Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor.

Long out of print and finally reissued 1965 release “Soul Dressing" Cut from the Original Analog Master tapes by Kevin Gray. All Analog Process (AAA). Pressed At Memphis Record Pressing (MRP). High Quality Vinyl Release.

Mastered By [LP Mastering] – Kevin Gray. Dexter Gordon experienced a career renaissance with his momentous comeback on Blue Note in the early 1960s which produced numerous all-time classic albums. In 1980, producer Michael Cuscuna dug into the vaults to compile Landslide, a collection released as part of the LT Series that was comprised of previously unreleased tracks that the legendary saxophonist had recorded for the label during three different sessions in 1961-62 with a varied cast of musicians including trumpeters Tommy Turrentine and Dave Burns; pianists Kenny Crew, Sir Charles Thompson, and Sonny Clark; bassists Paul Chambers, Al Lucas, and Ron Carter; and drummers Philly Joe Jones and Willie Bobo. The 7-song set is a showcase of Gordon’s hard-swinging improvisational creativity and brilliant balladry.

Limited edition 9-LP boxset, featuring newly remastered audio pressed on 180g vinyl, plus a bonus disc of rare material.

All Analog Process (AAA) From The Original Master Tapes. Cut By Kevin Gray At Cohearent Audio. Lyric Sleeve Included. Ltd Feather Blue Vinyl Edition. In 1970, one of the leaders of the musical Mardi Gras Indian Tribes movement, The Wild Magnolias, became the first band to have a commercial recording released as a Mardi Gras Indian group. The band’s legendary performances at the New Orleans Jazz & Heritage Festival also helped them launch into the recording of their 1974 debut LP—the self-titled The Wild Magnolias which we are so pleased to present to you here. Easily some of the most fantastic New Orleans funk and soul ever laid down on vinyl. Eight songs that don’t let up with its street-beat funk, call-and-response vocals (with lyrics like “just a few puffs to make you feel all right” leading the charge) and a recording that captures the unhinged mania of so many talented musicians crammed into a studio making a stone-cold classic.

Originally released in 1969. Regarded as one of the greatest blues albums of all time. All Analog Process (AAA) From The Original Master Tapes. Cut by Kevin Gray. Midnight Color Vinyl. Recorded in 1969, this album, as McDowell’s titular quote suggests, is not just a collection of songs but a significant piece of musical history. It’s a masterclass, a confessional, a musical statement, and a history lesson all in one. Despite its seemingly simple nature, it’s a profound work. Regarded as one of the greatest blues albums of all time, I Do Not Play No Rock 'N' Roll is a must-listen, a testament to one of the greatest musical forces that has directly influenced The Rolling Stones, Aerosmith, The Black Keys & Bonnie Raitt (to whom McDowell taught slide guitar). In 1959, McDowell’s talent was first captured by folklore musicologist Alan Lomax, and from there, he quickly rose to stardom with his live recordings and festival appearances across the US and UK. This album is a testament to McDowell’s unique voice and guitar style, dominating the air and filling it with raw power and authenticity.

200-gram gatefold double LP cut at 45 RPM. Mastered by Bernie Grundman from the original analog tapes. Surfacing is the fourth studio album by Canadian singer-songwriter Sarah McLachlan, released on 15 July 1997. It was produced by McLachlan's frequent collaborator, Pierre Marchand, and its release coincided with the start of McLachlan's Lilith Fair tour. The album reached the top position on the Canadian RPM 100 Albums chart, number two on the US Billboard 200 and became her first album to reach the top 50 outside of North America, achieving that in the UK, Australia and the Netherlands. It was certified as Diamond in sales in Canada and as 8× Platinum in sales in the US. Critical reviews were mixed; some of the more positive reviews praised the songwriting, while the album's detractors criticized it as banal and slow.

Limited edition, quadruple LP in lidded box with download coupon and large double sided poster. Featuring two extended mixes and four bonus tracks, two of which are exclusive to this format. Initial preorders from Matador shipped with a packaged pin set.

