Tomberlin is Sarah Beth Tomberlin, a pastor’s kid born in Florida, raised in rural Illinois. She wrote the majority of her debut, At Weddings (2018), while living at home. For a while after leaving home and church, she lived in Louisville, Kentucky. She worked a day job and kept writing songs. She posted some of these songs to Bandcamp, which led to her signing a record deal with Saddle Creek. It all happened fast: less than a year after her frst live show, she performed on Jimmy Kimmel and she ended up moving to L.A.

Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control?

Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where we’ve been and reveal where we’re going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you’ll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, ‘90s-style alternative, and unassuming pop.

!!! present Let It Be Blue - spanning 11 tracks, the band's production-forward album incorporates a multitude of styles and genres, easily becoming their most eclectic release yet. The band have taken a new approach to recording over the past two years, primarily working in the box to start, as opposed to their usual studio focused approach. The result, a prominent electronic / dance-leaning edge prevades the band's familiar sonic motiffs and songwriting, pushing the towards new dynamic limits for the New York mainstays.

Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.

Forgiveness is the brand new full-length Girlpool album, which finds the duo embracing weirdo-pop decadence without sacrificing the poetic curiosity that has always made their music so absorbing. Just like they did for What Chaos Is Imaginary, Harmony and Avery each wrote their Forgiveness songs separately, then came together to decide how to present them in a style that felt representative of what excites and inspires them now.

Emotional Eternal, the third studio album from Melody’s Echo Chamber, is a deeply human collection of songs full of prolonged moments of sonic transcendency – a record that clearly exhibits its maturity but still regards the world with a childlike wonder. Having swapped Paris for the clean air of the Alps, Melody hopes “the record has that uplifting quality. I made some big and impactful decisions and changes to my life. It took me to where it is peaceful, and I think the record reflects this.”

The singer-songwriter has also announced her third studio album ‘Green’ which will be released via Big Yellow Dog on April 29. She’s referred to the contemplative new track, as an “autobiographical song” adding: “the lyrics poured out of me.” “‘Broken Shadow’ is about recognizing that we’re all flawed, complicated, and a little bit fucked up and making peace with that,” Elson said. “It’s about loving the broken parts of yourself.” The single also features on the Warner Brothers sci-fi romantic comedy, Moonshot.

Chelsea Jade's second album Soft Spot finds the Los Angeles-based New Zealand artist dwelling somewhere between feeling and expression, certainty and doubt. It ventures beyond the exploration of delusions of grandeur that formed the focus of the critically acclaimed Personal Best (2018), and simultaneously promotes and undermines romance, specifically, in a more solemn way. The record transports the listener from speaker-side at a club, to wandering a party, to sitting at an open window with a pianist nearby. It shifts effortlessly from expansive sold-out-show sound to ethereal, twinkling detail. The writing on Soft Spot outwits even its clever, resourceful production, the lyrics a testament to the multi award-winning songwriter's belief in the pop format as a venue for prose.

The Head And The Heart have announced their fifth studio album Every Shade of Blue out April 29th on Reprise/Warner Records.

Let’s Eat Grandma, the duo composed of songwriters, multi-instrumentalists and vocalists Rosa Walton and Jenny Hollingworth, release their third full-length album. Two Ribbons was co-produced by David Wrench and Let’s Eat Grandma. Standouts include the title track "Two Ribbons” which is a slow, melancholic moment of quiet that deviates from their almost industrial dancefloor fillers. The single contains reflections from Jenny on how the pair are still bound together through their compassion for each other, tight as ever, although slightly frayed and world-worn. “Hall Of Mirrors” is an ethereal, glistening pop song about a beautiful, intense moment remembered.

iane Coffee will release their new album With People, will drop on April 29, 2022 via Polyvinyl Record Co., today, they have shared lead single “Forecast (feat. Deep Sea Diver)” alongside a video directed by Vince Patrick and Melinda Fleming. Its recounting of a turbulent relationship—Diane Coffee architect Shaun Fleming says: “For almost 15 years I had this ‘on again, off again’ relationship. It was always very hot, very intense, and always ended very badly. But no matter how awful the ending, how bad we knew we were for each other, we somehow always found ourselves being pulled back into it. I think deep down we loved the chaos, the crazy. We were the definition of a ‘fatal attraction.’” With People, produced by Jonathan Rado (Weyes Blood, The Killers).

Avec les yeux est le deuxième album studio de la chanteuse française Fishbach, sorti le 25 février 2022. Il est le successeur de A ta merci, paru en 2017 puis 2018 dans sa version Deluxe.

Australian singer Harriette Pilbeam, aka frontwoman/alter ego of Hatchie, makes music that is often labeled dreamcore, but there's nothing sleepy about her second album. In fact, there's a decided kinetic energy—like Kylie Minogue shimmer meets mid-career Duran Duran—to the title track, with its mysterious synth, thrumming bass and, near the end, a kick-in of dancefloor joy…