Paranormal is Alice Coopers 27th studio album, his first album of original material in six years.

For the new album Circling From Above, their 3rd since 2017 and their 18th studio album is a masterclass in songwriting and their timeless ability to fuse prog-rock technicality with sing a long anthems. The 13 songs on Circling From Above were written by Tommy Shaw, Lawarence Gowan and Will Evankovich. Evankovich also produced the album. Leading with Build and Destroy, Styx take a close look at the near future and what is circling above us, from satellites to birds.

Numero Group has released five songs from a Husker Du show in Salt Lake City from 1985!

The Philadelphia Orchestra and its Music and Artistic Director Yannick Nézet-Séguin continue their pioneering project to revive neglected music by Black American composers. Their latest recording, set for digital release on 15 September, presents Florence Price’s Symphony No. 4 and William Dawson’s Negro Folk Symphony, a work premiered by The Philadelphia Orchestra back in 1934.

One of Steve Reich’s most famous and enduring works, Music for 18 Musicians first caught the attention of percussionist Colin Currie in the 1980s. Over the years that followed, Currie dutifully built his library of Reich scores and recordings, but it was this work in particular that truly captured his imagination, holding him in its epic grasp ever since.

On their ECM New series debut, the Boston-based Parker Quartet, hailed by the Washington Post for “exceptional virtuosity and imaginative interpretation,” play music of György Kurtág and are joined by violist Kim Kashkashian, one of the quarter’s early mentors, to play Dvořák.

Record Store Day 2023. This famous concer presents the line-up composed of Edgar Froese, Christopher Franke, Steve Jolliffe & Klaus Krüger. Recorded live on March 6th, 1978 at the Palais des Congrès in Paris.

When Johann Heinrich Rolle was born, Bach was 31 years old; when he died, Mozart, then in Vienna, was nearing his 30th birthday. In retrospect, it is tempting to count him among the countless "transitional" musicians who distanced themselves from the Baroque, embraced the fashionable galanteries of the time, and thus helped pave the way for the Classical era–as if they had foreseen what was to come.

William Smethergell's oeuvre presents an intriguing challenge. Since little more is known of his life than his birth date and the fact that he worked as an organist at two London churches and as a violist at the Vauxhall Pleasure Gardens, we must form our impression of him solely through his music. That impression is certainly favorable–at least if we go by the two sets of six overtures published as Op. 2 (1778) and Op. 5 (1780): "Brilliantly scored, richly orchestrated works–ingenious, lively, and full of variety, bearing witness to Smethergell's great melodic inventiveness," was the verdict of klassik-heute on Op. 5 (CD 555 540-2), which Douglas Bostock and the Southwest German Chamber Orchestra Pforzheim introduced to us in 2023. The same ensemble now completes the dozen with the equally attractive Op. 2, a collection widely admired in late 18th-century London and beyond, and is now winning new friends.

There are many reasons to love Sloan Treacy’s music. As you make your way through her second EP, was any of it real?

An album that was issued in the US, but which actually features excellent work that Abdullah Ibrahim/Dollar Brand recorded for the Gallo label in South Africa – the kind of edgier work that we often prefer next to some of his solo and trio material!

The Bondsman: Hell And Back is a collection of songs written fromthe point of view of Kevin Bacon’s and Jennifer Nettles’ characters.

Conversations is a collaborative studio album by German reggae musician Gentleman and Jamaican reggae/hip-hop artist Ky-Mani Marley.

Simon Oslender must have thought of this dictum when he said goodbye to Steve Gadd after three unforgettable days in the studio with the legendary drummer as well as Eddie Gomez, Ronnie Cuber and the WDR Big Band in early 2022, recording the Grammy-nominated album CENTER STAGE (Leopard D 77107).

I guess comparing Ame Son to Gong is no surprise as they backed Daevid Allen's Bananamoon (not the lineup that recorded the Bananamoon album from 1971, that one was more or less an all-star recording, but the original Bananamoon, the band he was in after being denied reentry into England).