Pianist Duke Pearson’s too-little-known holiday gem Merry Ole Soul was the sole Christmas album of the classic Blue Note era, and it remains a highly enjoyable treat for jazz fans and Christmas music lovers alike with its first-ever vinyl reissue. Recorded in 1969, the album featured the pianist, producer, and Blue Note stalwart in a trio with Bob Cranshaw on bass and Mickey Roker on drums…

Dagmar Pecková's new Christmas album: 30 carols and songs from Bohemia, Moravia and other European regions.
The highly acclaimed Christmas album Nativitas is now joined by a new festive album, bearing the title "Exaltatio". While in Colloquial Latin the word means "exaltation" and "elation", in Christian theology it has a more profound connotation: "elevation"…

In case you've lost track (or were never keeping track), this is Johnny Mathis' sixth newly recorded Christmas album following Merry Christmas (1958), The Sound of Christmas (1963), Give Me Your Love for Christmas (1969), For Christmas (1984), and Christmas Eve With Johnny Mathis (1986)…

BnF Collection presents Christmas Crooners contains the defining tracks of the decade and features some of the biggest hits from artists including Dean Martin, Frank Sinatra, Elvis Presley and many more.

The Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a now lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).

Amy Grant provides one of the most aesthetically pleasing voices of the Christmas season, and like her other holiday recordings, Home for Christmas provides a collection of songs that can be enjoyed year after year. This time out, Grant relies primarily on Christian standards, all of which are delivered with honesty and beautiful arrangements.

This Christmas CD includes Estonian, Russian, and Ukrainian unaccompanied liturgical music, hymns, and carols written for the Orthodox Church, which (except for the 1990 piece by Arvo Pärt, and Mykola Leontovych's "A Song of Good Cheer," known in the West as "Carol of the Bells") were suppressed during the Soviet era and have only since then come to light. The music is for the most part written in a late Romantic tonal idiom in the choral tradition of Rimsky-Korsakov, Mussorgsky, and Rachmaninov, and while some pieces have the Slavic gravity associated with Orthodox liturgical music, some have a simpler, folk-like flavor.

Featured were four original songs by Cash, along with eight covers including takes of "I Heard the Bells on Christmas Day," "Silent Night," "Blue Christmas," and others. This is a solidly enjoyable entry from Cash, and a must-have for die-hard aficionados of the country icon.

Showbiz has been in Gwen Stefani's blood since the start of her career, which is the reason why she, unlike many '90s alt-rock veterans, can seem at home within the confines of the televised musical competition The Voice. Her very presence on The Voice, one of the last genuinely popular franchises on network television in the 2010s, guaranteed the existence of an album like You Make It Feel Like Christmas, one that's pitched directly in the mainstream. You Make It Feel Like Christmas plays upon her romance with co-host Blake Shelton, making her bouncy duet with the country singer the album's title track and first single. "You Make It Feel Like Christmas" bops along to a Motown beat, just one of many intentional nostalgic nods at the past – "Never Kissed Anyone with Blue Eyes" grooves to a simmering '60s soul groove, her version of "Santa Baby" has a mid-century swing, Wham!'s "Last Christmas" is given drippy strings that turn it into a girl group number – but the record is surprisingly heavy on new material for a holiday album. Occasionally, this means Stefani veers into territory that doesn't feel strictly seasonal: "When I Was a Little Girl" plays like a diary entry, not a memory of Christmases past, "My Gift Is You" is a love song bearing the faintest hint of mistletoe, and "Never Kissed Anyone with Blue Eyes" has only a tangential relationship with Christmas. They don't seem out of place, since they're given the same bells and whistles as "Let It Snow" and "White Christmas," but they also diminish the album, making it seem smaller than the season. Still, the moments that work have a coquettish charm that is appealing, which is reason enough to warrant a listen.
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New for 2019 from 3 time Grammy Award winning and multi-platinum selling acapella group Pentatonix, comes The Best Of Pentatonix Christmas. The best-of album will feature four new songs, in addition to the quintet's biggest and best-selling songs and collaborations from their past 4 holiday albums.