Record Store Day 2024. Cut From The Original Analog Master Tapes. By Kevin Gray. All Analog Process (AAA). High Quality Black Vinyl Release. Limited edition of 1500 Exclusive for RSD 2024. SRC was born out of a smashing up of two of Detroit’s brightest bands, The Fugitives and The Chosen Few (which also featured future Stooge Ron Asheton). The new band gained a fanatic local following, eventually capturing the attention of Capitol Records. On this record, the band shifts effortlessly from mountaintop introspection to wild distorted crescendos creating one of the most melodically heavy LPs ever made, an over-the-top psychedelic fuzz guitar masterpiece. When it was released in the US in 1968, the LP created fan and critical excitement. Still, it was in the UK where the cultdom made its most significant impact, with John Peel playing the hell out of it on his radio show and even Genesis’ Peter Gabriel claiming that this first SRC album was one of his favorites, saying he “wore the record out” (and you can absolutely hear SRC’s melodies buried inside Gabriel’s musical DNA!). This Record Store Day 2024 release was cut from the analog master tapes by Kevin Gray, in an All Analog Process (AAA).

Record Store Day 2025. The Complete Show. First Time Pressed to Vinyl 4xLP-Limited Edition of 4,000. A Performance So Good It'll Leave You Grinnin' from Ear to Ear".

THE BABY HUEY STORY: THE LIVING LEGEND is an audiophile necessity. Recorded in 1970, it is the only solo album by James "Baby Huey" Ramey. After his untimely death at the age of 26, Curtis Mayfield finished the production of the record and released it via his Curtom Records label in 1971. With tracks like "Hard Times," which has been sampled by A Tribe Called Quest and Ice Cube, and gorgeous covers of "A Change Is Going To Come" and "California Dreamin'," this album has become a cult classic among hip-hop and soul fans alike. In celebration of Black Music Month, this album has been cut from the original tapes by Chris Bellman at Bernie Grundman Mastering and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's brand new plant in Oxnard, California as part of Rhino's new Rhino Reserve line.

Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. All runouts are etched. In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro.

Record Store Day 2020. Classic performance from Alice Cooper recorded live from The Apollo theatre Glasgow, Scotland, Feb 19, 1982 on his "Special Forces Tour". This recording is largely unreleased with only three tracks - "Who Do You Think We Are", "Under My Wheels" and "Model Citizen" - being previously released as 12" B-sides in 1982, and have not been available since. Strictly limited to 7000 copies.

Steve was the first member of Genesis to release a solo album (Voyage of the Acolyte in 1975) before leaving the band in 1977. This new box collects his six Charisma studio albums with Please Don’t Touch and Spectral Mornings utilising the recent Steven Wilson stereo remixes (via the original multi-track tapes). The remaining albums have been newly remastered from the original master tapes. As well as this studio work, The Charisma Years 1975-1983 contains Live at The New Theatre, Oxford 1979, a newly mixed concert recorded on the Spectral Mornings tour and Live at Reading 1981 an LP of Steve’s appearance at the Reading Festival in August, 1981. Finally, a 12-inch live EP is included called I Know What I Like. This features Steve’s band performing the Genesis’ I Know What I Like (in Your Wardrobe) recorded in 1979 at Oxford New Theatre plus several tracks recorded live at the Theatre Royal, Drury Lane in November 1979.

Record Store Day 2021 "RSD First" release, part of the June 12th drops. Limited to 4,250 copies. To commemorate the 50th anniversary of Janis Joplin's Pearl, the album will be made available as a picture disc for the very first time. This exclusive for RSD Drops features the iconic cover portrait lensed by Barry Feinstein. Pearl showcased some of Janis' most familiar and best-loved performances including “Cry Baby,” her cover of Kris Kristofferson's "Me and Bobby McGee," and the off-the-cuff, a cappella "Mercedes Benz," the last song she ever recorded.