These twelve astonishing tracks are drawn from a broad spectrum of early 70s West African psychedelic classics. Yet the fact that they scarcely registered on the Richter scale of contemporary underground music must surely be one of the greatest ironies of modern popular music, given that western counterculture drew so heavily on the musical, aesthetic and visual traditions of Africa.

Born in Girona in 1962, started a self-taught on guitar and studied classical guitar and modern. Later he studied with Manuel Gonzalez in Barcelona and won the professional title at the Music Conservatory Isaac Albeniz Girona with the highest qualifications and higher education at the Conservatory of Music of the Liceo in Barcelona. Meanwhile attended several courses in musical performance, particularly that of David Russell.

Inspired by the Thames. Especially walking by the Thames. Once you have done that your mind can always take you back to there. There’s no centre to you mind no boundary. So all is possible.

The Brooklyn-based artist explores various techniques of sound healing, drawing on ancestral knowledge from Japan.

King Scratch and the Bay Street Boys present a rousing programme of Carribean Calypso music on Let's Go Calypso. The collection comes courtesy of Countdown Media's restoration of the master tapes from renowned legacy label, Ashire/Somerset.

The Romantic Lure Of Hawaii is the second and last album by the Exotica supergroup The Surfmen, released in 1963 on David L. Miller’s Somerset label.

The Owsley Stanley Foundation, in partnership with the Ali Akbar College of Music in San Rafael, CA, is pleased to announce the sixth release from Owsley’s storied archive of live concert recordings – Bear’s Sonic Journals: That Which Colors the Mind, a previously unreleased 1970 live concert featuring one of the greatest masters of Indian classical music, Ali Akbar Khan (sarod), accompanied by Indranil Bhattacharya (sitar) and Zakir Hussain (tabla).

From two magnetic tapes restored by Pedro Félix, Amália Rodrigues ' reissue plan, coordinated by Frederico Santiago, now takes us to rehearsals and creative work, in her home or in the studio

Late Night Tales: Khruangbin is a DJ mix album curated by American psychedelia band Khruangbin for Late Night Tales series, set to be released by Night Time Stories on 4 December 2020. It will include Khruangbin's cover of Kool & the Gang's instrumental tune "Summer Madness". The compilation includes a mixture of various global artists outside of the mainstream music, including South Korean rock band Sanulrim, Belarus band Pesniary, Nigerian musician Maxwell Udoh, and Ethiopian band Roha Band, among others.

Renaud Garcia-Fons & Claire Antonini, two exceptional musicians, formed a duo several years ago. Their music has been enriched over time, each musician bringing unique experiences and passions for early music, jazz, and oriental music in the broadest sense.

HUUGE compilation of music where Erick Cosaque was involved with during 1973 - 1995. Killer Gwo Ka / jazz crossovers from his early days to the more digital zouk bangers he produced in the 80's / 90's.. Almost never reissued or compiled before, this is a big one for the tropical music heads!

Clive Hunt’s Blue Lizzard is the first reggae instrumental album of its kind to come out of Jamaica since the heyday of Channel One and Joe Gibbs’ studios in the late 1970s and Rico Rodriguez’s influential Man From Wareika

A journey to the borders of jazz, world music and improvisation: Stracho Temelkovski’s first album The Sound Braka (Brothers of Sound) transpires jazz, the Balkans, the Mediterranean and the East, near and far, or the suburbs of Buenos Aires.

‘Wizkid’ Ayodeji Balogun, a Nigerian born singer and song writer who has also taken the international world by storm with having his songs blasting from speakers all over the world to collaborating with international artists like Beyonce on ‘Brown Skin Girl’, Drake on ‘One Dance’, Chris Brown on ‘African Bad Gyal’, H.E.R on ‘Smile’.

After the very acoustic "¿Dónde estás María?". I decided to try a new experiment taking as a reference the legendary group "Cumbia siglo XX" which is a group who explores a futuristic vision of coastal cumbia in the 80s, together with other groups such as "Grupo folclórico", "2000 voltios" and others, mainly under the label Machuca and Felito records. This new 80s cumbia was a combination of funky basses and a further evolution of the rhythms, blending this style with disco and even rock music and superimposing the traditional versus the urban context and the modernity.