Rufus Wainwright's 2023 album 'Folkocracy' is an album of folk classics that features a number of notable collaborations, including John Legend, Brandi Carlile, David Byrne, Sheryl Crow, Nicole Scherzinger, Chaka Khan, Andrew Bird, ANOHNI and many more.

Michael Scott Dawson is a Canadian producer and sound artist. Anchored by frayed melodies, tape loops, and pastoral field recordings he has crafted a body of tender and nostalgic ambient work.

Scottish singer-songwriter Roseanne Reid has announced the release of her second album Lawside on June 2, via Last Man Music. Named for the area of Dundee in which Roseanne and her family live, the album was recorded in Perth with producer, musician and fellow Scot David Macfarlane.

If Blood on the Tracks was an unapologetically intimate affair, Desire is unwieldy and messy, the deliberate work of a collective.

"Chevalier Mécanique" est un producteur ayant pour objectif de créer de la musique afin d'accompagner les auditeurs dans leurs activités quotidiennes: lecture, écriture, études, relaxation, méditation, jeux-vidéos, jeux de rôle ect…

A blend of myth and memoir, First There Were Feathers is an exciting album in which Wendy McNeill’s folk noir roots and passion for storytelling have grown to include elements of Jazz and World music as well as echoes of Beatles, early Bjork and Radiohead.

A brand new exclusive compilation, a unique collection of songs recorded in 1971 and 1972, not all of which were released at the time. This set includes the hits “It Must Be Love”, “Watch Me” and “Crying Loving Laughing Lying” (covered by Madness, Greta Van Fleet, and Rod Stewart respectively) along with the non-album B-sides.

Say Laura is the follow-up to Slowly Paradise (2018) which landed Chenaux on the cover of The Wire among other accolades. The new record by Eric Chenaux is his most immaculate and pristine. Say Laura perfectly incarnates the counter-intuitive interplay of instrument and voice that Chenaux has been revealing and revelling in throughout the past decade: his gently unhinged juxtaposition of resplendently smooth, seductively assured singing and puckish, frazzled, thoroughly destabilized guitar could come from no other musician.

Kevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, This Is A Photograph, studies life, time and mortality through myriad lenses. It’s a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn’t quite done with it on its completion. More Photographs (A Continuum) finds new nooks, corners and vantage points. “If This Is A Photograph is a house that you have been living inside of,” says Morby, “then More Photographs is, perhaps, the same home just experienced differently. As if you, its inhabitant, have taken a tab of something psychedelic and now, suddenly, you’ve replaced your eyeglasses with kaleidoscopes.”

One of the most important voices in British folk music Shirley Collins returns with Archangel Hill, her third album for Domino. Due for release on May 26th, it showcases another peerless collection of songs chosen by Collins, some from traditional sources but others from favourite writers of hers.

The occasion is Music Man, the wonderful new album by veteran Nashville based songwriter Layng Martine Jr.. A long-time dream project instigated by his son, Portland Oregon based super-producer Tucker Martine. A new Tucker Martine production is in itself an event due to his track record. His studio, Flora Recording and Playback has brought us wonderful albums by the likes of My Morning Jacket, Sufjan Stevens, Neko Case, Case/Lang/Viers, The Decemberists, M. Ward and Laura Veirs (who happens to be his wife as well as one of the country's most underrated artists) among many others.

On GRASS ROOTS—out now on Compass Records—Leftover Salmon continue to expand on their acoustic/newgrass/jam band with collaborations with jam scene icons Billy Strings, Oliver Wood, and Darol Anger. With the recent addition of Jay Starling on resophonic guitar, lap steel and keys to the band’s official lineup, Leftover Salmon has all the instrumental firepower needed to deliver hard driving versions of bluegrass standards and grassed-up versions of songs from Bob Dylan, David Bromberg, and the Grateful Dead. And as co-founder, guitarist and lead singer, Vince Herman says, “when you think of an album title as good as that, that hasn’t been used in our genre, you pretty much have to make the record.”

Produced by Wilco’s Jeff Tweedy, Alpenglow is the Minnesota-based sextet’s tenth album. The album, named after the optical phenomenon that takes places when the sun casts a reddish glow across the mountains at dawn and dusk, opens with the wistful beauty of “It’s So Hard To Hold On”. The narrator contemplates the passing of time and how imperative it is to savor it while you have it.

“Imaginary Land”, Donata’s debut solo album, is a retrospective realisation that something never existed exactly as it seemed. It is the hope of a new beginning as we leave behind all we can no longer accept.

Whatever one thinks and believes about salvation, sin and grace, one must have a heart of stone not to believe in Kim Rysstad when he interprets old spiritual songs such as "Jesus din søde forening at smake", "Villfarande barn" and " Langt Inn På Ville Heii".