sharp riffs, and long instrumental stretches.

This album features Sugarloaf, a 1970s American rock band led by vocalist and keyboardist Jerry Corbetta. Originating in Denver, Colorado, the band changed their name from Chocolate Hair to Sugarloaf upon signing their first recording contract. Their hits "Green-Eyed Lady" (1970) and "Don't Call Us, We'll Call You" (1975) both reached the top 10 on the Billboard charts. Other charting songs include "Mother Nature's Wine," "Tongue in Cheek," and "Stars In Our Eyes." Their 1975 album, "Don't Call Us, We'll Call You," was a re-release of their 1973 album "I Got A Song," featuring the hit single of the same name.

This album features The Strawbs, one of the standout British progressive bands of the early '70s. Setting themselves apart, their sound drew heavily from English folk music rather than rock. They gained recognition with their hit "Part of the Union," which peaked at number two on the UK Singles Chart in February 1973. Another notable track from the same LP is "Lay Down," a popular progressive rock hit. The Strawbs embarked on tours with Supertramp during their "Crime of the Century" tour, and they undertook their own "Hero and Heroine" tour, drawing musical similarities and themes. A review in Rolling Stone in 1974 praised their transition from folkier roots to a lush, mellotron-dominated sound, drawing comparisons to Yes, King Crimson, and the Moody Blues. Critics noted their compelling songwriting and lyrical depth.

Digitally remastered edition including three bonus tracks. In April-September 1957, John Coltrane and Mal Waldron embarked on a series of all star sessions which were issued on the albums MAL/2 and WHEELIN' AND DEALIN', with further material from the sessions appearing later on an LP titled THE DEALERS. This release contains the complete sessions including all existing material from the aforementioned LPs, plus three further Coltrane-Waldron collaborations recorded that same year.

AVID Jazz continues with its Four Classic Albums series with a finely re-mastered 2CD release from John Coltrane with The Red Garland Trio & Quintet.

George Harrison Nicknamed "the Quiet Beatle" at the height of Beatlemania, George Harrison did indeed seem somewhat reserved compared to the other members of the Fab Four. He favored wry wit to Ringo Starr's clowning, and he never indulged in either John Lennon's penchant for controversy or Paul McCartney's crowd-pleasing antics. He preferred sly provocations to larger-than-life bravado. Harrison's measured, considered persona was reflected in his music, particularly his clean, composed lead guitar parts but also in his earliest songs for the Beatles where he didn't seem to waste a line. With the introduction of psychedelics, spirituality, and Indian music in the mid-'60s, George's horizons expanded considerably and he started to come into his own as a musician, releasing a pair of experimental albums on Apple's Zapple offshoot before settling into a songwriting style that spliced Dylanesque introspection with his natural pop grace, while also developing a unique slide guitar technique that owed nothing to the blues. Later Beatles albums hinted at this flowering of talent; The Beatles and Abbey Road contained some of his strongest work, with the latter including the standard "Something," a song Frank Sinatra called "the greatest love song of the past 50 years."Still, it wasn't until the 1970 release of All Things Must Pass, the post-Beatles triple album that was effectively his solo debut, that the general audience appreciated the depth of his talents.