John Williams In Vienna’ featuring the legendary composer’s debut concert with the Vienna Philharmonic will be released in August 2020.

The music on Ainda was the soundtrack for the film Lisbon Story by the German director Wim Wenders. Wenders had known the band before and appreciated their music very much, so he decided that they should not only write the soundtrack but also appear and act as themselves in the film. The songs on this album are of a deep tranquility and beauty; they make one want to board the next plane to Lisbon and roam the steep, narrow streets of the Portuguese capital in search of the essence of life…

This is a collection called “Tidbeats”. Its title means “music bars” but it reads also as tidbits. It contains, in fact, original unreleased tracks from the likes of Stelvio Cipriani, Francesco De Masi, Piero Umiliani, Gianni Ferrio, Giorgio Gaslini, Riz Ortolani, Armando Trovajoli, Piero Piccioni and many other great masters of the Italian soundtracks.

Craig Armstrong (Moulin Rouge!, The Great Gatsby, The Incredible Hulk, Romeo + Juliet, Love Actually) has recently scored the upcoming British/Australian drama Dirt Music. The film is directed by Gregor Jordan (Buffalo Soldiers, Ned Kelly, The Informers) and stars Kelly Macdonald, Garrett Hedlund, David Wenham, Julia Sarah Stone and Aaron Pedersen. The movie based on the novel of the same title by Tim Winton is set against the landscape of Western Australia and tells an impassioned tale of love and grief. Jack Thorne (Wonder, The Aeronauts) wrote the screenplay. Finola Dwyer & Amanda Posey (Brooklyn, An Education), Angie Fielder (Lion) and Polly Staniford are producing the Wildgaze Films and Aquarius Films production.

The central irony in director Dan Pritzker’s film about Buddy Bolden, the first jazz musician to become known for his individual sound, is that no recordings of Bolden are known to exist. (He was active at the end of the 19th century and the beginning of the 20th, and he died in 1931.) But if the soundtrack to Bolden begins as speculation, that’s not the same as groping in the dark: We know about aspects of the cornetist’s eclectic repertoire and how he transformed it, in an ensemble style which can be gleaned from the sole existing photograph of Bolden, standing amid his band with trombone, two clarinets (in B-flat and C), upright bass, and guitar.

The soundtrack to Errol Morris' documentary The Thin Blue Line emphasizes story over music; the interviews which make up the majority of the film – a crusading effort which led to the the release of its subject, Randall Adams, from a Texas prison – are presented on record as they were on screen, with Glass' chamber orchestra music hovering in the background. The result is a soundtrack which comes remarkably close to capturing the power of its source film; even without the moving images, this is a chilling document.

This is the soundtrack/score to Stargate: The Ark Of Truth done by Joel Goldsmith. The company responsible for this is FreeClyde Music.

Obscured by Clouds is the soundtrack to the Barbet Schroeder film La Vallée, and it plays that way. Of course, it's possible to make the argument that Pink Floyd's music of the early '70s usually played as mood music, similar to film music, but it had structure and a progression…

Rated PG is a compilation album of songs for film soundtracks by English rock musician Peter Gabriel. The track selection spans over 30 years of music created for the individual films, with Walk Through the Fire being the earliest from 1984 and Everybird being the most recent from 2017…

Michael Nyman came of age as a classical composer in the radical London of the late '60s. His work embraces multiple vernaculars (jazz, avant garde, conceptual art) and helped cement the foundation of what came to be known as minimalism. Decades into his career, Nyman's score to Jane Campion's film The Piano made him a star. The movie's themes of colonialism and silence (its protagonist, portrayed by Holly Hunter, cannot speak) were perfectly aligned with his longtime interests in world and ambient music. Horn players assist members of the Munich Philharmonic Orchestra in fleshing out Nyman's stately, hymn-like motifs. On the more heavily orchestrated cues, sentimentality wins out over minimalist restraint; the best tracks feature Nyman on solo piano, playing the rudimentary, faux period repertoire of Hunter's character.

Academy Award-nominated composer Hauschka composed the original score to Adrift. The film's soundtrack includes his original score and a cover of Tom Waits's "I Hope That I Don't Fall In Love With You" by Emilíana Torrini. Hauschka is a composer who creates experimental music which tells the story in a minimalistic way. In the soundtrack he combines passages with piano and string melodies with synths. Adrift is based on the inspiring true story of two free spirits whose chance encounter leads them first to love, and then to the adventure of a lifetime.

Tweedy—the family band of Wilco’s Jeff Tweedy and his sons, Spencer and Sam—have completed their first film score. The trio composed the soundtrack for Showbiz Kids, a new documentary from Alex Winter (best known as Bill from Bill & Ted’s Excellent Adventures). The forthcoming movie follows actors who got their start in Hollywood when they were children.

The Blue Velvet soundtrack by Angelo Badalamenti is a dark combination of classic composition and vintage/modern pop songs, which mirrors the film's un-stated timeless setting envisioned by David Lynch and unsettling neo-noir atmosphere. Thus, the film has become noted for its diverse musical selections. Seen as a prominent stylistic feature in the film is the unconventional use of vintage pop songs, such as Bobby Vinton’s "Blue Velvet" and Roy Orbison’s "In Dreams", juxtaposed with an orchestral score.

The soundtrack album for Eternal Sunshine of the Spotless Mind was released by Hollywood Records on March 16, 2004. It features the score, composed by Los Angeles musician Jon Brion, as well as songs from artists E.L.O., The Polyphonic Spree, The Willowz, and Don Nelson. Beck, in a collaboration with Jon Brion, provides a cover version of the Korgis' "Everybody's Got to Learn Sometime". Many of the vocal songs either revolve around memories or the sun.

John Carpenter s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker not only directed and wrote his films but also created his own unique brand of atmospheric synthesiser scores. This updated version of Silva Screen s long deleted and sought after 2000 reissue brings together not just the original album which featured 20 minutes of newly released music but a second 20 track disc of the entire score, drawn from the original tapes, remastered by long-time Carpenter collaborator Alan Howarth.