Kerri Watt is a Scottish singer-songwriter and multi instrumentalist from Milngavie. Kerri Watts’ Celtic roots are embedded in the streets of Glasgow where poets grow and strong hearts rule. Her current embracing of Americana is not fashion or vogue; this sound was fused when then 16 year old Kerri ventured solo to California. She blazed a trail through prestigious venues from West Coast to the East Coast across the US honing her craft in places such as Whisky a Go Go in L.A., The Basement in Nashville and NYC’s Rockwood Music Hall. Kerri fell in love with America and its music.

At its core, Lomelda is a project about shyness – that it’s okay to feel it, how to embrace it, and laying it all out to be examined in its primary elements. Over the last few years, Hannah Read has sang about introversion in simple terms, and her latest album continues to showcase her no-fuss, contemplative songwriting. Fittingly named after herself, Hannah is taken straight from the mind of a wallflower, apprehensive and always low-key.

Buildings burning in every direction; macabre unknowns in your friendly neighbor’s basement; undecided voters sharpening their pencils: under pressure we could call Kiwi Jr’s Cooler Returns “timely.” But what year is it, again? On their sophomoric smash-up released world-wide by Sub Pop Records, Kiwi Jr cycle through the recent zigs & looming zags of the new decade, squinting anew at New Year’s parties forgotten and under-investigated small town diner fires, piecing together low-stakes conspiracy theories on what’s coming down the pike in 2021.

From their early singles and their 1993 Mercury Music Prize-winning debut album to their break-up in 2003, The London Suede were a fixture in the UK single and album charts, and in the UK music press too. They scored twenty hit singles and five hit albums (three of which debuted at # 1), and a double album of B-sides even charted at # 9.

"Charles' record takes cues from movements all over the American map. There are hints of Southern folk and alt-country, Midwest Americana, and West Coast acid rock."

As a young jazz singer and bassist, Kate Davis shared the stage with Herbie Hancock, Ben Folds, Alison Kraus and the actor-turned-musician Jeff Goldblum. But in 2018 she decided to switch lanes — she co-wrote Sharon Van Etten’s nostalgic indie rock hit ‘Seventeen,’ then in 2019 released her own highly celebrated indie-rock debut, Trophy. Yet even with her impressive resume, covering one of America’s most beloved singer-songwriters is tricky territory to wade into. Nonetheless, that’s exactly what the New York-based indie rock musician did this past summer by recording a cover version of Daniel Johnston’s 1984 album Retired Boxer.

8x GRAMMY Award nominees Death Cab for Cutie have today announced plans for The Georgia E.P. – a 5-track EP set for release. The tracklist for the EP includes never-before-heard new covers of TLC, R.E.M., Neutral Milk Hotel, Cat Power, and Vic Chesnutt and seeks to recognize and support the organization leading up to the Georgia runoffs and in honor of their work throughout the entire 2020 election cycle.

The Wombats’ gift of making indie pop sound fresh and effortless continues unabated on its fourth album. Guitars shine like mirror balls, rhythms invite fresh dance-floor poses, and sky-high vocal melodies inspire the kind of sing-alongs that ensure you extra space on the bus. Their penchant for clever wordplay might cause head scratches—cue “Lemon to a Knife Fight” and “Out of My Head” for prime examples—but make perfect sense in The Wombats’ world.

Modern Kosmology sees Jane Weaver's melodic-protagonist channeling new depths of creative cosmic energy within. After the huge critical acclaim of 2012's “Fallen By Watchbird”, followed by 2015's exploratory "Silver Globe" LP winning her unanimous "record of the year accolades" and hefty measures of radio play-listing Jane Weaver's conceptual trajectory has sent her neo-kosmische penchants to the point of no-return.

Harry Jay Steele’s debut album Boundaries was recorded with Jordan Rakei’s co-producer and drummer Jim Macrae. On it he blends an eclectic range of influences; elements of Soul, Indie, African and Electronic Music are weaved into a rich tapestry of percussive rhythms, tasteful guitar work and deft poeticism.

A stunningly visceral and beautifully intimate reckoning, Alaska Reid’s ‘Big Bunny’ weaves her signature dark and moody indie rock into a raw, hauntingly vulnerable, and emotionally cathartic listening experience for all.

The Groop Played Space-Age Bachelor Pad Music, an odd and hypnotic mini-album, represents the point where Stereolab ceased to be simply another ultrahip London band.

Irish rock outfit the Coronas became a prominent force on the Dublin live circuit with their blend of contemporary indie rock. Debuting in 2007 with Heroes or Ghosts, their anthemic sound spread throughout their albums, including 2020's True Love Waits. Formed in Dublin, Ireland in 2003 by Danny O'Reilly (vocals, guitar), Graham Knox (bass), and Conor Egan (drums) after they met at college, the trio originally went by the name Kiros before adopting, Corona.

I tell you what - everything has its shelf life. Except these insatiable obsessive fragments of spirit that we cant shake and make us do stupid things like devote serious time to an unserious pursuit like amateur music making. I just try to not think and see what comes out, then you hear you are meant to be a fascist editor once the basic form is there, and, well, that part is a dog chewing on its own innards. But here it is, something kind of childish, angry but middle age frustrated too. Political but selfish and powerless. Before the editorial faculty arrived, it was meant to be about hidden power and about a protagonist i guess is someone i wish i had met, to help them make sense of things. But in the end, its just me.

I tell you what - everything has its shelf life. Except these insatiable obsessive fragments of spirit that we cant shake and make us do stupid things like devote serious time to an unserious pursuit like amateur music making. I just try to not think and see what comes out, then you hear you are meant to be a fascist editor once the basic form is there, and, well, that part is a dog chewing on its own innards. But here it is, something kind of childish, angry but middle age frustrated too. Political but selfish and powerless. Before the editorial faculty arrived, it was meant to be about hidden power and about a protagonist i guess is someone i wish i had met, to help them make sense of things. But in the end, its just me.