This release in Pentatone’s Remastered Classics series reveals a remastered recording by the Quartetto Italiano, originally recorded by Philips in January 1976. On this album, the Quartetto Italiano performs Franz Schubert’s String Quartet No. 10 D87, which comes from his middle period as well as his String Quartet No. 13 D804, also referred to as "Rosamunde" from the late period, a great masterpiece and one of the most outstanding quartets of the entire string quartet repertoire.

The Quartetto Italiano is regarded as one of the finest string quartets of the twentieth century. The group generally focused on quartet-only repertory, avoiding performance with guest artists of quintets and other larger compositions. This Japanese reissue features Franz Schubert's String Quartets No. 13 "Rosamunde" & No. 14 "Death and the Maiden", recorded in 1980 & 1977 respectively.

The great Quartetto Italiano perform Beethoven's String Quartet No. 10, Op. 74, in this beautiful legacy recording. A wonderful reference for the modern age.

The Quartetto Italiano was a string quartet founded in Reggio Emilia in 1945. They made their debut in 1945 in Carpi when all four players were still in their early 20s. They were originally named Nuovo Quartetto Italiano before dropping the "Nuovo" tag in 1951. They are particularly noted for their recording of the complete cycle of Beethoven string quartets, made between 1967 and 1975. The quartet disbanded in 1980.

Historical recordings: The ensemble's confidently-chosen name made it clear from the outset that the Quartetto Italiano saw itself not simply as an Italian string quartet among many, but as the authoritative one. The ensemble was soon recognized as a pioneer of Italian chamber music culture following the Second World War. Through their tireless obsession with detail, in-depth exploration of the works' musical expression, and the remarkable homogeneity of their quartet sound, the Quartetto Italiano conquered a firm place in the top league of leading string quartets over the first two decades of their career.

Historical recordings: The ensemble's confidently-chosen name made it clear from the outset that the Quartetto Italiano saw itself not simply as an Italian string quartet among many, but as the authoritative one. The ensemble was soon recognized as a pioneer of Italian chamber music culture following the Second World War. Through their tireless obsession with detail, in-depth exploration of the works' musical expression, and the remarkable homogeneity of their quartet sound, the Quartetto Italiano conquered a firm place in the top league of leading string quartets over the first two decades of their career.