Stop at Nothing is the fourth album by the Maryland technical death metal band Dying Fetus. The album, like its predecessor, Destroy the Opposition, was produced by the band and Steve Carr. Shortly after the release of Destroy the Opposition, all of the band except for John Gallagher quit. Gallagher brought in new vocalist Vince Matthews, guitarist Mike Kimball, bass guitarist Sean Beasley and drummer Eric Seyanga. The black and white part of the cover of the album is part of a photograph taken by Lewis Wickes Hine, the American sociologist and photographer, called "Power house mechanic working on steam pump".The steam pump has been shown in color while the original photo was completely black and white.

Not wanting to leave a good thing behind, Moore reprises Still Got the Blues on its follow-up, After Hours. While his playing is just as impressive, the album feels a little calculated. Nevertheless, Moore's gutsy, impassioned playing makes the similarity easy to ignore.

Contagious [EP] (2003). One of the most interesting items from the “Contagion” tour merchandising is this EP, entitled “Contagious”, a reasonably necessary complement to the LP. This CD includes four brand new songs, and a remix of “Witch Hunt”. In short, a brief but interesting release, a must for any Arena and Nolan collector. And don't forget another great artwork job by David Wyatt.
Contagium [EP] (2003). “Contagium” is the second and last EP to follow British progressive rock band Arena’s early 2003 studio album “Contagion”. Just like “Contagious”, the second EP that was released mid 2003, this mini album contains tracks that complete the conceptual story and musical journey of the full album, supplemented by a special remix.

Elements Pt. 1 is the ninth studio album by power metal band Stratovarius, released on 27 January 2003 through Nuclear Blast.

Detective wasn't without its detractors who dismissed the short-lived band as a poor man's Led Zeppelin. But Detective had more to offer than that. To be sure, Detective was heavily influenced by Zeppelin, but it wasn't a knee-jerk Zeppelin clone – and its bluesy brand of hard rock also owed a lot to Bad Company and Free and Pretty Things. Released in 1977, It Takes One to Know One was the second of Detective's two studio albums. This LP is uneven; a few of the tunes are pedestrian and forgettable (especially the sappy MOR numbers "Warm Love" and "Something Beautiful"). But when Detective hits its mark – and it often does – the listener is happy to have this record in his/her collection.

From HearMusic's Opus Collection line comes Stepping Out of a Dream, a collection of Nat King Cole's higher quality songs as deemed by the compilation experts. The collection focuses on the work from the '50s and '60s, making only passing reference to his earlier piano work. The feature that sets this compilation apart from the numerous other Cole retrospectives is the song selection. The producers avoided the most obvious choices and the standards of Cole's career, replacing them with a number of basic standards from the jazz repertoire imbued with his outstanding sense of delivery and timing.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team.

If you need a serious shot of the Crüe, drink up. Music to Crash Your Car To, Vol. 1 is the first four-disc installment of yet another re-releasing of the band's material, though this time the entire catalog is getting the treatment in three separate boxes. This initial set covers the band's halcyon/hell-raising early days of 1981-1987 (i.e., Too Fast for Love, Shout at the Devil, Theatre of Pain, and Girls, Girls, Girls)…

Final recordings: Face to Face combines previously released material from John Lee Hooker with unfinished tracks he was working on before he died. Compiled by the estate of Hooker, with his daughter Zakiya at the helm, the unreleased material leans heavily toward soul-blues united with Hooker's patented electric Delta boogie. "Loving People," "Funky Mabel," "Six Page Letter" (a ballad with synth strings), and "Rock These Blues Away" are highlights. Zakiya Hooker takes the spotlight on "Mean Mean World," singing lead alongside her father, and the acoustic "Wednesday Evening Blues" features George Thorogood on guitar. Hooker staples "Dimples," "It Serves Me Right to Suffer," "Mad Man Blues," and "Boogie Chillen" also make their perennial appearances. While there are no real surprises here, Face to Face still sounds great and is recommended alongside John Lee's last official releases, Chill Out and Don't Look Back, both on Pointblank.

Eric Sardinas is an American blues-rock slide guitarist born in Fort Lauderdale, Florida. He is noted for his use of the electric resonator guitar and his live performances. He sometimes sets his guitar alight on stage and during shows. In 2000 in Sydney, Sardinas suffered third degree burns to his left wrist. Sardinas began to play the guitar at age six and leaned toward vintage recordings by such Delta bluesmen as Charlie Patton, Bukka White, Big Bill Broonzy, Elmore James, and Muddy Waters. Although he was left-handed, he eventually started to play right-handed. In 2002, he featured on the Bo Diddley tribute album Hey Bo Diddley - A Tribute!, performing the song "Ride On Josephine". He signed to Steve Vai's Favored Nations record label and was the opening act for Vai's The Real Illusions Tour 2005 around the world. In 2008, Sardinas released Eric Sardinas and Big Motor on Steve Vai's Favored Nations record label in the U.S.

In late 2003 TD surprised their fans with the announcement of Rockface, a live recording from the 1988 North America tour. The double album was finally released on December 18th, 2003 and features a virtually untouched soundboard recording of the third-last gig of that tour, recorded in Berkeley/San FranciAfter several bootlegs and fan releases this album is the first official recording from that tour featuring the short-time line-up Froese/Haslinger/Wadephul. The sound quality is excellent for a live album, though not always studio standard…