2025 edition. Kali Malone’s The Sacrificial Code is the 2019 breakthrough album of the acclaimed composer’s pipe organ pieces. Her temporally informed studies of harmonics and intonation breathed life into a suite of compositions which leaves the heart moved and mind still. This 2025 edition was mastered by Rashad Becker and features a new track Sacrificial Code III. Pitchfork praised the album for its "time-stretching properties" and "clean minimalism". Resident Advisor described the album as an "exercise in concentration, restraint, and focus". Tiny Mix Tapes emphasized the "intensity and intimacy" of the album, pointing out how Malone's close miking technique brings out every textural detail of the organ, creating a highly focused and immersive listening experience.

"In his 1919 essay “The Uncanny,” Sigmund Freud defines the term as follows: “the ‘uncanny’ is that class of the terrifying which leads back to something long known to us, once very familiar.” To this end, a feeling of uncanniness distinguishes itself from just being afraid because of its relation to what we already know, a disturbing variation of what we expect to see when we look in the mirror or the kind of horror that comes from inside the house. The uncanny valley, for instance, describes the creepiness that seeps in when we encounter an almost but not quite perfect replica of a human being (robots, computer animations, the list goes on).

Silent friend of those far from us, feeling how your breath is still enlarging space, fill the sombre belfry with your pealing. Late Music is pleased to present a new collection of music for chamber ensembles and for solo performers - for organs, strings, trombones, woodwinds, voices, electronics - make the crier’s a choir, we say!

Last Summer, Daniel Foggin, guitarist, writer and chief architect of Smote, uprooted himself from his usual home in Newcastle to live and work in a farmhouse in Kelso, near the Scottish border. “Through the summer when I was working up there, myself and Rob (Smote drummer) would finish work and go sit by a small river and have a couple of beers in the sun, and it was the best thing ever” he relates “So I guess the philosophy is that to some people it looks like any other stream, but to us it was supreme happiness. That can be applied to a lot of things in life”.

Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space.

Monophonic is the name of the new album by Maria Bertel. As the title hints the album is a study of music played with 'one voice'. The amplification of the trombone mimics the effect of a magnifying glass, that let otherwise inaudible sounds be heard and brought forward. The compositions are long swathes of sound slowly developing, heavily inspired by drone and noise.

Jim Jarmusch and Carter Logan (founding members ofSQÜRL) return with a sonic exploration of the cinematic works of Dadaist pioneer Man Ray, a captivating project that melds music and film.

Gareth Davis returns to Moving Furniture Records with a new collaboration. This time together with Monika Buganjy they perform his composition Becoming. This work is grounded in early minimalist aesthetics of composers like La Monte Young and Phill Niblock, but also shares the sensibilities of contemporary artists like Duane Pitre, Sarah Davachi, Brian Eno and Ellen Arkbro.

With "du silence des anges" Bruno Duplant returns with the second release in his trilogy for Moving Furniture Records, imbued with a certain mysticism and a deep melancholy, but, this time, more luminous, carrying a hope still possible.

Masters of glacial escalation Irisarri & Mogard documented in a reverberating live encore at Madrid’s Condeduque cultural centre, and Irisarri’s NYC studio Black Knoll.

Following his Acoustic Masks, the new record Constellation of Anomaly is Vasco Trilla’s 6th solo album, bringing a new palette of sounds with a vast array of percussion instruments played in numerous creative and unconventional ways. Russian flat bells bowed and played with vibrating objects, a timpani full of wind-up music boxes and spiced up by a transducer speaker, an old zither hit as a drum with two snare drums as resonators, Iranian round bells mixed with gamelan strips, styrofoam and triangles…. All coalesce in a narrative album that reflects on how to emancipate percussion of beat and pulsation, creating rich textures, drones, intricate layers of sound. Pure percussion Music.

The new album The Commune Of Nightmares by noise artist David Wallraf is a tapeloop-based musical game of cadavre exquis, a technique developed by surrealist artists.

It's with great joy that we welcome one of Japan's most revered Ambient act. Manabu Hiramoto has been creating deeply distinct atmospherics since 2003. On this new album he's combined ritualistic elements with lush, foreboding passages, creating an ode to his country's unique nature worship.

Acclaimed NYC experimental musician Lea Bertucci explores dissonance, drone and dynamics with two new longform compositions for strings, electronics, harp and percussion on "Of Shadow and Substance".

Acts of Light is a fugue comprised of nine slow hypnotic dirges. Vulnerability, majesty, and candour elicited with drone, double bass, field recordings and sacred choral chant compose its private ritual. Born out of excavations and explorations in feeling, intuition and physicality through sound which culminated in her 2021 EP Feral Hymns, Acts of Light is a disquiet personal offering to wilderness, loss, absence, mystery and love supreme.