Album was composed by Pietro Giacomo Dell'orso and was released on July 11, 2025. Soundtrack consists of 8 tracks tracks with duration over about 25 minutes. Album was released by Cam Sugar UME.

Album was composed by Daniele Patucchi and was released on July 11, 2025. Soundtrack consists of 9 tracks tracks with duration over about 25 minutes. Album was released by Cam Sugar UME.

The soundtrack to a documentary on the Blue Note label's history, Blue Note: A Story of Modern Jazz also works quite well as a introductory sampler for neophytes. The mix ranges from bebop (Howard McGhee and Fats Navarro's "Boperation") to some free-form hard bop (Grachan Moncur II's "Evolution"), with plenty of distinct voices to hear along the way. The full list is predictably stunning, including as it does the likes of Miles Davis, Monk, Herbie Hancock, Lee Morgan, Joe Henderson, Hank Mobley, and Bud Powell; the extensive support cast is equally impressive. So, whether you go in for boogaloo grooves (Morgan's "Sidewinder") or a bit of prickly bop (Elmo Hope's "Crazy"), this audio history of one of the most important record labels in music will no doubt provide a bevy of listening pleasures.

Shortly before the Swinging Sixties started in Great Britain, France was the bastion of cool European pop sounds. Sensual young French women with a lot of mascara and a dreamy innocence marked what was to go down in music history as "Les Années Yé Yé". The Yé Yé women grabbed American and British pop, gave it an unmistakably Gallic touch and provided a lively sound that still sounds good and catchy today. This collection brings together a whole bar of rare and sought-after tracks: from relaxed sound like "7 Heures Du Matin" by Jacqueline Taieb and Katy David's version of Petula Clark's "Call Me" to "Je Suis Sublime" by Elizabeth.

Celebrating the 50th anniversary of You're a Good Sport, Charlie Brown and the 75th anniversary of Peanuts, this premiere release presents Vince Guaraldi's complete soundtrack, including previously unreleased music. Available on Zoetrope vinyl, CD, and digital, the album features iconic themes, bonus tracks, and exclusive content, mixed and mastered from original session tapes. Jazz musicians contribute to the vibrant score, and the package includes special artwork, liner notes, and Zoetrope animations on the vinyl itself.

The Album - the supercharged companion album to Apple Original Films and Warner Bros. Pictures' high-octane, action-packed film F1, starring Brad Pitt. From the label that brought you the award-winning, blockbuster soundtracks Barbie The Album, Twisters: The Album, The Greatest Showman, Suicide Squad and more, F1 The Album is driven by brand new tracks from an exhilirating lineup of superstar artists.

Also premiering on Friday is the Disney+ original documentary The Beach Boys directed by Frank Marshall & Thom Zimny about the legendary band that revolutionized pop music, and the iconic sound they created that personified the California dream. Capitol/UMe will release a soundtrack album featuring the songs from the movie on May 24. Check back on this page for the full album details and to learn more about the documentary, which traces the band from humble family beginnings and features new interviews with The Beach Boys’ Brian Wilson, Mike Love, Al Jardine, Bruce Johnston, David Marks & others and which will be available to stream exclusively on Disney+.

One of the greatest non-blue Note albums ever recorded by Art Blakey in the early days - an album that was originally only ever issued in France, as the material here was done for a great new wave film directed by Roger Vadim! The vibe here is nicely different than some of the more familiar Blue Note albums of the time - in part because the set is a soundtrack, done in a spirit similar to the great Miles Davis French soundtrack of the same period - but also because the album features a very special appearance from the young tenor star Barney Wilen - a key player on the French scene who'd also shown up on Miles' soundtrack, and who's equally great here with Blakey! The rest of the group echoes the Jazz Messengers of the period - with Lee Morgan on trumpet, Bobby Timmons on piano, and Jymie Merritt on bass - players who do a nice job of linking the album to other Blakey work…

'Superman' (2025)'s soundtrack is now out!

