Washed Out is Atlanta-based producer / songwriter / multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date.

Duval Timothy's latest album Help, his most ambitious work to date, sees him collaborate with co-producer Rodaidh McDonald (King Krule, The XX) and Marta Salogni (Bjork), with collaborations from Lil Silva, Melanie Faye, Vegyn, Desta Haile, Mr Mitch, Dave Okumo, and Twin Shadow amongst others.

Includes one solo track by each artist and one collaboration track, as well as two new collaborative edits of salford electronics 'deconstruction' track.

From their early days hosting parties in Oxford through to the huge success of their two-part Everything Not Saved Will Be Lost album, Foals have consistently explored their interest in dance and electronica. Now the band chart the most essential remixes from their career so far as they share the new remix package Collected Reworks. The tracks featured on Collected Reworks, are a compilation from an eclectic range of artists who have uncovered new angles to Foals’ discography.

Written and produced by Sam Shackleton and Waclaw Zimpel. Electronics, sequencing, and programming by Sam Shackleton. Alto clarinet, violin, harmonium, e-piano, organ, frame drum, percussions, lira, and monochord by Waclaw Zimpel, If Shackleton made Klezmer…

Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group have created their own singular sound.And while their new music mixes dense layers and textures with electronic and acoustic instruments the sound remains uniquely, recognisably their own.

Portico Quartet return with Memory Streams, their fifth studio album and one that continues the journey that first started with 2008’s Mercury nominated debut Knee Deep in the North Sea. It’s a creative path that has seen the band embrace new technology and explore ambient and electronic influences alongside minimalism, jazz and beyond.

Crucial questions around healing, cultural identity, and disability are among the many subjects visited by Thanya Iyer's sophomore album, KIND. Although represented by a concise title, KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists.

Mercury Prize-nominated Portico Quartet has always been an impossible band to pin down. Sending out echoes of jazz, electronica, ambient music and minimalism, the group created their own singular, cinematic sound over the course of three studio albums, from their 2007 breakthrough ‘Knee-Deep in the North Sea’, and 2010 John Leckie produced ‘Isla’, to the self titled record ‘Portico Quartet’ in 2012. Now rebooted as Portico Quartet after a brief spell as the three-piece Portico, the group are set to release their fourth studio album Art In The Age Of Automation this August on Manchester’s forward thinking indy jazz and electronica label Gondwana Records.

The Linkin Park musician followed-up on his debut solo album ‘Post Traumatic’ (2018) with the Twitch-created ‘Dropped Frames, Vol. 1’ earlier this month, having kept himself busy with the project during the coronavirus-enforced lockdown.

Schleswig-Holstein is a thin land bridge between the mighty hull of the North German lowlands and the long pointed head of the Jutland peninsula, with the gentle Baltic Sea on one side, and the rough North Sea on the other. Numerous lakes, deciduous forests and wide corridors have shaped this region since its formation during the last ice age. The varied landscape, covered with fertile clay and littered with countless large and small granite blocks, is the legacy of the glaciers.

The first volume of ‘Selected Percussive Tracks…’ begins to collect some of the myriad material Paw Grabowski aka øjeRum has created over the last 25 years. Known primarily as a collage artists and practitioner of some of the most lauded and admired ambient music being created today. With ‘Selected Percussive Tracks…’ the velveteen warmth often associated with Paw’s music is still there but as was seen on his first Opal release ‘Through The Archway Of Mouths’ minimal, rhythmic features start to become the force of momentum in a music which often feels endless and gaussian.

Arriving at a moment where attention spans are shot and anxieties are going into overdrive, Deleter, Holy Fuck’s fifth studio LP, is a defiantly full-bodied affair. Polyrhythmic and pleasure-focused, Deleter sees Brian Borcherdt, Graham Walsh, Matt Schulz, and Matt “Punchy” McQuaid utilises their signature sound - seamlessly fusing the gauzy drive of krautrock and deep house’s dreamy ineffability, expertly blending purring motorik percussion with the sort of fuggy synthetic fizz and tang they are renowned for.

Nectar Meditation is the debut collaboration from Steve Roach (synths) and Serena Gabriel (harmonium, voice, temple bells). The focus of their work together is to provide a potent, immersive and transcendent experience through the power of sound. This intention is activated through the combination of acoustic instrumentation of ancient origins with a vast array of vintage and current analog synthesizers, creating a compelling new hybrid of archaic and contemporary sacred space music.

Everyone knows these moments, hours or days, where one is feeling cornered, it is like running in circles or one is just trying to see something from a different angle. The new album by Sankt Otten - "Lieder für geometrische Stunden" ("Songs for geometrical hours") - offers tracks for these kind of scenes. It's the soundtrack of the ups and downs of life and everyone's entirely personal geometrical hours.