If jazz remains the “sound of surprise”, Luxembourgish pianist Michel Reis still cleaves to that hoary definition of the music. While still attractively accessible, Reis’s solo improvisations constantly take unexpected directions. He plays the piano “straight”, but still somehow manages to make it sound deliciously unfamiliar, as if it was only invented yesterday. On his second recording as leader for CAM JAZZ, Reis dedicates his music For A Better Tomorrow.

Svaneborg Kardyb's Tiny Desk (Home) concert was recorded in the countryside of Djursland, Denmark. "You have to drive for a while on a gravel road, and then you come to a lovely old house surrounded by hills and a stream on one side and a very flat landscape on the other, where you can see 10 miles away,". It's this place that inspired Svaneborg Kardyb's second album, Haven (or "garden" in English). "Haven celebrates places we like to be," the duo said.

"The basic gesture of the record is a continuous flow of an almost psychedelic nature, which explains why I enjoyed playing the record again and again, but kept drifting off in my thoughts. The permanent feeling of being in an alchemical laboratory, in which it bubbles continuously and strange acoustic smells rise up (i.e. this typical Muppet laboratory of Dr. Bunsen-Honeydew, in which the ball-headed master of ceremony with glasses mixes colourful liquids according to aesthetic feeling rather than exact experimental setup), doesn't let go of you - or rather me in this case. The result: for some it's gold, for others it's Jazz-Por-Zell-An-Bruch etc. And Beaker like this: "mimimi.""

Search Party is the debut album from pianist, Rupert Cox. Rupert has made a little following for himself already being a respected player for Myele Manzanza, China Moses, Chris Hyson and many more. His debut album swings between laidback contemporary jazz and swirling electronics. There are mellow and moving moments alongside joyful, uplifting melodies and dancing rhythms.

Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and arranger. The Right Touch is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate. Highlights of the set include the picante opener “Chili Peppers,” the lightly swinging “Make It Good” (a feature for Pearson’s elegant piano stylings), the exquisite bossa nova ballad “My Love Waits (O Meu Amor Espera)” on which Hubbard’s flugelhorn takes the lead, the down-home blues “Scrap Iron” which seems to have been custom made for Turrentine’s soulful tenor, and the whirling album closer “Rotary” which swings round and round as the soloists each make their emphatic closing statements.

As a first, this time around the individual tracks go less by titles than by explanatory cues, for in the first, “Bridging,” we find connections already being made between disparate continents. Its guitar-like exuberance and melodic percussion (courtesy of Alain Joule) skirt arco territories toward stillness. “The Flow” brings about a sense of fluidity through electronic whispers, Joule’s vivid comments accentuating the bass’s inner core and painting its outer skin with observations. Phillips elicits a range of avian effects, from twittering concealed in foliage to lanky elegance of cranes and waterfowl, both hunting and in the rapture of a mating dance. “Ripples Edge” does indeed trace the water’s rim with its opening harmonics and navigates surface tensions like a water skater.

The music is improvised and inspired by the book of Judith Schalansky. The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics. Judith Schalansky: "Atlas of Remote Islands, 50 islands I never set foot on and never will" Original: "Atlas der abgelegenen Inseln" (2009, Mare Verlag)a

Tourismo is the brainchild of drummer Alex Hirlian and pianist Matthew Thomson. Both past National Jazz Award winners, the pair have just released their debut alongside a host of emerging Australian talents.

Jasper Høiby, a name synonymous with audacity, innovation, and a significant driving force behind the trailblazing Phronesis, is excited to announce his new piano trio "3 Elements” set to release its debut album, "Earthness," digitally on November 24th, 2023 with Noah Stoneman and Luca Caruso.

With nine exceptionally strong trio and solo albums Espen Berg (40) has become one of the most central and tone-setting Norwegian jazz musicians today. November 24 marks the release of his new album Water Fabric on Odin Records, which shows completely new sides of Espen as a composer. He has put together a hand-picked ensemble consisting of six high-profile Norwegian musicians with a background in jazz, classical, Norwegian folk music and Indian classical music. This composition reflects Espen's ability to make any musical expression his own, and with Water Fabric he has created a melodious, boundary-breaking, and breathtaking work that both oozes with the joy of playing and also shows a deep respect for musical traditions and craftsmanship.

Italian trumpeter and flugelhorn player Paolo Fresu pays musical homage to the spirit and excitement of Christmas with his project Christmas Songs.

When Cicadas appear in the area they cause a huge uproar. It’s hard to escape the distinctive noise these critters make, reaching up to 120 decibels. The hypnotic, trance-inducing sound disappears with the insects. A few months after Cykada's explosive debut, the world was hit by turbulence and from Cykada there was silence - fortunately only seemingly, because the next cycle began underground, in the privacy of the studio. It was there that the cicadas matured, waiting for a metamorphosis.

„When we walked out on stage it felt like a homecoming,” says Jakob Bro of this texturally spacious and emotionally charged live recording from Copenhagen, on which three of the defining protagonists of improvisation in Denmark, leading musicians from three generations of Danish jazz, come together.

On the cover of this album you can see a picture of New York taken in Hoboken, New Jersey where we recorded these tracks. To me it represents the beauty of a familiar place seen from a different perspective. I come from a small town in Austria called Judenburg. If my family when I moved to the next bigger city, Graz, it felt like the navel of the world. Graz is considered provincial for the Viennese.

This one-and-only recorded collaboration between jazz greats Geri Allen and Kurt Rosenwinkel took place live at the famed Philharmonie de Paris in 2012—the two play as if with one mind. Geri often spoke of her desire to do a studio recording to document the ‘flow and freedom” she experienced playing with Kurt that night in Paris. Unfortunately, we lost her before that date never materialized, and fortunately, that concert was recorded. The acoustics in this hall are magnificent, This album, produced by Kurt Rosenwinkel and Motéma's Jana Herzen is dedicated to Geri's memory and is truly a 'lovesome thing' for fans of Geri, of Kurt, and of piano and guitar jazz.