Record Store Day 2025. Pale Saints complete their series of 30th anniversary reissues with the expanded edition of their third and final album, Slow Buildings. As with their first two reissues, this special pressing sees a long out of print album being expanded to run over 2 discs, this time to include the ‘Fine Friend’ EP and a selection of previously unheard tracks and demos. Having been remastered, this double LP edition comes in a gatefold sleeve, being pressed on petrol blue vinyl as part of Record Store Day 2025.

The early 90’s were an incredible time for Shoegaze fans, and the 12” EP was the format that delivered the most vital music of the era. Usually just 4 songs, these EPs were released as quickly as possible after being recorded, and had tracks that were often not found on the subsequent full-length LP. We here at Outer Battery are looking to bring back the heady days of the 12" EP, and what better band to do that with than Swervedriver! Back with their first new music in over 5 years, with 2 tracks recorded with Mark Gardener from Ride and the other 2 recorded by YouTube star Rick Beato, The World’s Fair EP is classic Swervedriver, with Beatles-tinged hits like Pack Yr Vision and psychedelic freak-outs like The World’s Fair.

Celebrating the first anniversary of their latest album, Stereo Mind Game, Daughter announces Live at Middle Farm Studios, a 7-track filmed performance. The session sees the trio of Elena Tonra, Igor Haefeli and Remi Aguilella return to the intimacy of Middle Farm Studios near Dartmoor, England – where much of Stereo Mind Game was recorded – to perform those songs live for the first time, including the singles ‘Be On Your Way’, ‘Party’ and ‘To Rage’.

Tears Run Rings is comprised of Matthew Bice (vocals, guitar), Laura Watling (vocals, bass), Ed Mazzucco (guitar), and Dwayne Palasek (drums). Over the past 15 years, the band has released three albums. Now they are back with album 4, "Everything In The End."

Velocity Girl formed in 1989 or so at the University of Maryland outside Washington DC, and shortly thereafter settled on the lasting lineup of guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not Its). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic ‘60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home.

Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk and microtonalities, electricity liberated back into infinite night.

When times are tough, or you’re feeling worn down, you start longing for a life of total peace. A life where there are no fights, arguments or lies; where there is no such thing as disappointment and your actions have no consequences. Some might call it a “fantasy world”. Genre-jumping Belgian trio Brutus call it the “Unison Life” – a phrase that titles their third studio album. Unison Life is about all the stuff that wears you down in the first place. It’s the ugliness, the pain, and the acts of bravery that get you through it all. Beginning with a portrait of contentment and unravelling from there, the album goes into battle and asks what really counts. In their own words: “Is this Unison Life a hoax? Or a quest?”

Sliding between the bodies in the street, cutting across the contrails that bisect our sky, Wand find melody and the anxiety beats as they hum the soundtrack for a new gravitational center. Seeking connections against the plan of niche interest and anonymity, Vertigo is the sound of slippage, rocks of contradiction (in soft focus); feet lost, regained, lost again, a multi-chromatic swaying, more automatic, associative, directed, in time.

2024 LP from the Denver Dreamgazers, feat. Mark Gardener of RIDE on 3 emense tracks. A voyage through sonic landscapes and bass filled electronics.

With X’s, Cigarettes After Sex finally takes center stage as not just one of today’s preeminent indie bands, but as one of the most globally accomplished acts across any genre, whose often unconventional path to superstardom has helped reshape the very definition of success for artists in the modern era. Filled with raw, imagistic, sometimes smutty vignettes set to entrancing, slowburn pop songs, bandleader Greg Gonzalez captures every emotion a romantic arc inspires. But where previous albums have drawn from an amalgam of relationships, for the most part, X’s centralizes on just one relationship that spanned four years. “The record feels brutal,” admits Gonzalez. “I could sit and talk about this loss to someone, but that wouldn’t scratch the surface. I have to really write about it, sing about it, have the music, and then I can start to analyze and learn from it. Or just relive it—in a good way. I don’t have that Eternal Sunshine-thing of wanting to forget.”

Recorded by Neige and Winterhalter themselves, with a little help from talented friends, Les Chants de l’Aurore pulls off the neat trick of sounding both huge and intimate. From the opening Komorebi onwards, Alcest sound reborn and revitalised, as their most cherished trademarks are reinvented for a new era, and with new depths and sophistication on display.

Produced by Chris Coady and written by DIIV (pronounced Dive), Frog in Boiling Water, the band’s fourth full-length LP is a collection of snapshots that explores the brutal realities of end-stage capitalism and overwhelming technological advance. Across 10 dark and dazzling tracks, DIIV documents the collapse from various angles with unusual sensitivity and depth of purpose while expanding their grand, hypnotic shoegaze, to create a transportive, sensual work of hope, beauty and renewal.

‘Most Perfect Solitude’ is the sixth studio album from The Third Sound, due out May 17th on Fuzz Club. The follow-up to 2022' 'First Light' LP marks a new chapter, in terms of both sound and personnel, for the Berlin psych/post-punk band led by Icelandic musician and author Hakon Adalsteinsson. “After touring ‘First Light’ heavily and releasing our Fuzz Club Session LP last year – a career-spanning, retrospective document – this album feels like starting with a clean slate”, Haken says.

'Lost Today' is a collection of introspective haunting songs and embodies the compelling moods and emotions of the members of the band. Overall, the music is a translation of contradictions in life. Disorientations muses about the intense attraction and repulsion of loving people around us and the appearance of rough emptiness when you lose something fragile.

Cold wave duo The KVB are back with news of their new album ‘Tremors’ which is being released on 5 April via Invada Records (Gazelle Twin, Beak, Billy Nomates). This news comes after a brand new single and video lifted from the record, ‘Labyrinths’, on which The KVB return to the darker sound that embodied their earliest releases whilst retaining the infectious pop of their last album ‘Unity’ which MOJO described as having a “sense of wonderment throughout”.