This May, we welcome a brand-new special event – Ilan Eshkeri’s Space Station Earth. An epic concert and visual experience that is like nothing else on earth.Created in collaboration with The European Space Agency, this music event from award-winning composer and show creator Ilan Eshkeri, allows you to see through the eyes of an astronaut.

Playing her way from the subways and streets of London and Boston, guitarist/vocalist/songwriter Mary Lou Lord broke into the indie rock scene in 1994 on the Kill Rock Stars label. After appearing on a KRS compilation, Lord released a self-titled EP in 1995 and a second EP, Martian Saints, in early 1997. Got No Shadow, her major-label debut with Sony Music's WORK Group, was released in 1998.

Dragon’s Domain Records presents the long out-of-print orchestral score to HYPERSPACE, composed by Don Davis. One of the first feature length STAR WARS parodies, HYPERSPACE came out in 1984. Known in England as GREMLOIDS and as GREMLORDS in France and Germany, HYPERSPACE was writer/director Todd Durham’s second and last film as director, working with ambitiously cost-conscious low-budget producer Earl Owensby. The movie was released in September 1984, but it wasn’t until 1988 that the film received a wider release on home video.

Dave is perhaps best known for his enduring creative relationship with one of Hollywood’s most respected figures – Vince Gilligan. Since the remarkable pilot episode of Breaking Bad in 2007, Dave has written the original music for all of Gilligan’s projects. He scored all 62 episodes of that groundbreaking series and created its iconic opening theme. Actor/Producer Bryan Cranston stated: “With his music, Dave Porter has created another character for Breaking Bad. Evocative and meaningful, Dave’s work is an essential part of the storytelling.” Since then, Dave has also been behind all of the original music for Breaking Bad’s equally acclaimed spin-off, Better Call Saul, which is now in production of its sixth and final season. And of course, Dave helped bring the Breaking Bad universe to the big screen with his original score to Gilligan’s feature film El Camino: A Breaking Bad Movie.

Non content d'être un des plus grands réalisateur de films d'horreur et d'action - genres qu'il a fait passer dans la modernité - John Carpenter est également l'auteur de la musique de la plupart de ses chefs d'oeuvre. Depuis Dark Star en 1974, John Carpenter est l'auteur des musiques de ses principaux films sortis en salles. Seuls échappent à la règle The Thing (1982), Starman (1984), Les Aventures d'un Homme Invisible (1992), et The Ward (2011). John Carpenter est ainsi l'auteur de la musique et du terrible thème de Halloween (1978), de celle lancinante de Assaut (1976), ou encore de Fog (1980), Vampires (1998), et Ghosts of Mars (2001). Pour l'anecdote, John Carpenter a été jusqu'à former son groupe The Coupe de Villes, auteur d'un unique album en 1985.

Takashi Yoshimatsu’s wide-ranging musical influences often combine jazz and rock elements with classical, folk and world music. This album focuses on a unique series of three solo piano works for the left hand, inspired by his great friend Izumi Tateno. These lyric and beautiful miniatures are saturated in nature and birdsong, as can be heard in the evocative Tapiola Visions and in the seven bouquets that form Ainola Lyrical Ballads which are dedicated to Sibelius. In Gauche Dances, we hear a sequence that includes the tango and boogie woogie, displaying how eagerly and ebulliently Yoshimatsu breaks boundaries.

George Peter Sluppick (born January 14, 1968 in Memphis, Tennessee. to George Thomas Scott Sluppick and Rosa Lee Deckard) is an American touring and session drummer, best known for his association with bands such as The City Champs, Robert Walter's 20th Congress, Sha Na Na, JJ Grey & Mofro and the Chris Robinson Brotherhood.

The Graham Bonnet Band has announced the upcoming release of a new studio album, "Day Out In Nowhere" on May 13, 2022.

The groundbreaking album, Beauty and the Beat was released in 1980… Every track is a treasure, a mini teen drama immediately appealing, relatable and memorable… From the very start they were instantly identifiable and maybe a little out of step… They indeed had a unique vision… It wouldn't be long till they would charm the pants off the entire world… They had everything… THE GO-GO'S seemed to be more talented than most of their peers and they were always a few steps ahead… In 1982 claimed the number one spot on the Billboard chart and stayed there for 6 weeks and of course it eventually went double platinum… THE GO-GO'S were the first all female band that wrote their own songs and played their own instruments to achieve that massive distinction… They soon proved to be a blueprint and an undeniable inspiration for like-minded girls and they spearheaded a deluge of hopeful girl bands… Pretty much any successful female artist of the past 40 years will swiftly site THE GO-GO'S as an important influence… Now Sympathy is releasing a tribute album to the girls who conquered a male dominated industry and essentially changed everything successfully rewriting the rule book… This tribute, If You Gotta GO-GO, GO-GO now features 24 bands… Included in the line-up are a few big-hitters and others you'll likely be hearing for the first time… I've been working on this since last year with the rather amazing Travis Ramin and tirelessly he has helped turn it into an impressive reality… This was in fact a daunting task and sadly some artists we would of liked to have recruited were unable to participate… Produced by Travis Ramin and with the Mighty GEZA X at the helm tying it all together we are confident it will be an amazing/heartfelt artifact honoring the brilliantly talented and ever-lovely GO-GO'S.

We’re delighted to announce the return of our beloved Record Store Day compilations with Super Skunk: a brand-new blend that’s hard on the drums and horns…and easy on the ears. Featuring tracks by Cannonball Adderley, the Bar-Kays, and Gary Bartz, among others, Super Skunk will take listeners on the ultimate groove trip—zigzagging between hard-bop soul jams and rhythmic meditations.

The spring have a sound and come back every year with the CD "Spring Lounge". Sounds like sunshine warm up your ears for the colourfulst season of the year. Enjoy beautiful chill sounds to dream and relax. Selected by DJ Michael Maretimo.

Three CD set. 40 years on from the heyday of UK ska, this set is a bouncing, brilliant celebration of the one-of-a-kind genre. From it's Jamaican '60s roots to the streets of '70s England and beyond, this album is the only ska collection you'll ever need. Featuring Madness, The Specials, Toots and the Maytals, Desmond Dekker, The Upsetters, The Beat and so many more.

Introducing: Fragments, a new annual invitation from Deutsche Grammophon for twelve leading electronic artists to respond to a single composer. From ambient music to conceptual art, minimalism to rock, Satie’s music made its mark. Who better, then, to be the first figure explored in Fragments. With one single released each month, Fragments gradually builds over the course of a year, creating a portrait for the 21st century.

Robert Docker was one of the giants of light music – a composer and arranger whose works graced stage, screen, radio and television. Two of his best pieces were written for piano and orchestra: Legend, which can rank alongside Addinsell’s Warsaw Concerto (Naxos 8.554323); and the brilliantly witty inventions of the Pastiche Variations. Not only was Docker a distinguished orchestrator, he was also a rich melodist as his classic Scène du bal illustrates, while the composer’s impish humour can be savoured in Tabarinage. Docker’s early training as a classical violist fully equipped him to explore the British pastoral tradition in the languid and beautiful Air.

In his Choros, Guarnieri wrote music that conjures up the landscape and essence of Brazil. These very personal concertos reveal the composer’s refined instrumental combinations and elegant contrapuntal writing, while their dance rhythms are vivacious, drawing on the baião, maracatu and embolada. The Choros in this second volume represent all stages of Guarnieri’s compositional development. Also included is the delightful and inventive Flor de Tremembé, an early work with choro-like features.