An album of Broadway hits could easily become a lackluster commercial concession, but Adderley’s Fiddler on the Roof is far from boring. Recorded less than a month after the show opened on Broadway, the title tune fits surprisingly well into the group’s hard-bop style. Cannonball eloquently embellishes the theme and Zawinul weaves a clever countermelody behind the altoist’s lead. The brothers exhibit that exuberant and soulful Adderley bounce, Lloyd ventures into Coltrane-like territory, and Zawinul shows he had something to say on the acoustic piano years before he famously went electric. Brown and Hayes’s engine churns and their persistent prodding moves things along nicely. Jazz.com

Black and Blue, released in 1976. It was the band's first studio album released with Ronnie Wood as the replacement for Mick Taylor. Wood had played 12-string acoustic guitar on the track "It's Only Rock 'n Roll (But I Like It)" of the 1974 Rolling Stones album It's Only Rock 'n' Roll and appears on half of the Black and Blue album tracks (mostly backing vocals) with Wayne Perkins and Harvey Mandel playing guitar on the remaining titles.

Procol Harum - Live at the Union Chapel is a record of the final performance of the band's 2003 world tour, taped on December 12 before a small London crowd. The venue was an inspired choice. As a performance space, the Gothic church is at once both intimate and grand, a perfect mirror for the band's odd but cogent mix of bar-band boogie and classically tinged prog rock. The 21-song concert includes eight selections from The Well's on Fire, Procol Harum's 2003 studio album.
Audio: Original German compilation featuring 57 tracks (3 CD). Highlights include, 'A Whiter Shade Of Pale', 'Lime Street Blues', 'Homburg', 'Good Captain Clack', 'Il Tuo Diamanta', 'Fortuna', 'Quite Rightly So', 'In The Small Hours Of Sixpence', 'Quite Rightly So' & 'Rambling On'. Digipak. Packaged in a trifold digipak. 2002. Repertoire.

One of the most popular saxophonists of all time, Grover Washington, Jr. was a pacesetter in his field. With roots in rhythm and blues and soul-jazz combinations, he also played straight-ahead jazz. A highly influential player, Washington pushed himself with the spontaneity and chance-taking of a masterful jazz musician.
This is very evident in this performance from the Trump Regency Cabaret Theater in Atlantic City, New Jersey. You will feel the magic of this legendary performer captured at his artistic peak.