silver dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.

I was born in Fribourg (Switzerland) in 1975 and began my special relationship with music at an early age: my grandmother, Sara Guzmán, was a concert pianist and composer and taught my father to play. I spent my musical childhood practising and improvising with him. It was during those years that I learned the most important lesson: music is something more than the score – it’s a living creature and so needs to undergo constant change.

Melvyn Price now concludes a trilogy beginning with Jazz Balett Rhythms, 1970, followed by Rhythms II, 1971.
The rhythms have been perfected and developed into melodies which were influenced by African music. Melvyn Price has had a great deal of experience with his type of music through Reeboup Kwaku Baah, Ghana, now working in London.
The music has still the same distinct, urging, rhythm which made both the previous records so highly valued. The basis to this distinct rhythm has been the American Jazz Music with which Melvyn Price has grown up.

Le Tombeau de Couperin (The Grave of Couperin) is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.

The acclaimed The Frahm-Lewis Trio entices with LA MORTE DI DUSSEK. Contrasting the works of Mozart with the lesser-known Ferdinand Ries and Philip Antony Corri, it is a veritable declaration of love to the Classical era. One would be forgiven to think that the only star of this album would be Mozart, with his befittingly performed sonatas. Or perhaps its Beethoven’s student, Ferdinand Ries?

Straighter Hard-Rock mit Metal Einflüssen aber auch Balladen mit besonderem Charakter. Das ist Firestorm!
Die 4 Musiker aus Frankfurt am Main stehen für powervolle Riffs und viel Herzblut für den Rock N Roll! Mit euch zusammen bringen sie jede Location zum beben!

Kari van der Kloot’s third album “Window” draws elements from different genres of music while keeping the spirit of jazz at the forefront. “Window” highlights Kari’s ethereal vocals floating over rich, earthy layers of flutes and synthesizers, and anchored by nuanced and thoughtful rhythm section playing.

2024 feiern die Broilers ihren runden Geburtstag: 1994 – 2024, 30 Jahre Broilers. 30 gemeinsame Jahre bedeuten Wachsen und Zusammenwachsen. Auch miteinander streiten und zusammen streiten – für die gute Sache. Zusammen feiern und zusammenstehen, in den Besten aller Zeiten und den Schlechtesten aller Zeiten.

This 14 tracks compilation from Master Music label features a bunch of starring artists and titles. From Muddy Waters and Johnny Cash to Elvis Presley. From Dinah Washington to Etta James. From Ben E. King and Eddy Cochrane to Manfred Mann's Earth Band. All is here.

Sony Japan continues with their limited edition quad SACD series with one of the greatest masterpieces of the fusion jazz genre. The 1973 “Head Hunters” album from keyboardist Herbie Hancock gets a reissue in multi-channel surround. Not only is the packaging unique to other editions, for the first time, the actual 4 channel quad version of the album has been released in a digital format. This should not be confused with the SACD that was issued by Sony Japan back in 2008, a multi-channel version which was reconfigured from the four channel master tapes. Instead this newly remastered 2020 edition truly gives quadrophonic collectors the original mix on a great format, and directly takes fans back to the 70's quad era.

Recorded on the supporting tour for 1976's Black and Blue, the double-album set "Love You Live" is an adequate live album, capturing the Stones' transition from a lean, lethal rock & roll band to accomplished showmen. As showmen, they aren't as compelling as they are when they're rockers, but the show-biz glitz of Mick Jagger's arena rock shtick remains thoroughly entertaining, even when it robs the music of its power.

Early champions of Country Music - The Carter Family, Uncle Dave Macon, the Massey Family, Jimmie Rodgers and many more - have been painstakingly remastered using a mix of analog and digital technology for a hybrid sound that is simultaneously contemporary, immediate but still completely true-to-form.

Homer Louis "Boots" Randolph III was an American musician best known for his 1963 saxophone hit "Yakety Sax". Randolph was a major part of the "Nashville sound" for most of his professional career. From the pensive cover-shot down to the "recorded in Hollywood" liner note, "Boots with Strings" signals a completely different approach for Randolph. The saxophonist's tastes and inclinations had always seemed boxed in by Nashville and the 'yakety' style that made him famous, so, here he abandons the rockabilly, soul, country, and r&b tendencies of his Nashville records for a full-blown easy-listening record.

Homer Louis "Boots" Randolph III was an American musician best known for his 1963 saxophone hit "Yakety Sax". Randolph was a major part of the "Nashville sound" for most of his professional career. A transitional album, "The Fantastic Boots Randolph" is the first Randolph album cobbled together from sessions over a substantial period of time. The liner notes boast of the album being two years in the making, which, by Sixties standards (especially Nashville 60s standards), was a lifetime. In reality, the album is essentially a singles compilation: the swaggering "Windy and Warm", one of the best tracks here dates from 1963; seven of the other tracks had appeared on singles between 1964 and mid-1966.

The release of my first compilation album, consisting of brand new recordings of my most popular solo piano tracks from the last 15 years. There are 17 tracks, including "Everything's Going to be Fine" and "Swan", clocking in at almost 50 minutes of music.