Revered producer and composer Daniel Avery returns with a new album, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved. With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, andCecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

Tomorrow, October 31st, marks the re-release of Earthling's iconic Trip Hop album "RADAR," timed to celebrate its 30th anniversary. Issued by Chrysalis Records, the album is a seminal work of the Bristol Sound that emerged in the early '90s. "Radar," originally released in 1995, despite its cult following among genre enthusiasts, remains one of the most underrated albums in Trip Hop, having never achieved broad commercial success. The Bristol-based band Earthling comprised producer Tim Saul and rapper Mau. Multi-instrumentalist Andy "Edison" Keep and Portishead's Geoff Barrow, who contributed scratches, also participated in the album's creation. The re-release is a remastered version featuring new cover art by artist Mark Murphy, offering fans of the genre an opportunity to discover and rediscover this important album from Trip Hop's golden age.

Following two acclaimed experimental instrumental records in Feral Hymns (2021) and Acts of Light (2023), Hilary Woods returns on her new LP Night CRIÚ, out October 31st, to song form and most notably, to her voice. Crafting songs centered around it, Night CRIÚ’s intimate ecosystem of seven songs uses layers of vocal harmony and lyrics as ways to re-enter the body, and to speak to and uproot old scripts. A ceremony of light and shade, Night CRIÚ’s unmoored sonic threads recall the cracks, fringes, forgotten agency and dormant personas that surface at night, waiting to be retrieved and integrated come daylight. Despite its economy, each song on Night CRIÚ breathes into an emotive expanse quintessential of Woods’s compositions, and true to her artistry, a search for new direction is ever present, expressed most keenly here in her writing for brass band and children’s choir.

The title refers to an album by Wayne Shorter ,released in 1964. With the amazing McCoy Tyner on the piano. For us Night Dreamer has several symbolic meanings, including unlimited possibilities , unimaginable expectations & paradoxical dreams. As musicians we live a great part of our life’s at night, in the darkest hour. (As so many of us;)This reflects in our music & compositions, as well in the beautiful cover artwork by Michael Cheval. Keep some room in your heart for the unimaginable, and you might get surprised by the Unexpected. A nice phrase a friend sent some years ago as a New Years wish. Kept always resonating in my mind. As a trio we had so much fun and joy while recording this album. Therefore, we hope to spread that positive energy, whenever you hear us playing live, or while listening to our album.

From the creative minds of Daniel Ash (Bauhaus/Love & Rockets/Tones On Tail), Bruce Smith (Public Image Ltd/The Pop Group) and Paul Spencer Denman (Sade/Sweetback) comes a darkly glittering new musical project that marks a huge evolutionary step in these storied musicians incredible careers! The album, recorded over the course of six years, contains sonically compelling, powerfully melodic music with mixing and engineering duties held by Robert Adam Stevenson (Queens of the Stone Age, Jane’s Addiction, The Kills)!

A Certain Trigger 20th Anniversary Deluxe Double CD w/ Rarities & B-Sides.

in 2025, the world celebrates the 200th anniversary. The birthday of Johann Strauss's son – the composer who made Vienna dance and whose melodies have long become part of the soul of this city. For two centuries, his name has stood for elegance, romance and rhythm. But what happens when this timeless beauty speaks the language of modern jazz?

Juniper is the second studio album by British singer-songwriter Joy Crookes, released through Insanity Records on 19 September 2025, and follows her 2021 critically acclaimed debut Skin.[

Sublime pieces inspired by fantasy tales and the world of childhood (the magnificent suites from The Firebird, Jeux d'enfants and Ma mère l'Oye) by Carlo Maria Giulini and the Philharmonia Orchestra, available digitally for the first time in a splendid remastered version: one hour of pure orchestral magic!

Lucia di Lammermoor is one of the most iconic works of the bel canto repertoire, showcasing Gaetano Donizetti’s masterful blend of lyrical beauty and dramatic intensity. Based on Sir Walter Scott’s novel The Bride of Lammermoor, the opera tells a haunting tale of love, political rivalry, and psychological collapse. At its heart lies the tragic heroine Lucia (Lisette Oropesa), caught between familial duty and a forbidden love, whose descent into madness culminates in one of the most famous and demanding scenes in all of opera—the legendary "mad scene."

L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season.

Fur and Gold is the debut studio album by English singer Bat for Lashes. It was released on 11 September 2006 by The Echo Label. It was met with critical acclaim and received a nomination for the 2007 Mercury Prize.

"Johnny Come Home" is a song by British band Fine Young Cannibals, released as the first single from their debut album, Fine Young Cannibals (1985). It is similar to the style of many other of the band's hits, a mixture of rock and ska with Roland Gift's distinctive vocals, as well as a jazz-type trumpet solo. It was released in May 1985 by London Records and was one of the group's most popular hits. The song tells the gritty realistic story of a runaway youth, and alternates from the first-person narrative, explaining how his arrival in the big city has not turned out as he expected, to the view of the parents in the chorus, expressing their wish that he would come home.

Some of the most revered Guided by Voices albums are the ones where songwriter Robert Pollard is able to balance his proclivities for strangeness with his gifts for melody and hooks. The reconfiguration of GbV that's been responsible for record after record (usually at least two a year) in the 2010s and 2020s has often leaned more toward the strange side of things, with a high number of the many tunes they churn out exploring prog rock or experimental song structures. Thick Rich and Delicious, the band's second full-length of 2025, is the album GbV fans who miss the band's more tuneful, pop-friendly days have been waiting for. These 15 songs are primarily energetic power pop, rich with catchy melodies, high-spirited vocal harmonies, and the type of sticky choruses Pollard has used sparingly on the albums directly preceding this. Songs like "A Tribute to Beatle Bob" or "Lucy's World" are almost too straightforwardly melodic, with huge, happy major-key chord progressions and hummable tunes. The band rocks out on riffy selections like the instrumental "Ozark Ivanho" and the garage punk of "Replay," and there's some woozy Who-like experimentalism on "Mother John," but by and large, Thick Rich and Delicious is all about pop. It's powerful power pop, too, with the band tracking the entire album live, with cranked amps direct to analog tape. The nostalgic effect of a Guided by Voices record this melodic seems not to be lost on the band

In keeping with previous Lennon box sets, the ‘Evolution’ mixes of New York City track the development of each of its nine songs using demos, rehearsals, snatches of dialogue, and early takes. It’s a thrill to hear these songs take shape and to hear an unguarded and uncompromising Lennon lead the sessions. “I know we’re gonna end up with that clean, clean recorded sound which I hate,” he frets before tearing into a ferocious version of the title track. We hear ‘Sunday Bloody Sunday’ transform from an eerie home demo to a rollicking boogie, with some choice Lennon witticisms along the way – “Of course, anyone daft enough to decide to play saxophone deserves torturing” and, when attempting to chivy things on, “C’mon, I want to get on to that female lib song before McCartney gets on to that!”. Meanwhile, the studio sessions for ‘Luck Of The Irish’ show Lennon’s softer side as he coaches Ono through her vocal.