With her musical project Half Waif, Nandi Rose dives deep into the waters of artistic expression by layering evocative vocals and synths to create a powerful form of pop music. On Mythopoetics, Rose explores a full spectrum of sounds that sparkle with memorable hooks, otherworldly production and uplifting grooves. "This is the record I've been trying to make for 10 years," Rose says.

Holter's new LP was recorded at RAK Studios shortly after her set at Green Man in Wales this summer. It's named after a track on 2012 record Ekstasis and features material from throughout her career. This is first release as part of Domino's Documents - an irregular new series of live studio recordings designed to capture the live arrangements of our artists and their bands in high fidelity. Taking its inspiration from classic BBC sessions, each Documents release will be recorded in no more than a day or two at a world class studio in London. Or at least that’s the plan.

On the occasion of the exhibition Celeste at Copenhagen Contemporary, the artists and musicians CTM (Cæcilie Trier) and August Rosenbaum present their new album of the same name with Posh Isolation. The exhibition is an immersive installation structured in acts that has been created with the artists Lea Guldditte Hestelund and Ea Verdoner.

Red velvet curtains draw back to reveal a cosmic wheel of fortune, floating in the deep black star-studded theater of infinite space. A whirl of timbres, personalities, and stories. The Turning Wheel, the third full-length by the Bay Area artist SPELLLING (Chrystia Cabral), revolves around themes of human unity, the future, divine love and the enigmatic ups and downs of being a part of this carnival called life.

Following the release of her forth studio studio album Myopia in 2020, Agnes Obel returns with a new four track digital EP Live from Brooklyn. The live performances, recorded during Agnes’ intimate National Sawdust shows in Brooklyn, New York in January 2020, include four tracks from Myopia: "Camera’s Rolling", "Island Of Doom", "Myopia" and "Won’t You Call Me".

While Tidal introduced us to Apple, the awkward and sullen girl, When the Pawn… had her shooting back with a fiery vengeance at a time when Tori Amos and Alanis Morissette were making anger feminine and more mainstream than their punk predecessors. On the record, Apple sings with a gnarly gruffness. She begins most songs with a deceptive sweetness, building to an angsty climax, wielding her voice as a weapon against ex-boyfriends and bullies. This now on vinyl for the first time ever!

jess joy (formerly of Moon Honey) is a multimedia artist based in the dreamy undercurrent of Los Angeles, hailing from the swamps of south Louisiana. In art school, guitarist Andrew Martin (Palaye Royale) commissioned her to paint a guitar amp, and a partnership flourished. Moon Honey toured the country, were lauded by the New York Times - “whirlwind virtuosity” - and NPR - “one of those voices cults form around”, played on KEXP, worked with producers John Goodmanson (Blonde Redhead, Sleater-Kinney) and Greg Saunier (Deerhoof) and went out with a bang.

Tune-Yards – the celebrated Oakland-based duo of Merrill Garbus & Nate Brenner – release sketchy. , their fifth album and their first album in 3 years. Teased last fall with single ‘nowhere, man’, the album is being announced with the lead track ‘hold yourself ’; a moment of self-realization - “We all have trouble being brave enough to turn the page”.

The fourth in the Switched On series that compiles non-album tracks and sought after deep cuts by the groop. Following on from the first volume released in 1992, 1995's Refried Ectoplasm, and 1998's Aluminum Tunes, the long-awaited fourth installment spans 1999 - 2008 in the Stereolab story and collates 3 LPs worth of material, all remastered from the original tapes and overseen by the band. It features all the tracks from out-of-print and sought after mini-album The First Of The Microbe Hunters, one-off and impossible to find tour 7"s, compilation tracks, art installation work and a couple of unreleased outtakes from the Mars Audiac Quintet and Dots and Loops recording sessions.

Over the course of their extraordinarily accomplished discography to date, Django Django have constantly headed left where others have gone right. Described by The Guardian as “capable of making music that sounds close to perfection”, they are known for their genre defying eclectic sound and their new album Glowing in the Dark heralds, once again, the beginning of a thrilling new era for the band.

Arca drops the dekunstructed club electronyx in favor of captivating church-core theatrics - think Michael Nyman x Björk, ish.

With her sophomore album, 2020's magical and earthy Cha Cha Palace, singer/songwriter Angelica Garcia embraces her family's Mexican and Salvadoran roots, crafting an explosive collage out of her varied influences. A Los Angeles native, Garcia grew up listening to an eclectic combination of mariachi music, Latin pop, jazz, country, and indie rock.

Sublime first new recordings in 20 years by 4AD’s original dream-pop experimenters J. Tardo and Kirsty Yates as Insides - RIYL Nouvelle Vague, To Rococo Rot, Slowdive.

Modern Kosmology sees Jane Weaver's melodic-protagonist channeling new depths of creative cosmic energy within. After the huge critical acclaim of 2012's “Fallen By Watchbird”, followed by 2015's exploratory "Silver Globe" LP winning her unanimous "record of the year accolades" and hefty measures of radio play-listing Jane Weaver's conceptual trajectory has sent her neo-kosmische penchants to the point of no-return.

Never one for easy categorisation, the on-going adventures of David Longstreth’s Dirty Projectors project are especially genre-agnostic on the 5 EPs released throughout 2020. The neatly-titled 5EPs collates these songs into a mammoth compilation. Each set of songs sees a different band-member taking over lead vocal duties, and indeed the flavours of these tracks stretch the breadth and width of the musical spectrum. The likes of ‘Self Design’ and ‘Empty Vessel’ deal in funk and house-inspired rhythms, while ‘Moon, If Ever’ and ‘I Get Carried Away’ are staunchly minimal in instrumentation, but undeniably 1960s pop in melodic sophistication.