Hans Zimmer's score for Edward Zwick's samurai epic The Last Samurai mixes his own densely composed style with Japanese instruments and melodies, resulting in a brooding, atmospheric collection of music. Shakuhachi and other flutes, koto, and taiko drums make their presence known throughout the score, most effectively on compositions like "A Way of Life," which begins as a reflective duet for flute and strings before swelling into an ominous but majestic melody. "Spectres in the Fog" is another compelling mix of beauty and violence, starting with a delicate koto melody and rolling drums before crashing percussion and sawing strings turn the mood from bittersweet to battle-ready. These drums of war and battle cries increase as the score unfolds, making tracks such as "Safe Passage," "Ronin," and "Red Warrior" nearly as tense and striking outside of the film's context as they are in it…

Andre Konchalovsky's 1986 film Shy People, would seem the perfect vehicle for a Tangerine Dream score. Alternately pensive and paranoid, full of taut drama and dreamy expanses as well as moments of true psychological horror, Edgar Froese, Christopher Franke, and Paul Haslinger not only scored the film, but produced and engineered the recording, too.

Another cinematic episode in the continuing Pirates of the Caribbean franchise means another Hans Zimmer soundtrack…right? Well, yes and no. It's true that Zimmer, with his trademarked European sense of flair, has scored Pirates of the Caribbean 4: On Stranger Tides with his usual orchestra and choir, but there are a couple of twists to make things a tad more interesting. Zimmer, a longtime fan of virtuoso acoustic guitar duo Rodrigo y Gabriela from Mexico, decided to incorporate them into his score, which is rich in Latin and flamenco themes. They are prominently featured on no less than five cues here. In fact, it's more like the selections that include Rodrigo y Gabriela - "Angelica," "The Pirate That Should Not Be," "South of Heaven's Chanting Mermaids," "Palm Tree Escape," and "Angry and Dead Again" - feature their flashy, soulful guitar work in the foreground adorned by Zimmer's strings, voices, brass, and woodwind sections…

In his liner notes to this collection, Henry Mancini, who wrote five of the 11 selections, makes the case that Audrey Hepburn was the inspiration for his writing for the pictures she starred in, and who is to disagree with him? Certainly, some of Mancini's most memorable work came with his Hepburn movies of the early '60s – Charade, Two for the Road, and of course, Breakfast at Tiffany's. Other pieces here cannot be tied so closely to Hepburn; Frederick Loewe's music for My Fair Lady predated her. Still, it is Hepburn's image that comes to mind when one bears Fred Astaire singing "He Loves, She Loves" from Funny Face, even if composer George Gershwin died when she was nine. In any case, this compilation makes for a charming listening experience, especially at its end, when Hepburn is heard singing "Moon River."

Quartet Records, in collaboration with GDM and EMI Music Publishing Italia, presents a remastered, expanded edition of Ennio Morricone’s avant-garde score for Elio Petri’s UN TRANQUILLO POSTO DI CAMPAGNA (aka A QUIET PLACE IN THE COUNTRY) (1968). The film, a psychological thriller-drama starring Franco Nero and Vanessa Redgrave, is about a renowned and neurotic painter (Nero), who after moving into a dilapidated rural villa to reinvigorate his creative energies, becomes obsessed with an uninhibited countess who died there many years prior. The film inspired one of Morricone’s most fascinating scores, and one of his favorites. The composer based his ideas on two different musical styles: one more phantasmagorical, ethereal, and the other experimental, aggressive, with an essential contribution from the famous avant-garde group of which Morricone was a member: Gruppo D’improvisazione Nuova Consonanza. This musical duality allows Morricone to reflect how sanity gradually and irretrievably loses ground to madness in Franco Nero’s character.

La-La Land Records, Columbia Pictures and Asylum Records proudly present a remastered 2-CD limited edition re-issue of renowned composer Elmer Bernstein’s (GHOSTBUSTERS, TRUE GRIT, STRIPES) original motion picture score to the 1981 big screen, cult classic animated fantasy/action epic HEAVY METAL, produced by Ivan Reitman and directed by Gerald Potterton. A highly ambitious feature film animated adaptation of the legendary comic magazine HEAVY METAL required a musical underscore worthy of launching the entire enterprise into the stratosphere and the late, great Elmer Bernstein proved more than up to the challenge, delivering a rousing orchestral score that expertly drives the movie’s varied scenarios, moods and characters to wonderous heights. In total, the score remains a signature effort from one of the most uniquely American composers ever to come out of Hollywood. Produced by Neil S. Bulk and mastered by Doug Schwartz, this deluxe remastered release features the Score Presentation on Disc One, sourced from the composer’s own ¼” stereo tapes, while Disc Two unleashes the Original 1981 Score Album, which offers a different mix, and is also making its world premiere CD debut here, sourced from the original album masters.