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Gyorgy Sandor - Sándor Plays Schumann & Brahms (Remastered) (2020) [Official Digital Download 24/96]
![Gyorgy Sandor - Sándor Plays Schumann & Brahms (Remastered) (2020) [Official Digital Download 24/96]](https://pixhost.icu/avaxhome/a0/98/007298a0.jpg)
Gyorgy Sandor - Sándor Plays Schumann & Brahms (Remastered) (2020)
FLAC (tracks) 24-bit/96 kHz | 1:06:08 | 673 mb
Studio Master, Official Digital Download | Artwork: front cover
FLAC (tracks) 24-bit/96 kHz | 1:06:08 | 673 mb
Studio Master, Official Digital Download | Artwork: front cover
Few musicians were more significantly linked with a single composer than the late Hungarian-American pianist György Sándor with his teacher Béla Bartók. The authoritative recordings of Bartóks music that Sándor made for American Columbia between 1945 and 1955 and decades later for Sony Classical during his golden years. It also contains his justly famed interpretations of composers ranging from Bach to Rachmaninoff.
György Sándor specialized in the works of Eastern European composers, notably his countrymen Zoltan Kodaly (with whom he studied composition) and Bela Bartok (with whom he studied piano). Sandor’s nuanced interpretations of Bartok’s piano works were especially praised, and he premiered a number of the composer’s works, including the piano reduction of Concerto for Orchestra, which had been created in the 1940s but not performed until 1985. Sandor’s many recordings included the complete music for solo piano of Kodaly and Sergey Prokofiev.
György Sándor was born in 1912 in Budapest, where he studied the piano with Bartók for four years at the Liszt Academy as well as composition with Zoltán Kodály. He made his public debut in 1930 and, after performing widely throughout Europe, made his Carnegie Hall debut in 1939. The following year he decided to settle in the US, where he took citizenship, taught at two universities before moving in the 1980s to New Yorks Juilliard School, where his students included Hélène Grimaud and Malcolm Bilson. He continued to perform right up to 2005, the year of his death. He performed and recorded Bartoks music throughout his career, and his recordings document his special insight into the masters works. Having prepared Bartóks first two piano concertos under the composers guidance, the year after Bartóks death Sándor gave the world premiere of the Third Piano Concerto with Eugene Ormandy and the Philadelphia Orchestra and recorded it for Columbia. Decades later, in 1989, Sándor made an acclaimed recording of all three concertos for Sony Classical, with Adam Fischer conducting the Hungarian State Orchestra, also included in the new set. During his first decade with Columbia, Sándor recorded large swaths of Bartóks solo piano music, including the complete Mikrokosmos on three LPs. In the 1990s, the pianist, by then in his 80s, returned to Bartóks solo works, this time recording virtually all of them except the Mikrokosmos.
Tracklist:
01. Introduzione. Moderato
02. No. 1
03. No. 2. Prestissimo
04. No. 3
05. No. 4. Presto
06. No. 5
07. No. 6
08. No. 7. Semplice
09. No. 8
10. No. 9. Prestissimo
11. No. 10. Vivo
12. No. 11
13. No. 12. Finale
14. Waldszenen, Op. 82, No. 7: Vogel als Prophet (Remastered)
