Recorded at the tail end of 1969 with a cast of new collaborators, this album is a prime showcase of Erroll Garner’s two greatest strengths: his ability to completely reinvent well known songs, and his endlessly creative facility as a composer of original music. From his sultry “The Loving Touch” to the Afrofuturistic “Mood Island,” Garner’s originality again proves boundless.

On 'Reincarnation' Baltimore vibesman Warren Wolf reveals an entirely different side to his multi-faceted talents, allowing him to indulge his love for the R&B and soul hits that served as the soundtrack to his formative years in the 1990s. It's also a celebration of a new lease on life, a happiness and contentment that he's discovered through a new marriage and his five beloved children.

The best way to describe Aaron Diehl's trio recording, 'The Vagabond', is that it is a quiet masterpiece. While this is thoroughly a jazz recording rooted in precedents set by Diehl's forbearers such as Art Tatum, Mary Lou Williams, Ahmad Jamal, Roland Hanna and John Lewis; it will come as no surprise to fans of Aaron's previous two Mack Avenue recordings that clear references are made to his background and simultaneous career as a Classical music performer.

Remastered reissue of Erroll Garner's 1968 album 'Up in Erroll's Room', which is appearing here on CD for the first time.

The Movement, Revisited: A Musical Portrait of Four Cultural Icons is culminating documentation of a richly inspired piece - lauding four key figures of the Civil Rights Movement: Rev. Dr. Martin Luther King, Malcolm X, Rosa Parks and Muhammad Ali. Marshalling his ever-sharpening skills as a composer, arranger, conductor, musician and lyricist, McBride has created a historically and culturally illuminating five-part suite for an 18-piece big band, chorus and narrators that places the motivating forces as well as the goals of the Civil Rights Movement within a powerfully relevant artistic context.

'That's My Kick' was Erroll Garner's first traditional studio album in five years and perhaps his most ambitious album ever as a composer. The selections were surely inspired by the new array of musicians assembled for the sessions, including percussionist José Mangual, who would go on to play with Garner for rest of his career. The electric atmosphere captured on tape here is at times raucous and always palpably joyful.