Saxophonist Dave Koz has become one of the most successful and beloved instrumentalists of his time, and helped establish smooth jazz as a musical force to be reckoned with. His career catapulted with 1993's Lucky Man, one of Koz' slickest and most commercial releases (which is not a bad thing by any means) to date. The album has an undeniably crisp and clean feel, akin to the color schemes used in the artwork. The musical styles range from funky and peppy, as in the opening "Shakin' the Shack," "Silverlining," and the evergreen "You Make Me Smile," to tender and sweet, as in "Faces of the Heart," "Lucky Man," and "Tender Is the Night," which features hypnotic vocals courtesy of Phil Perry.

TRIX was formed in 2004, led by drummer Noriaki Kumagai (ex-Casiopea), with bassist Mitsuru Sutoh (ex-T-Square) and now guitarist Yuya Komoguchi and keyboardist AYAKI has joined the group. Their very ear-catcy music with thrilling techniques, and entertaining stage performance have been widely accepted among fans. Some of their songs are featured as the main theme of TV programs.

Pop trumpet icon Herb Alpert returned to regular activity after an extended hiatus with 2009's Anything Goes. Since then, he has averaged an album a year, even picking up his eighth Grammy award for 2013's Steppin' Out and a Grammy nomination for 2016's Human Nature. 2019's warmly produced Over the Rainbow keeps this latter-career streak moving as Alpert offers another set of beloved pop standards reworked in his distinctive contemporary style. Once again joining Alpert is Grammy-winning producer Jochem van der Saag, who previously helmed the trumpeter's 2017 album, Music, Vol. 1, and 2018 effort Music, Vol. 3: Herb Alpert Reimagines the Tijuana Brass. As with those productions, Over the Rainbow finds Alpert putting his bright instrumental stamp on some of his favorite songs.

Humanité is unlike any album Grammy® Award Winner and Global Recording Artist Kirk Whalum has ever made – the synergistic result of encounters made, and relationships formed onstage and off with some of the finest recording artists from all over the world.

Roland Kent LaVoie (born July 31, 1943), better known by his stage name Lobo (which is a Spanish word for wolf), is an American singer-songwriter who was successful in the 1970s, scoring several U.S. Top 10 hits including "Me and You and a Dog Named Boo", "I'd Love You to Want Me", and "Don't Expect Me to Be Your Friend"…

GRP's generally well-chosen 1991 Collection covers an entire decade of Lee Ritenour releases from Elektra and GRP. As such, those years seem to form a late-'70s plateau descending into a commercial valley by the early part of the '80s and then gradually ascending a slope as Rit's playing grows and deepens in the decade's final years. Some of the high points are the Latin-inflected numbers from Festival ("Latin Lover") and Portrait ("Asa") and two excellent straight-ahead excerpts from Stolen Moments ("24th Street Blues," "Waltz for Carmen"), the latter two with lots of Wes Montgomery-like octave work. And even "Is It You?," Ritenour's pop hit from 1981, comes off as a good, catchy piece of record-making. Recommended for those who only want a sample of Lee Ritenour's voluminous solo output.

After 25 years of collaboration, Bob James and Nathan East are set to release their debut duo album The New Cool in September on Yamaha Entertainment Group. The New Cool marks new territory for legendary jazz pianist Bob James and bassist Nathan East, who’ve spent decades playing together in contemporary jazz quartet Fourplay but never before as an official duo. “The more I played with Nathan over the course of many live performances and spanning more than 20 years, the more in sync we were whether or not we had the anchor of the drums,” says James. “Something special happens when we only have each other’s notes to play off of, when the music is totally exposed.” Recorded entirely in Nashville, Tennessee, the album is a collection of original material contributed by both James and East, along with a small selection of standards. The duo’s musicianship is laid bare in a soulful reimagining of Irving Berlin’s “How Deep is the Ocean,” while the pair is joined by strings and woodwinds for a surprising take on Willie Nelson’s classic country hit 'Crazy'.

Producer Chris Bangs cranks out ten jazzy dazzlers, contributing musically on bass and drums and co-writing eight of the ten songs, with many featuring the delightful vocals of Camelle Hinds, who is simply entrancing on "State of Mind" and "Always Be the One." The title track is a delicacy for the ears, an intricate movement arranged with diamond-cutter precision. Living up to his name, "Way Over There," "Watuzi Strut," and "Guiding Light" are bangers from a banging, slick, contemporary jazz CD.

The first five chronologically sequenced tracks of this compilation mirror the rise of the smooth-jazz radio phenomenon. "So Amazing," "Bermuda Nights," "In the Mood," "My, My, My," and "Anniversary" are all still staples of the format. Released between 1987 and 1990, all (except the second one) are covers of popular R&B tunes, and they still sound fresh. These songs alone make this an excellent collection for smooth-jazz fans. Starting with his fifth album, Live at Birdland West, the exciting tenor saxophonist became a little more adventurous, often completely crossing that broad line that separates smooth jazz from contemporary electric jazz. Two duets–one with Lee Ritenour, "G & Lee," and "Boss of Nova," with Joe Sample–are two examples of his playing that sets Albright apart from most saxophonists who are tagged with the smooth-jazz label. Serious Albright fans may not appreciate the absence of his popular duets with his frequent partner, vocalist Will Downing, but that aside, this is a worthy summation of Albright's successful tenure at Atlantic Records.

On Dr. John's first major-label effort, and first vocal studio album in ten years, he performs a set of pop standards including Cole Porter's "Love for Sale" and Johnny Mercer's "Accentuate the Positive." After starting out with a wild stage act and unusual costumes, Dr. John has evolved into a vocal stylist and piano virtuoso, which makes the idea of doing this sort of material appealing. And he does it well, turning out a leisurely duet with Rickie Lee Jones on "Makin' Whoopee" that won a Grammy (Best Jazz Vocal Performance, Duo or Group), and giving sad feeling to "My Buddy." Maybe he has changed since the Gris Gris days, but even a mellowed Dr. John is a tasty one.

A classic west coast album by the incredibly talented songwriter Eric Tagg. The album consists of L.A's finest musicians & is packed with beautifully crafted & sentimental songs. Eric's talent lies in writing songs with a sort of humorous twist to them. A little hard to explain, one should just take a close listen.Also, the whole album is produced by Lee Ritenour & it sounds like a follow up to his own "Rit" album. If you liked Rit then don't miss this offering. It's much better…

When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. Soon enough, the music had no problem with the correct pronunciation. With the breakthrough Billboard Hot 100 Top Ten single "Smooth Operator" propelling the debut Sade album, Diamond Life, to the same spot on the Billboard 200 chart in 1985, the band fast came to epitomize soulful, adult-oriented, sophisti-pop…