Mannequin Records presents a LP compilation of Michael Antener (Swamp Terrorist) early 80's minimal synth/industrial projects Nacht'raum (with Michael Stämpfli) and, as solo, Bande Berne Crematoire.

Editions Mego is proud to release the new album by Australian producer Jasmine Guffond. Developed over a two year period, Microphone Permission is an unsettling musical journey utilising contemporary tools of communication to display Guffond’s ongoing research into online surveillance and sound as a method of investigation.

KMRU is the moniker of Joseph Kamaru, a sound artist, and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond he was listed by Resident Advisor as one of ’15 East African Artists You Need To Hear’ in 2018 and is a regular performer at the fabled Nyegenyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is KMRU’s first release for Editions Mego.

The Brooklyn-based artist explores various techniques of sound healing, drawing on ancestral knowledge from Japan.

Fusão Industrial 2020: Lockdown Edition - 22 underground tracks in such genres as Noise, Industrial, Power Electronics.

Over the past several years, the recorded output of Carl Stone has been turned on its head. In previous decades, Stone perennially toured new work but kept a harboring gulf of time between the live performances and their recorded release. This not only reflected the careful consideration of the pieces and technical innovations that went into the music but also the largely academic-minded audience that was themselves invested in the history and context of the work. The time span of Stone's recorded output in both sheer musical duration and year range was generously expansive.

Fridman Gallery is pleased to announce the forthcoming LP of duo Marina Rosenfeld and Ben Vida. VERTICE is the archival recordings from their free improvisational performances recorded at Fridman Gallery in January 2016 and May 2019.

Master synthesists Colin Potter (Nurse with Wound), Alessio Natalizia (Not Waving), and Guido Zen (Vactrol Park, Brain Machine) reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago.

After a banner year that witnessed Lafawndah release her first album Ancestor Boy, the debut of her soundsystem Fara Fara, and further incursions into film, contemporary art and fashion, the ceaseless artist returns with another plot twist: The Fifth Season.

Jeremy Gara, drummer of Arcade Fire, releases his second solo album “Passerine Finale” on Invada Records.

Timely outing from two grand masters of exploratory electronics. Kassel Jaeger is the moniker of French musician François Bonnet who works at the GRM and has released a number of books including the highly regarded The Order of Sounds, A Sonorous Archipelago published by Urbanomic in 2016. Jim O’Rourke is known to most through his explorations of the song and shapes, the high and low, the east and south.

Kieran Hebden blurs the lines between the units of his notoriously slippery output once again by releasing another LP as 00110100 01010100 (that’s ‘4T’ in binary code), the first since 2013’s 0181. The surprise drop of his last album under the moniker, a collection of unreleased material produced by Hebden between 1997 and 2001, showcased the cheekier sensibilities of an artist willing to share the workings of his halcyon days, well before he came to dominate the global stage of electronic music as Four Tet. 871 — by our estimate, the only other 00110100 01010100 album to date — follows suit.

‘Exercise’ opens with a deep breath of a drone, cracking the seal of a window as you take in the day’s first breeze. As the diaphragm of the drone rises and falls, the first of many lasting guitar structures on ‘Exercise’ cycles around a chiming piano. The piano motif embodies the nature of Vettraino’s process making ‘Exercise’; played and recorded during an idle moment at Jamdek Studios, it’s these usually inconsequential minutes, not redeemable for much more than a dead-eyed stare, that Vettraino has threaded into a cohesive musical drift.

On Haunt Me Haunt Me, Do It Again, Tim Hecker downshifts from his minimal techno alias, Jetone, to create rich, textured ambient music of the highest order. Despite the infusion of glitch elements like static and electronic interference, Haunt Me Haunt Me, Do It Again sounds deep and wide, like it was meant to bounce around a cathedral, or as an accompaniment to a planetarium show.

Tim Hecker's first album for Mille Plateaux, Radio Amor, follows two excellent efforts for the relatively smaller yet similarly prestigious Substractif label, and accordingly consolidates that pair into his most inclusive and presentable recording yet.