"In a Latin Bag" is an album by American jazz vibraphonist Cal Tjader featuring performances recorded in 1961 and released on the Verve label. AllMusic review stating "Cal Tjader recorded prolifically for Verve during the first half of the 1960s, though this is one of his lesser-known dates … it is well worth snapping up if found".

Callen Radcliffe Tjader, Jr. was an American Latin jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform the music of Cuba, the Caribbean, and Latin America for the rest of his life. "Soña Libré" is his 1963 album. Billboard magazine reviewed the album in their May 25, 1963 issue and wrote that on the album Tjader has "a solid collection of tracks that have swing and a quiet insistent sound".

"Two of a Mind" is an album recorded by American jazz saxophonists Paul Desmond and Gerry Mulligan featuring performances recorded in 1962 which were released on the RCA Victor label. This is an album of great melodic interaction between Desmond and Mulligan. It's too bad that they did not perform more often with each other. But what the did give us, will have to do.

Kjell Tore Innervik performs Iannis Xenakis's Psappha and Morton Feldman's The King of Denmark, exploring the intimate performing space with large format recording techniques, engaging the listener in immersive audio. The Xenakis was recorded twice: once from the perspective of an intimate listener, and a second time literally "over-head", giving a first-persona perspective. The difference not only in microphone technique but also in the performer's state of mind and how he projects his playing has a profound impact on the listening experience. "Radical Interpretations of Iconic Musical Works for Percussion" was an interdisciplinary artistic research project hosted at the Norwegian Academy of Music (2013–2017) in collaboration with the Oslo Academy of the Arts, the Oslo School of Architecture and Design, Westerdals Oslo ACT and 2L through the Norwegian Artistic Research Programme.

Carmen Gomes has won many awards in the Netherlands and surrounding areas. Like so many new European singers, she sings in English. Her style is bluesy and intimate with a sexy voice that's sweet as dark tupelo honey, and her interpretations are unerring. Idea of this album would take on the challenge of reinterpreting Harry Belafonte's "Belafonte Sings the Blues" was originally suggested by Harry van Dalen, owner of the eminent High End audio shop Rhapsody. He thought that Carmen’s band would be perfect for reinterpreting the mood and the sound of the classic album.

Arranger Kenichi Tsunoda's big band has been one of the top jazz orchestras in Japan since its formation in 1990. This set is particularly impressive for the wide range of the arrangements, the band's musicianship, and the individual solos. This release was recorded in Extreme High Deninition format.

Arranger Kenichi Tsunoda's big band has been one of the top jazz orchestras in Japan since its formation in 1990. This set is particularly impressive for the wide range of the arrangements, the band's musicianship, and the individual solos. This release was recorded in Extreme High Deninition format.

There are so many recordings of Mozart piano concertos already available, that it might be hard to see where this one might fit in. Suffice it to say that, if you’re looking for these three concertos together, are interested in far-more-intimate playing, though which still respects the raison d’être of the concerto-form, and an instrumental sound as close to what audiences might have heard at the time, then this release is definitely an attractive proposition. Couple this with a superb performance, and recording – which sounds definitely perfectly fine.

Jan Gunnar Hoff launches his new jazz trio with Anders Jormin and Audun Kleive, two of Europe's most reknown and respected jazz performers. A powerful trio setting presenting strong melodic compositions and high class interplay. The album has been conceived as a cohesive experience where the compositions themselves, the moments of spontaneous inspiration during performance and the natural sound world of the church acoustic all affect the final result.

"Ballade pour la nuit (Ballad For The Night)" is an album that brings you a tribute to the music of Django Reinhardt which our listeners have referred to as “jazzy”, “gypsy”, “swing” and “the best”. On the album, lead guitarist Reinier Voet and Kain van Kooten on violin are supported by Jan Brouwer on rhythm guitar and Jet Stevens on double bass. Voet’s guitar and van Kooten’s violin playing truly swings with Brouwer and Stevens laying down a solid foundation for each selection. This is musical playing at its best with sound quality to match. If you need an album that shows off the One Microphone Recording style, this could be the ticket.

Ur is time. Past meets future, young forces are given the chance to carry time forward. Ur is origin. Where we recognise our roots, the past experiences that inform our perspective of the path ahead. Ur is wilderness. The scree clinging to the mountain, hard rock: impassable, majestic and of infinite beauty. Time, origin and nature are core values in "UR". The recordings consist exclusively of commissioned works, written by composers in affiliation with the musical community in Trondheim. The composers have different backgrounds and tonal language, providing this record with a complex and complementary repertoire. Music by Odd Johan Overøye, Øyvind Johan Eiksund, Martin Eikeset Koren, Geir Døhlie Gjerdsjø and Eva Holm Foosnæs.

Ruud Breuls, Simon Rigter, Karel Boehlee, Jos Machtel and Marcel Serierse can play. No doubt. They belong to the absolute top of European jazz. They have played with everybody who is somebody in the world of jazz. But what really makes this album special is the love and dedication they bring to Armstrong's music. Listening to the 8 compositions presented here one realizes that genre is completely irrelevant.

Nordic Brass Ensemble was founded in 1993 by a group of brass musicians who shared a strong desire to make chamber music together. From the start, the ensemble has focused on developing its own musical ideas and concepts of sound. By exploiting the different instruments' special qualities and combining them in new and unusual ways, and by extensively using mutes, percussion and, indeed, unfamiliar instruments to create new colours and effects, the ensemble is continuously shaping its distinct sound.

Formed under the midnight sun in Lofoten in 2006, the Engegård Quartet rapidly became one of the most sought after ensembles in Norway, performing at the Bergen Festival and the Oslo Chamber Music Festival in their very first season. This extraordinary quartet, named after the first violinist Arvid Engegård, led the audience into the unique world of Norwegian classical and folk music, with intimacy and mystique playing an ever recurring role.

Norway's 2L label has gained a following with releases that are distinctive in two ways: the programs they present tend to be rooted in folk and traditional music to an unusual degree, and they are recorded with well-beyond-the-norm audio fidelity. The Grammy-nominated Himmelrand (the word means "horizon" and is taken from one of the hymns included) may seem esoteric, and it is good to see a 2L product gaining such major recognition.