The second live album by Italian soul/jazz vocalist Mario Biondi, recorded during his 2010 Spazio Tempo Italian tour, featured two jazz bands facing each other. In this double set, Biondi performs his most recent studio effort, If (2009), in its entirety, and adds a medley, a cover of "Nature Boy," three songs featuring acid jazz combo Incognito, and a studio version of the previously unreleased title track.

Italian jazz-soul vocalist Mario Biondi was born of artistic stock in the Sicilian city of Catania. His great grandfather was a respected painter, his grandmother a singer, and his father a popular songwriter. Biondi sang throughout his childhood, first performing in public at age 12 in church, and soon singing in public squares before hundreds of people. From there he competed in the Festival della Canzone Siciliana, taking third place. Biondi's musical pursuits earned him the opportunity to perform alongside such Italian vocal greats as Califano, Bongusto, and Fiorello, as well as American legend Ray Charles. As word of his talent and skill got out, Biondi found himself collaborating with groups like the Change, Mario Brothers, and Funky Company on recordings and tours.

Emancipation was as expansive an album as anything Prince had ever released. A triple album constituting exactly three hours of music, Emancipation found Prince celebrating the release of music solely on his terms. “This is my most important record,” he proclaimed upon its release. “I’m free, and my music is free.”

After the righteous anger and occasional despair of the socially motivated Innervisions, Stevie Wonder returned with a relationship record: Fulfillingness' First Finale. The cover pictures his life as an enormous wheel, part of which he's looking ahead to and part of which he's already completed (the latter with accompanying images of Little Stevie, JFK and MLK, the Motor Town Revue bus, a child with balloons, his familiar Taurus logo, and multiple Grammy awards)…

On this album, Was (Not Was) explores various blends of funk, rock, dance and pop styles with delightful results. There is much quirky humour in a song like I Feel Better Than James Brown, an addictive tune with a hypnotic beat that pays tribute to James Brown's masterpiece I Feel Good. The lyrics are just priceless! Unusually for Was (Not Was), they also explore the dark side of life in Maria Novarro, a powerful song with a nervous beat and disturbing lyrics about domestic violence: "In the city of Angels, there's no mercy and there's no tomorrow for Maria Novarro …". Adding to the charms of this multifaceted album is Leonard Cohen who contributes the main vocal on Elvis' Rolls Royce over a jazzy background. The next track Dressed To Be Killed is a jerky rap number with lovely sax infusions, whilst Just Another Couple Broken Hearts is a mellow ballad.

The Les Humphries Singers was a 1970s musical group formed in Hamburg, Germany in 1969[1] by the English-born Les Humphries (born John Leslie Humphreys, 10 August 1940, in Croydon, Surrey, England - died 26 December 2007, in Basingstoke, Hampshire, England)…

Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver…

A monster album, the one that put them back in the spotlight and signaled that Norman Whitfield had saved the day. Damon Harris had replaced Eddie Kendricks, and there were many doubters convinced the band was finished. Instead, Whitfield revitalized them via the majestic single, "Papa Was a Rollin' Stone." Despite its length, Whitfield's decision to open with an extensive, multi-layered musical suite and tease listeners was a master stroke. By the time Dennis Edwards' voice came rushing in, no one would dare turn it off. The single, as well as "Law of the Land" and others, ended the funeral arrangements that had been prepared for the Temptations. The album was included in the book 1001 Albums You Must Hear Before You Die.

Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. Considering the artistry of the late Eric Dolphy and the popularity of the late Herbie Mann, Laws is notably in the company of the most recognized and respected jazz flutists in the history of jazz, (also the most imitated). Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another…