Originally released in 1967. Reissue with the original tracklisting. 180 gram audiophile vinyl. Younger Than Yesterday is the fourth studio album by the American rock band the Byrds, released on February 6, 1967, by Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music, a process they had begun on their previous album, Fifth Dimension. In addition, the album captured the band and record producer Gary Usher experimenting with new musical textures, including brass instruments, reverse tape effects and an electronic oscillator.

Record Store Day 2025. Blue Bossa In The Bronx: Live From The Blue Morocco is a never-before-released recording of jazz trumpet icon Kenny Dorham, captured live at the Blue Morocco jazz club in The Bronx, NY in 1967 – featuring Sonny Red, Cedar Walton, Paul Chambers and Denis Charles. Transferred from the original tape reels that were recorded by engineer Bernard Drayton, the limited-edition 2 LP set was mastered for by Matthew Lutthans at The Mastering Lab and pressed on 180-gram vinyl at Le Vinylist. The elaborate booklet includes liner notes by jazz author and scholar Bob Blumenthal, plus interviews with artists who knew or were inspired by Kenny Dorham, such as Eddie Henderson, Jeremy Pelt, Steven Bernstein, Reggie Workman, Dan Morgenstern and others.

El Malo (The Bad [One]) is the debut album of Willie Colón, which he recorded when he was sixteen years old. The cover design featured a double photo of Colón. 21-year-old Héctor Lavoe was brought on board by the producers.

AAA Cut From The Original Stereo Master Tapes By Kevin Gray. Pressed On 180-Gram Heavyweight Vinyl At Optimal. Heavyweight Glossy Gatefold Jacket. Features Rare Photos And Detailed Liner Notes By Doors Archivist David Dutkowski. ABOUT THE RHINO HIGH FIDELITY SERIES. Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging. To ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.

AAA Cut From The Original Stereo Master Tapes By Kevin Gray. Pressed On 180-Gram Heavyweight Vinyl At Optimal. Heavyweight GlossyGatefold Jacket. Features Rare Photos And Detailed Liner Notes By Doors Archivist David Dutkowski. ABOUT THE RHINO HIGH FIDELITY SERIES Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging. To ensure consistent sonic xcellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.

Sly & the Family Stone harnessed all of the disparate musical and social trends of the late '60s, creating a wild, brilliant fusion of soul, rock, R&B, psychedelia, and funk that broke boundaries down without a second thought. Led by Sly Stone, the Family Stone was comprised of men and women, and Blacks and whites, making the band the first fully integrated group in rock history. That integration shone through the music, as well as the group's message. Before Stone, very few soul and R&B groups delved into political and social commentary; after him, it became a tradition in soul, funk, and hip-hop. And, along with James Brown, Stone brought hard funk into the mainstream. The Family Stone's arrangements were ingenious, filled with unexpected group vocals, syncopated rhythms, punchy horns, and pop melodies. Their music was joyous, but as the '60s ended, so did the good times.

The world's largest recording orchestra plays themes and songs of our biggest national holidays. We have produced this album at the request of several school systems, radio stations and civic organizations throughout the country which felt there was a need for this program to play on public address systems and for various other uses. It has been produced with taste and a depth of sound dimension rarely heard on recordings depicting the holidays.

The Romero brothers are classically trained sons of a master guitarist who build an "electrical crescendo" with their music that sometimes transforms the decorum of classical concerts into the explosiveness of a rock concert.

Harry Nilsson's debut album, Pandemonium Shadow Show, was notoriously loved by the Beatles, and it's easy to see why. This is the only record of its time that feels akin to Sgt. Pepper, and in some ways, it's every bit as impressive. Nilsson works on a much smaller scale, leaning heavily on whimsy yet cutting it with sardonic humor and embellishing it with remarkable song and studiocraft; it's as if McCartney and Lennon were fused into the same body.

When it comes to holiday records emitted from the shadows of the mighty Motown hit factory on West Grand Boulevard, few could match the quality and quantity from one of their key artists.

Allmusic said "Collier's wonderfully diverse compositions are waiting to be discovered by a new generation, as his timeless, carefully crafted structures are charmingly alluring. Although this is not in any sense earth-shattering, or even groundbreaking, it is albums such as this one upon which Collier's reputation stands, and this satisfying release is a wonderful addition to his oeuvre". On All About Jazz Nic Jones noted "the quasi-impressionistic tones of Deep Dark Blue Centre echo the work of Gil Evans, albeit with a more rhythmically animated sense. Collier's composerly aims are aided in no small part by his sidemen, with Karl Jenkins's oboe topping things off in some of the ensembles and Dave Aaron's dry alto sax and the always deeply worthwhile trumpet of Harry Beckett outstanding in the solo stakes".

In 1967, Nancy Sinatra would continue her artistic ascent into the pop stratosphere with the James Bond You Only Live Twice theme song, the groovy technicolor television special, Movin' With Nancy, recording one of the most beloved duets of all time, "Some Velvet Morning," and a cross-country pilgrimage to the center of the country music scene.

Sugar was the fourth album recorded by Nancy Sinatra in 1966, an uncanny feat considering The Beatles were recording around two albums a year at the time. The iconic Ron Joy cover photo of Nancy in a pink bikini (the first on an album cover!) was a daring move in 1967 that helped propel the album to #18 on the charts (Nancy's second highest charting album after Boots). It is a peculiar record that pairs one of Nancy's biggest songs, "Sugar Town," with mostly 1920s compositions recorded in a contemporary Dixieland jazz pop fusion style that could have only been concocted by producer Lee Hazlewood. Equal parts strong, sultry, and savvy, Nancy Sinatra has long been ahead of her time-both in her choices as an artist and as a businesswoman. Unapologetically, she established her own path early on and paved the way for decades of female artists to come-all while firmly maintaining control over her career, her image, and her music. In 1965, Nancy Sinatra changed the face of music, fashion, and culture.

Between the Buttons is the 5th British and 7th American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and on 11 February in the US as the follow-up to Aftermath. It reflected the Stones' brief foray into psychedelia and baroque pop balladry during the era.

A Christmas Album (1967) is the first Christmas album and the tenth studio album released by American singer Barbra Streisand.