Limited double 180gm vinyl LP pressing in gatefold sleeve includes bonus track. The Supremes, the most commercially successful girl group in Pop history, were one of the jewels in Motown Records' artist stable. Given wonderful material by Motown's amazing songwriters, the group scored numerous #1 Pop hits, as did singer Diana Ross when she left the group and went solo, and Motown's bright, modern and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. Two dozen of those Number One hits, both as The Supremes and as Ross solo, are collected here, including the timeless classics 'Come See About Me', 'You Can't Hurry Love', 'You Keep Me Hangin' On' and 'Stop! In the Name of Love'. The album also features a bonus remix of 'You Keep Me Hangin' On'. Several songs on this album are longer than the original versions.Mastered and Tracks on Side One, Side Two & Side Three Track #1 Mixed by: Suha Gur at Universal Mastering Studios-East. Exclusively remastered. 180 gram audiophile vinyl pressing.

Cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. Contains "Just A Song Before I Go" & "Shadow Captain".

Recorded at Abbey Road Studios, London between June 1972 and January 1973. Limited edition crystal clear 2-LP, 180g. Featuring UV artwork printing on the non-groove side.

Stunning compilation of Small Faces cuts released worldwide on the Immediate Records label. A-sides, rare B-sides, classic hit singles such as Itchycoo Park, Lazy Sunday, Here Come the Nice, Tin Soldier, The Universal, Afterglow Of Your Love and more. For the first time ever, all the correct single versions are included, newly remastered from recently discovered original mono master tapes by Matt Colton.

Bill Evans and Stan Getz are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities—with both artists at the peak of their creative powers. Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

A1 for electronic sounds and voices, 1969. A2 music for multi-piano, orchestra and electronic sounds, 1968. B1 for electronic sounds and Japanese traditional instruments, 1968. B2 for electronic sounds, 1968.

For the first time on vinyl –Premonition, the first live album released by John Fogerty as a solo artist. Featuring the hits of Creedence Clearwater Revival, as well as songs from his solo career. The album was recorded in front of a live audience at WarnerBros. Studios Stage 15 on December 12 and 13, 1997. Featuring “Born On The Bayou”, “Centerfield,” Fortunate Son”, “Proud Mary” and many more.

Afro-Harping is the first of a rarefied and outstanding trilogy of soul-jazz albums by Dorothy Ashby. Remastered from the original tapes, Afro-Harping is filled front-to-back with sumptuous and hypnotic grooves. Its African percussion, soulful orchestrations, in-the-pocket rhythms and Dorothy's virtuosity take it beyond jazzy mood music and made it a favorite of beat heads and producers. This deluxe edition features eight bonus tracks - alternate takes from the surviving four-track session reels, including an explosive rendition of the single, "Soul Vibrations," extended versions of the title track and "Little Sunflower," plus two fantastic jazzy readings of "Theme from Valley of the Dolls." 2 LP set.

Double album featuring live performances by The Beatles, recorded in late December 1962 at the Star-Club during their final Hamburg residency. The performances were recorded on a home tape machine using a single microphone - resulting in a low fidelity recording. Ted "Kingsize" Taylor began to investigate possible marketing of the tapes in 1973. The tapes were eventually bought by Paul Murphy and subjected to extensive audio processing to improve the sound, leading to the 1977 album.
The album provides historic insight into the group's club act in the period after Ringo Starr joined but before the emergence of Beatlemania. The Beatles were unsuccessful in legally blocking the initial release of the album; the recordings were reissued in many forms until 1998, when The Beatles were awarded full rights to the performances.

By the time Joni Mitchell made The Hissing of Summer Lawns, she had already entered the pantheon of the greats, with albums that can be talked about in casual conversation without having to say the artist (Court and Spark, Blue, Ladies of the Canyon, et al.). But the pioneering work in alt-folk and self-confessional singer-songwriting done, she started pushing her music in radical directions, incorporating jazz, African music (which was hard to actually hear in the States in the ‘70s) and a new, sprawling vision of pop music into her fold. The first moment that all those styles converge and lift Mitchell off into some new vista is The Hissing of Summer Lawns, an album we believe to be her masterpiece, an album that has tendrils of influence that are still being felt today. Remastered by Ryan Smith at 2xLP 45RPM from original tapes, this edition has to be heard to be believed.

Limited deluxe edition of In Waves on 3 discs in a transparent outer sleeve. In Waves pressed on 2 discs alongside a 12” featuring two exclusive bonus tracks and the singles Let’s Do It Again, It’s So Good and Kill Dem.

MASTERED FROM THE ORIGINAL ANALOG MASTER TAPES AND PRESSED ON MOFI SUPERVINYL. 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe. Limited Edition of 12,000. Van Halen did more than announce to the world the earthshaking arrival of a revolutionary guitarist. Performed by an enterprising California quartet that took its name from two of its principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records!
1992 multi-platinum album from the Stone Temple Pilots, a cornerstone of 1990s alt rock! Includes "Sex Type Thing" and "Wicked Garden" 180-gram 45 RPM double LP Mastered by Ryan K. Smith from the original master tape Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jackets by Stoughton Printing.

Analogue Productions (Atlantic 75 Series).Celebrating the 75th Anniversary of Atlantic Records!. Final Velvet Underground album featuring founding member and songwriter Lou Reed. 180-gram 45 RPM double LP
Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound. Pressed at Quality Record PressingsTip-on old style gatefold double pocket jacket by Stoughton Printing. After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970. Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits." Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record — 40 minutes long, five songs to a side, and not a single wasted note."

Like Eric Dolphy before him, Jackie McLean sought to create a kind of vanguard "chamber jazz" that still had the blues feel and – occasionally – the groove of hard bop, though with rounded, moodier edges. Destination Out! was the album on which he found it. Still working with Grachan Moncur III and Bobby Hutcherson – his direct spiritual connection to Dolphy – McLean changed his rhythm section by employing drummer Roy Haynes and bassist Larry Ridley. This combination proved a perfect balance of the four elements. The program is four tunes, three of which were written by Moncur. If there was a perfect Blue Note session after John Coltrane's Blue Train, this was it.