'All Is Not Forgotten' is the fourth solo album from Scottish folk singer and songwriter Siobhan Miller. a return to her acoustic roots that combines the traditional songs she loves with new original material.

The Fab 4th is an album of songs by The Beatles, arranged and performed on solo acoustic guitar by Laurence Juber. Known to his fans as LJ, his playing fuses folk, jazz, blues, pop and classical styles, creating a multi-faceted performance that belies the use of only one instrument. First internationally recognized as lead guitarist in Paul McCartney's Wings, with whom he won a Grammy®, Juber has since established himself as world-renowned guitar virtuoso and entertainer. This is his fourth Beatles-inspired solo guitar recording. The first of the series, LJ Plays The Beatles, was voted one of Acoustic Guitar Magazine's all-time Top Ten albums.

The Red Kite guitar, named after the bird of prey indigenous to the part of Wales Toby lives, was made from Madagascar Ebony and Engelmann Spruce and was set up to play in unique tunings. It was decorated with a mother-of-pearl inlay Red Kite design on the fretboard.

'Birthmarks' is a record that hunts for ways in which to revisit and caress wounds left by the memory of their scars. In its mystery and attentiveness to the art of alchemy and the world of the unseen, it is a journey through textural fog and feral density that gives way to passages of voracious sonic exorcism and poetic healing. Its eight songs traverse planes of visceral physicality, stark tender space, and breathtaking introspective beauty.

Gone to Glory chronicles Rachelle Garniez' interpretation of songs written or made famous by a variety of dearly beloved artists, all recently departed. With the depth of her talent and breadth of her interests, Garniez' vocal approach eloquently transfigures pop and rock, jazz and soul - from David Bowie, Prince, Leonard Cohen, and Glen Campbell to Motörhead, Aretha Franklin, Nancy Wilson, Sharon Jones, and Mose Allison. With her masterful fluidity in full effect, she embodies the characters and inhabits the worlds. Garniez simultaneously loses herself and finds a way to make the songs her own. Regarding her singular style, The New Yorker has written, "Garniez wanders through the genres of country, jazz, and pop, leaving behind nothing but sweet wreckage." Indeed, with her latest album, Rachelle locates a certain saving sweetness among the ruins, gathering glory from the gone.

This is the first release featuring Aoife with a string quartet. Co-produced by Jeremy Kittel and Aoife, the album was recorded in Brooklyn on the last days of October 2019. The title of the project comes from the Peter Sears poem, “Valentine," which is the final movement of the 3 song suite along with Sears other poems “Night Fishing” and “The Darkness”. Peter Sears (1937-2017), was named the seventh poet laureate of the state of Oregon in 2014. The suite was penned in 2015 by O’Donovan along with Jeremy Kittel and Teddy Abrams, the conductor of the Louisville Symphony Orchestra and premiered at the Britt Festival in Jacksonville, OR.

Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. The Rangers can now add their hometown Asheville Symphony to their long list of musical companions on the new album Be Still Moses. Each track on Be Still Moses features the Rangers and symphony breathing new life into signature Steep Canyon Rangers songs through newly inspired orchestral arrangements.

In 2003 Ibrahim Ferrer released his second solo album ‘Buenos Hermanos’, an audacious and assured album, with varied repertoire including fresh takes on classic songs and thrilling examples of the romantic ballads and boleros for which Ferrer is justly famed. For this special edition release, producer Ry Cooder has gone back to the original mixes and added 4 previously unheard tracks, recorded at the original album sessions, to a brand new sequence – creating a completely reimagined ‘Buenos Hermanos’. Featuring Orlando 'Cachaíto' López, Manuel Galbán, Chucho Valdés, Angá Díaz, Jim Keltner, Ry Cooder and a guest appearance from The Blind Boys of Alabama. This CD casebound book includes new cover artwork featuring an alternative photograph from the original album shoot by Christien Jaspars, and a booklet with English and Spanish lyrics and a new foreword from Ry Cooder.

Dom Flemons is known as “The American Songster.” The talented multi-instrumentalist was a member of the Grammy®-winning Carolina Chocolate Drops from their inception in 2005 through 2013, and has performed with artists including Guy Davis, Old Crow Medicine Show, and Taj Mahal.

As we age, we face obstacles that are beyond our control. Some forces are internal: insecurity, anxiety, fear. Some are external: the loss of loved ones, an unjust system and the fragility of time. Yet the mark of maturity is how you respond when you realize you're not in control. Where do you find your resilience? This album is a reflection of us coming to terms with how to find our power in the face of an unfair world. These songs lead listeners past "where happy man searches, to a place only mad women know."

"Grimm Grimm is a tonic for the curious heart" - Cate Le Bon There's more than a hint of the famous Grimm brothers' twisted fairy-tale folklore to Ginormous - the third album from London-based, Tokyo-born experimentalist and former frontman of cult psychedelic-punk group Screaming Tea Party Koichi Yamanoha. Recalling a childhood with Humpty Dumpty and Mother Goose by his side, his latest offering marks the next chapter in a trilogy of self-discovery; a compendium of sonically astute storytelling where nightmares and dreams meet via French yé-yé and Casio beats.

Echo Mine is Califone's score to Robyn Mineko Williams' dance. The movement and the music started together and grew together, like two clear entities. At times totally intertwined and at other times bouncing off one another, sort of like reflections. But, somehow, always connected and listening. Ben Massarella, Brian Deck and I worked in a way that felt like a return to home; Brian handling the engineering, electronics, drums and overall sound of the piece, Ben adding percussion, feel, essential textures and colors. I felt like my job was to hover over all of it like a moth. Find melody in everything. Leave openings for everyone to work at the top of their creativity. We made our album, Roomsound, in much the same way (almost 20 years ago). Three of us in the studio ' Be humans. Play together as much as possible. A good feel beats perfection every time. Add other musicians to add other voices and other colors, to do the things we can't do.

Rebecca Foon, the composer and musician behind Saltland and Esmerine (and former longstanding member of Silver Mt. Zion) presents a new album entitled Waxing Moon. While best known as an incomparable cellist crafting textural soundscapes and instrumental chamber-rock in the aforementioned projects (and more recently recognized for her creative and organisational work as cofounder of Pathway To Paris), this new collection of songs finds Foon emphasizing piano and voice with striking intimacy and elegance, showcasing a captivating evolution in her always resplendent songwriting.

Since the release of her debut album 'Philharmonics' in 2010, Agnes Obel has been one of the most independent and original artists in contemporary music. 'Myopia' is her fourth studio release. Following the same principles as with her previous albums, which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process.

'Nathaniel Rateliff has written and recorded his first solo record since the explosive debut of his work together with The Night Sweats. And It’s Still Alright, is an intensely personal 10-song album of vibrant country-blues, badland ballads, ornate Americana and jazz-inflected R&B. Rateliff’s warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion. And It’s Still Alright was produced by Rateliff, Night Sweats’ drummer Patrick Meese and James Barone of the indie band, Beach House and primarily recorded at National Freedom in Cottage Grove, Oregon, the studio formerly owned by the late Richard Swift (who produced both Night Sweats recordings).