Vinyl Williams is an American neo-psychedelic band led by Los Angeles-based multimedia artist and musician Lionel Williams, active since 2007. Vinyl Williams has released five studio albums: Lemniscate (2012), Into (2015), Brunei (2016), Opal (2018), and Azure (2020). Williams, who calls his music "celestial pop", has been described as neo-psychedelia, electronic, dream pop, shoegaze, krautrock, chillwave and hypnagogic pop. Dummy Mag has called Williams a "retro futurist with a penchant for analogue noise and sonic transcendentalism".

A reawakening for the Swedish visionaries, Sincere solidifies their impressive trajectory in a fuzzed out haze of dark and arresting shoegaze pop. An expansive trip through noisier, bittersweet pop realms that recalls My Bloody Valentine, Slowdive and Deerhunter.

Gestural Abstractions is the third full-length album from post-shoegaze duo Winterlight. After an admittedly difficult gestation for their second album The Longest Sleep Through the Darkest Days, this new album developed organically and somewhat swiftly from the moment the pandemic lock-down was initiated.

A Place to Bury Strangers defund post-punk orthodoxy with the most audacious and varied songwriting of their career on their sixth album, See Through You, out on Oliver Ackermann's label, Dedstrange.

Cloakroom celebrate their tenth anniversary as a band with their new album, Dissolution Wave - a concept album - a space western in which an act of theoretical physics—the dissolution wave—wipes out all of humanity’s existing art and abstract thought. In order to keep the world spinning on its axis, songsmiths must fill the ether with their compositions. Meanwhile, the Spire and Ward of Song act as a filter for human imagination: only the best material can pass through the filter and keep the world turning.

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.

Once a two-person basement recording project, Broken Social Scene came to life onstage as a shadowy improvisational entity with a revolving-door roster, each concert a wholly unique experience dependent on the room, the weather, what they ate for dinner that night, and who was dropping in to play.

On the eve of a post-Thatcherite Britain, the Pale Saints, alongside the likes of Lush, Ride and Slowdive, were ushering in a new wave of British indie. And in 4AD, they found a perfect home for their music - an exciting & undeniable meld of noise and dream-pop.

No other work of art is able to capture the entire spectrum of human emotion at once. Deeply emotionally expressive and immersive, texturally rough like sandpaper but clear like glass, washing over you like a wave at the beach. Immensely satisfying.

"Swirling guitars… layers of noise… drugged out soft male and female vocals going back and forth… sounding like part love, part death, part hope, part sadness. It's as if they've turned their instruments into liquid and poured them into your ears."

Hush’ is the gloomy & dreamy sophomore album by Belgium based and internationally celebrated shoegazers Slow Crush.

The Asymptotical World EP is Yves Tumor’s successor to 2020’s lauded Heaven To A Tortured Mind, featuring some of their most anthemic rock moments to date. A bold outfit of variegated styles across EP highlights, from the progressive climaxes of “Crushed Velvet” to the breakneck pace of “Secrecy Is Incredibly Important To The Both of Them” and the new standard of contemporary stadium music heard on “Jackie”.

It has been a very intense decade, with more than twenty releases. Iván and Eva left behind a successful and immediate project like JUNIPER MOON to throw themselves into an even more elaborate and unique project. The years have passed and have shown that music is their thing.

Welsh trio with a predilection for delivering stadium-sized riffs with shoegazey vistas and dreamy post-punk riffage, The Joy Formidable return with their stunning new album Into The Blue.

KING WOMAN, the outfit featuring songwriter, vocalist and “tour de force of gloom and woe” (Rolling Stone) Kris Esfandiari, return with their eagerly-awaited sophomore album, Celestial Blues.