Fresh off the worldwide success of Natural Brown Prom Queen, Sudan Archives levelled up, evolving from a hands-on DIY artist to executive producer of her third album – her most ambitious record to date. Recorded in Los Angeles, Chicago, and Detroit, THE BPM is this innovative artist’s most club-forward music yet, with Sudan Archives taking a dancefloor-ready approach to her unique brand of violin-infused music.

Marbles' brings together seven top-tier musicians from across Europe. Ternion Q Expanded, the vibrant seven-piece ensemble led by visionary bassist and composer Anne Mette Iversen, is jazz in constant motion; built on structure, driven by curiosity, and alive with interaction. It is a dynamic exploration of layered form, rhythmic interplay, and creative exchange in contemporary jazz.

Latency presents Nexus, the new solo album by virtuoso Iranian percussionist Mohammad Reza Mortazavi, out October 17 on vinyl and digital.

Welcome back, Casey Dienel. After an eight-year hiatus during which the singer-songwriter—who has also recorded as White Hinterland—actually thought of themselves as having quit music, they've returned with the message that it's OK to veer from the expected road.

HAIM has announced a deluxe edition of their latest album, I quit.

"I feel everything" is Maggie's sophomore album. In 2021 she released her debut EP Paranoia followed by her debut album Suckerpunch in September of 2022. This album follows her most recent release, an EP titled Headsplit in spring of last year. 'i feel everything' sonically pulls a more pop forward Maggie, with heartfelt and emotional lyrics throughout the album all written by Maggie.

Sam Ryder's powerful second studio album Heartland is available as a beautifully presented standard CD. Featuring 13 deeply personal tracks and housed in a jewel case with full album artwork, this edition offers fans a tangible way to experience Sam's newly defined "Frontier Soul" sound. From orchestral highs to soulful intimacy, this format provides crystal-clear audio and collectable packaging that brings fans closer to the music. A core physical product for any music lover or Sam Ryder fan.

On April 26, 2005, John Darnielle’s third 4AD full-length album as The Mountain Goats, The Sunset Tree, presented a deeply confessional and emotionally vivid narrative drawn from the depths of the prolific songwriter’s turbulent personal history. Twenty years on, Darnielle revisits the career highlight record with a reissue — composed of 2025 Abbey Road Remasters and featuring original artwork and a new (vinyl only) OBI strip designed by Chris Bigg.

With a wealth of wide-ranging experiences in jazz, classical and experimental music, it's no surprise that Seattle bassist, composer & vocalist Kelsey Mines' first recording in the modern jazz tradition would offer an interesting perspective, with evocative textures and surprising, inspired orchestrations.

How crazy must a band be to recompose and record the work of Jimi Hendrix – a man known for his blisteringly loud, amplified guitars – using only acoustic instruments in a serene church? And yet, it made complete sense to HOT (Het Orgel Trio) to go to church and let Berry van Berkun hit the pipe organ. For Jimi Hendrix wanted to literally feel the sound vibrations in his body, and the pipe organ does just that: being a roaring sound machine of unparalleled dimensions.

Celebrating the 20th anniversary of Fall Out Boy’s iconic sophomore album, From Under The Cork Tree, comes a one-of-a-kind Deluxe Edition. With remastered audio of the original album and 13 additional tracks including live and acoustic performances, as well as the long-awaited release of “Start Today”.

Internationally acclaimed Australian-British pianist Jayson Gillham turns his artistry to the Etudes of Chopin: music written to take pianists to the extremes of virtuosity while enchanting listeners with their beauty, elegance and tunefulness. On this landmark album Jayson performs all 27 of these brilliant and captivating pieces, plus the stirring and passionate ‘Heroic’ Polonaise in A-flat major, Op. 53.

Rites & Revelations represents a powerful return and creative re-emergence for Jurd, who had stepped away from regular performance and recording for several years to focus on her family. Written with patience and intention over 6 months following a move to Somerset, it concentrates a sense of yearning and pent-up artistic expression in what is a striking and personal album. As she says, “This album has distilled my identity and brought together things I love in a way that feels uniquely me.”

I Didn’t Come Here to Leave features 14 fresh songs over nine co-writes, with new and longtime collaborators like Jessie Jo Dillon, Trannie Anderson, and Chris DeStefano joining Young’s next act. Re-centering his foundation of timeless romance, while embracing the energy of his legendary live shows (and bringing that deep vocal rumble “back to my baritone roots”), the set represents the most complete cross-section of his creative vision – maybe ever – and the highest level of craftsmanship in Young’s remarkable career. Each song captures another essential element of a country life, expressed through equal measures of good-timing energy, and graceful grit.

If you think you've heard Handel's "Ombra mai fu" (known as his "Largo") so often, and in so many different arrangements, and sung by so many different voices, that you can no longer be moved or surprised by it, think again. This CD of Handel arias, mostly from his Theodora or the cantata La Lucrezia, ends with "Ombra mai fu," and as sung by Lorraine Hunt Lieberson, it is so tender, so beautiful, so impeccably shaded, that you'll think you're hearing it for the first time.