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The Pogues - The Stiff Records B-Sides (1984-1987) (Record Store Day 2023 Vinyl) (2023) [24bit/192kHz]

Posted By: delpotro
The Pogues - The Stiff Records B-Sides (1984-1987) (Record Store Day 2023 Vinyl) (2023) [24bit/192kHz]

The Pogues - The Stiff Records B-Sides (1984-1987) (Record Store Day 2023 Vinyl) (2023)
Vinyl Rip | FLAC (tracks) 24-bit/192 kHz | Artwork | Time - 53:15 minutes | 1,94 GB
Folk Rock, Celtic Punk | Label: Rhino Entertainment

A collection of B-sides and non-album tracks by Celtic punk favorites The Pogues that originally were released on Stiff Records is being compiled for the first time as a 16-track, 2LP colored-vinyl release for Record Store Day this spring.

Rhino Records will release The Stiff Records B-Sides (1984-1987) on black and green marbled vinyl on April 22 at participating independent record stores in the U.S. and U.K. The label says the upcoming release will be a limited-edition pressing of 6.500 copies.

The double-album collects B-sides from “Dark Streets Of London” and “The Boys From the County Hell,” off 1984’s Red Roses For Me; “Dirty Old Town,” “A Pair Of Brown Eyes” and “Sally MacLennane,” off 1985’s Rum, Sodomy & the Lash; and “Fairytale Of New York,” off 1988’s If I Should Fall From Grace with God.

The set also includes all four tracks off the Poguetry In Motion EP, released in 1986, and the two songs recorded for “The Irish Rover” single with The Dubliners in 1987.

Now in its 16th year of celebrating independent music retailers, Record Store Day is back to a single day — April 22 — following the pandemic-era “drops” that spread the event over multiple months the last couple years.

Tracklist:
A1 – The Band Played Waltzing Matilda
A2 – Repeal Of The Licensing Laws
A3 – The Parting Glass
A4 – A Pistol For Paddy Garcia
B1 – Whiskey You're The Devil
B2 – Muirshin Durkin
B3 – The Wild Rover
B4 – The Leaving Of Liverpool
C1 – London Girl
C2 – A Rainy Night In Soho
C3 – The Body Of An American
C4 – Planxty Noel Hill
D1 – The Irish Rover (feat. The Dubliners)
D2 – Mountain Dew (The Rare Ould Mountain Dew) (feat. The Dubliners)
D3 – The Battle March Medley
D4 – Shanne Bradley

foobar2000 1.6.7 / Dynamic Range Meter 1.1.1
log date: 2023-05-08 15:19:56

––––––––––––––––––––––––––––––––––––––––
Analyzed: The Pogues / The Stiff Records B-Sides (1984-1987)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.65 dB -18.61 dB 4:50 A1-The Band Played Waltzing Matilda
DR13 -2.88 dB -16.77 dB 2:12 A2-Repeal Of The Licensing Laws
DR15 -1.43 dB -18.20 dB 2:15 A3-The Parting Glass
DR14 -0.06 dB -17.86 dB 2:31 A4-A Pistol For Paddy Garcia
DR11 -2.36 dB -15.09 dB 2:09 B1-Whiskey You're The Devil
DR11 -2.70 dB -14.84 dB 1:51 B2-Muirshin Durkin
DR11 -4.19 dB -18.96 dB 3:09 B3-The Wild Rover
DR11 -5.75 dB -20.01 dB 3:13 B4-The Leaving of Liverpool
DR13 -1.07 dB -15.91 dB 3:08 C1-London Girl
DR12 -1.13 dB -16.38 dB 5:35 C2-A Rainy Night In Soho
DR13 -1.42 dB -16.78 dB 4:50 C3-The Body Of An American
DR11 -2.27 dB -15.73 dB 3:12 C4-Planxty Noel Hill
DR13 -1.14 dB -15.47 dB 4:07 D1-The Irish Rover
DR14 -1.68 dB -17.70 dB 2:22 D2-Mountain Dew
DR12 -1.71 dB -18.29 dB 4:10 D3-The Battle March Medley
DR14 -2.27 dB -20.15 dB 3:41 D4-Shanne Bradley
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 16
Official DR value: DR12

Samplerate: 192000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4769 kbps
Codec: FLAC
================================================================================


LINEAGE: 2023 RSD Warner 0190296503221 ; Pro-Ject RM-5SE with Audio Tecnica Signet TK7E cartridge and AT-618 disc stabilizer; Speedbox power supply; Pro-Ject Tube Box S2 preamp with Philips NOS ECC83 tubes; Audioquest Black Mamba and Pangea Premier interconnect cables; RME Babyface Pro interface ; Adobe Audition at 32-bit float 192khz*; clicks and pops removed manually with Adobe Audition 3.0; resampled, dithered, and converted to FLAC using iZotope RX Advanced. Tags done with Foobar 2000 and Tag and Rename. *Note: Track A4, "A Pistol For Paddy Garcia", was captured at 2 db less input than the rest of the album, due to the (artillery-like) drums causing clipping. Everything else was left alone.

Thanks to the Original customer!