Jaga Jazzist return with their new album Pyramid, where the legendary Norwegian eight-piece takes a deep dive into post-rock, jazz and psychedelia influences. It’s their first album since 2015’s Starfire, their ninth album in a career now spanning four decades, but it marks the group’s debut on Brainfeeder, the LA-based imprint curated by Flying Lotus. On Pyramid, Jaga Jazzist have crafted a suitably cosmic sound to match their new label home, all the while nodding to forebears spanning from 80s jazz band Out To Lunch and Norwegian synth guru Ståle Storløkken, to contemporaries Tame Impala, Todd Terje and Jon Hopkins.

Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group have created their own singular sound.And while their new music mixes dense layers and textures with electronic and acoustic instruments the sound remains uniquely, recognisably their own.

Portico Quartet return with Memory Streams, their fifth studio album and one that continues the journey that first started with 2008’s Mercury nominated debut Knee Deep in the North Sea. It’s a creative path that has seen the band embrace new technology and explore ambient and electronic influences alongside minimalism, jazz and beyond.

A new project by Chicago-based drummer/producer Makaya McCraven. An addendum to his critically-acclaimed 2018 release Universal Beings, which The New York Times said "affirms the drummer and beatsmith's position as a major figure in creative music," Universal Beings E&F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.

Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough ‘Knee-Deep in the North Sea’, and 2010 John Leckie produced ‘Isla’, to the self titled record ‘Portico Quartet’ in 2012. Now rebooted as Portico Quartet after a brief spell as the three-piece Portico, the group are set to release their fourth studio album Art In The Age Of Automation this August on Manchester’s forward thinking indy jazz and electronica label Gondwana Records.

For this new album, pianist Igor Gehenot continues the adventure of his international quartet and adds the blowing of French saxophonist David El-Malek (Baptiste Trotignon). Between post-bop and contemporary music, “Cursiv” takes us deep into the heart of a sulphurous New York and on to the bare plains and fjords of Norway.

Having recently appeared on Mosambique's "Big City Moves", Lyder Øvreås Røed returns to Jazzland with his own project, a melodic foray into a different species of jazz. Filled with late night, dark side of the mood compositions, alongside hot urban swing and summer day brightness, performed with hair's-breadth-perfect interplay. Textures, vibes, atmospheres, drive and tempo shift throughout, but the album retains a perfect unity from one piece to the next.

With Convergence, Swiss drummer Florian Arbenz brings together musicians from Cuba, Brazil, Australia & UK to perform music deeply rooted in jazz.

The first opus of Endless, “Lost Lake” is a chiaroscuro casket. We discover inside tenderness and power, trust and understanding, fragility and infinity…

GoGo Penguin the instrumental trio from Manchester, England consisting of Chris Illingworth (piano), Rob Turner (drums) and Nick Blacka (bass) have fielded plaudits and rave reviews for inspiration and originality at every turn since 2013. Now back with their self-titled album out on June 5th, which signifies their conviction that they’ve struck upon the motherlode, hit the jackpot, stepped up and generally arrived at a point they’ve always striven for but never quite attained before.

While sheltering at home with his family in the Netherlands during the COVID-19 pandemic, Brad Mehldau wrote 12 new songs about what he was experiencing; he was able to record them safely in an Amsterdam studio, along with tunes by Neil Young, Billy Joel, and Jerome Kern, for the album 'Suite: April 2020.

This album is rightfully co-credited to Don Cherry (trumpet), who ably trades blows with John Coltrane (tenor/soprano sax) throughout. The Avant-Garde also boasts the debut studio recording of Coltrane playing soprano sax - on "The Blessing" - in addition to his continuing advancements on tenor. Although these tracks were recorded during the summer of 1960, they remained shelved for nearly six years. Joining Coltrane and Cherry are essentially the rest of the members of the Ornette Coleman Quartet, Ed Blackwell (drums) and Charlie Haden (bass) on "Cherryco" and "The Blessing," as well as Percy Heath (bass) on the remaining three selections. This is fitting, as over half of the album consists of early Coleman compositions.