15. Toccata in C Major, Op. 7 (Remastered)
16. I. No. 1 in E-Flat Major
17. II. No. 2 in B-Flat Minor
18. III. No. 3 in C-Sharp Minor
19. Intermezzo in B Minor, Op. 119, No. 1 (Remastered)
20. Intermezzo in A Major, Op. 118, No. 2 (Remastered)
21. I. Préambule
22. II. Pierrot
23. III. Arlequin
24. IV. Valse noble
25. V. Eusebius
26. VI. Florestan
27. VII. Coquette
28. VIII. Réplique
29. IX. Papillons
30. X. Lettres dansantes
31. XI. Chiarina
32. XII. Chopin
33. XIII. Estrella
34. XIV. Reconnaissance
35. XV. Pantalon et Colombine
36. XVI. Valse allemande
37. XVII. Paganini
38. XVIII. Aveu
39. XIX. Promenade
40. XX. Pause
41. XXI. Marche des Davidsbündler contre les Philistins
foobar2000 1.4 / Dynamic Range Meter 1.1.1
log date: 2020-01-20 13:24:16
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Analyzed: Gyorgy Sandor / Sándor Plays Schumann & Brahms (Remastered)
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -7.88 dB -24.33 dB 0:10 01-Introduzione. Moderato
DR11 -2.92 dB -16.67 dB 0:32 02-No. 1
DR6 -3.04 dB -16.61 dB 0:15 03-No. 2. Prestissimo
DR10 -1.59 dB -13.81 dB 0:42 04-No. 3
DR11 -5.03 dB -22.09 dB 0:55 05-No. 4. Presto
DR11 -4.14 dB -18.14 dB 0:52 06-No. 5
DR10 -1.26 dB -14.34 dB 0:47 07-No. 6
DR9 -7.25 dB -20.97 dB 0:34 08-No. 7. Semplice
DR10 -2.60 dB -14.80 dB 0:45 09-No. 8
DR9 -5.30 dB -18.61 dB 0:41 10-No. 9. Prestissimo
DR11 -1.09 dB -17.68 dB 1:37 11-No. 10. Vivo
DR11 -2.03 dB -18.46 dB 1:56 12-No. 11
DR9 -1.65 dB -16.84 dB 1:27 13-No. 12. Finale
DR12 -6.79 dB -24.48 dB 2:36 14-Waldszenen, Op. 82, No. 7: Vogel als Prophet (Remastered)
DR11 -0.87 dB -16.00 dB 4:29 15-Toccata in C Major, Op. 7 (Remastered)
DR12 -3.26 dB -19.15 dB 4:20 16-I. No. 1 in E-Flat Major
DR10 -3.09 dB -17.59 dB 4:22 17-II. No. 2 in B-Flat Minor
DR10 -2.57 dB -17.33 dB 6:08 18-III. No. 3 in C-Sharp Minor
DR12 -2.33 dB -19.77 dB 3:04 19-Intermezzo in B Minor, Op. 119, No. 1 (Remastered)
DR10 -4.74 dB -20.19 dB 4:57 20-Intermezzo in A Major, Op. 118, No. 2 (Remastered)
DR12 -2.48 dB -17.00 dB 2:17 21-I. Préambule
DR13 -3.62 dB -23.31 dB 1:10 22-II. Pierrot
DR11 -3.79 dB -18.27 dB 0:38 23-III. Arlequin
DR11 -3.59 dB -18.99 dB 1:14 24-IV. Valse noble
DR11 -3.04 dB -20.39 dB 1:43 25-V. Eusebius
DR9 -3.31 dB -16.21 dB 0:56 26-VI. Florestan
DR12 -3.18 dB -18.16 dB 0:58 27-VII. Coquette
DR11 -9.03 dB -24.13 dB 0:39 28-VIII. Réplique
DR10 -2.87 dB -15.15 dB 0:47 29-IX. Papillons
DR11 -4.33 dB -18.19 dB 0:54 30-X. Lettres dansantes
DR9 -3.07 dB -15.71 dB 0:58 31-XI. Chiarina
DR12 -9.70 dB -25.02 dB 1:26 32-XII. Chopin
DR10 -3.58 dB -16.47 dB 0:31 33-XIII. Estrella
DR11 -4.17 dB -18.59 dB 1:38 34-XIV. Reconnaissance
DR11 -1.82 dB -16.23 dB 0:59 35-XV. Pantalon et Colombine
DR11 -1.76 dB -17.05 dB 0:53 36-XVI. Valse allemande
DR9 -1.73 dB -14.83 dB 1:06 37-XVII. Paganini
DR10 -6.45 dB -24.60 dB 1:05 38-XVIII. Aveu
DR11 -1.56 dB -16.64 dB 1:35 39-XIX. Promenade
DR9 -2.40 dB -13.99 dB 0:19 40-XX. Pause
DR9 -1.78 dB -13.09 dB 3:13 41-XXI. Marche des Davidsbündler contre les Philistins
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 41
Official DR value: DR10
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1375 kbps
Codec: FLAC
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Thanks to the Original customer.