Beth Hart first teamed up with guitarist Joe Bonamassa in 2011 and the partnership proved to be mutually beneficial. Hart gave the rock-edged Bonamassa some blues bona fides while the guitarist brought the vocalist to a wider audience. Plus, it was evident from their two studio albums and live set that the two had an easy chemistry: They shared a similar vernacular in Chicago blues and classic soul. The pair rely on that effortless interplay on Black Coffee, their third studio collaboration. Working with producer Kevin Shirley – a veteran of Black Crowes records who has been in the Bonamassa orbit since 2006 – the pair eschew straight traditionalism for a clean, colorful, retro vibe.

The lives of the editors and journalists working at a left-leaning broadsheet and a populist tabloid.

Produced by Chuck Leavell, Warren Haynes' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the Allman Brothers Band. Although the feel of this album is undeniably classic rock, with much of Free's bluesy swagger, it is also vaguely reminiscent of '80s rock at times (check out the Mr. Big-esque verse to "Fire in the Kitchen"). The focus on Tales of Ordinary Madness is clearly on Haynes' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them.

Desktop PCs and servers can quickly end up accumulating large quantities of unused, temporary, and duplicate files. Before you know it, you're out of drive space, backups are taking far too long to run, and users can't find the data they need when they need it. You need a visual, interactive software tool to help you manage disk usage. You need FolderSizes. FolderSizes is an award-winning, network-enabled disk space analysis tool. It can quickly isolate large, old, temporary, and duplicate files, or even show file distribution by type, attributes, or owner. All with multiple export formats, command-line support, shell context menu integration, and much more.

Carl Friedrich Abel (1723-1787) was born in Köthen, a small German city, where his father, played viola da gamba and cello in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. That the young Abel later attended the Leipzig Thomasschule and was taught there by Bach is not finally confirmed. What is known, however, is that he joined Johann Adolph Hasse's court orchestra in Dresden on Bach's recommendation in 1748, where he remained for nine years. On Bach's recommendation in 1748 he was able to join Johann Adolph Hasse's court orchestra at Dresden, where he remained for fifteen years.

Thick as Thieves is the fourth album by Canadian rock band Trooper, released in 1978. The album was produced by Randy Bachman of Bachman–Turner Overdrive and The Guess Who fame. The album went platinum in their home country, and featured the group's only successful U.S. single, "Raise a Little Hell".

UK 'Best Of' for the late lamented singer songwriter who sang with The Smiths, Talking Heads, the list goes on and on. This 18 track collection (long out of print in the U.S.) gives an overview of her eclectic career, highlighting her skills as an interpreter of classic songs and a talented songwriter in her own right. Tracks include her first hit for Stiffrecords, 'There's A Guy Down The Chipshop Swears He's Elvis', 'They Don't Know' (Kirsty's own composition, later a hit for Tracy Ullman), the Brian Wilson inspired, 'He's On The Beach', the Christmas classic, 'Fairy Tale Of New York' feat.The Pogues, and covers of The Smiths' 'You Just Haven't Earned It Yet Baby', The Kinks' 'Days' and Lou Reed's 'Perfect Day' feat. Evan Dando. 1995 release.

Serious marks the beginning of Luther Allison's late-'80s/early-'90s hot streak. The more streamlined, rock-oriented approach actually is a benefit, since it gives Allison a shot of energy that makes his guitar simply burn all the way through the record.