The second album for the DiN imprint by British Electronic Musician Scanner sees Rimbaud utilising a different toolset from his first album, An Ascent (DiN63), released in July 2020. Here he focuses in on several Elektron instruments such as the Analog Four, Analog Rhythm and Digitakt. Whilst his debut album was forged live in his studio during the start of the global pandemic here Rimbaud was after a lighter, more optimistic tone.

The kind of time-travel that occurs when listening back to recordings from 30+ years ago is a peculiar experience. I can still vividly remember sitting on the floor of my flat in Battersea, South London, the walls, floor and ceiling all painted black, crouched over my luxuriously expensive Fostex 280 (over £700 in the mid 1980s) and making these recordings. I’d had to save up for countless months for such a machine, and it was a dream come true.