Bruce Cockburn's self-titled debut's blend of diversity, enthusiasm, and innocence never quite resurfaced again in his work, especially in his more clinical, politically inclined tracts of later decades. The opening number, "Going to the Country," still evokes that hippie-esque, back-to-the-earth movement as well as any song ever recorded, complete with a sly wink that keeps it fresh to this day. And since this was 1970, the album also comes equipped with some of those quaint excesses of the period; try the nasal tone poem gracing "The Bicycle Trip." "Musical Friends" remains a lively, happy-go-lucky classic with piano signature lifted from Paul McCartney's playbook; it's difficult to picture the dour Cockburn of more recent years ever having this much fun. In contrast, "Thoughts on a Rainy Afternoon" offers a trance-like, introspective atmosphere reminiscent of British folkie legend Nick Drake.

15 CD collection includes: Spoke (1997); The Black Light (1998); Hot Rail (2000); Even My Sure Things Fall Through (2001) EP; Feast Of Wire (2003); Convict Pool (2004) EP; Black Heart (2004) Maxi Single; In the Reins (with Iron And Wine) (2005) EP; Garden Ruin (2006); Carried To Dust (2008); Algiers (2012); Edge of the Sun (2015); The Thread That Keeps Us (2018).

Althogh the packaging leaves something to be desired, all of Barry McGuire's hits, including "Eve of Destruction" and many similar-sounding protest folk-rockers, are featured on Anthology.

Fairport Convention's only concept album was built around the story of John "Babbacombe" Lee, a convicted killer who survived three attempts to hang him. Cut by the four-man Fairport lineup of Simon Nicol, Dave Swarbrick, Dave Mattacks, and Dave Pegg, the original album was a self-contained work with a specific beginning and ending. It's also never been much more than cult item in the group's early catalog, despite some spirited playing on "Little Did I Think," "I Was Sixteen, Pt. 2," "St. Ninian's Isle/Trumpet Hornpipe," and "Sailor's Alphabet." The slipcased "Island Remasters" keeps the concept and the original album's content intact – with killer sound as expected, and each song now getting its own index number – and appends a pair of bonus tracks that justify the purchase. The first is "Farewell to a Poor Man's Son," a "lost" song by the group from the BBC program on John Lee that was the inspiration for the album, and "Breakfast in Mayfair," both from an earlier lineup of the band featuring Jerry Donahue.

With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal.

Nine is the ninth album by the British folk rock group Fairport Convention, released in 1973. 2005 Remastered re-issue. Bonus Tracks include 'The Devil in the Kitchen' (Fiddlestix), 'George Jackson' (Live), 'Pleasure and Pain' (Live) and 'Six Days on the Road' (Live).

On three discs contain live material from 1966 to 1969, and a fragment of Paul Simon's concert in 1980. This live recording and its release, has not been authorised by Simon & Garfunkel or their recording company.

Heidi Berry cut a stark contrast to the prevailing musical mentality of the early '90s – despite releasing records on both Creation and 4AD, together the leading lights of the shoegazing and dream pop movements, her haunting, luminous folk-inspired sound instead harked back to the work of Sandy Denny and Nick Drake, complete with an earnestness and raw honesty far removed from her irony drenched times. Collection includes: Love (1991); Heidi Berry (1993); Miracle (1996); Pomegranate: An Anthology (2000).

Moby Grape Live is a 2010 album, released by Sundazed Records, of previously unissued live recordings of the band Moby Grape. Included are recordings of the band in its prime in 1966 and 1967, as well as 1969 recordings, subsequent to the 1968 collapse and departure of founding member Skip Spence. A particularly notable inclusion is the band's performance at the historic Monterey International Pop Festival. According to critic Mark Deming, "While Moby Grape's studio work might offer a clearer picture of the strength of their songs, Historic Live Moby Grape does a brilliant job of revealing what made them great as a band, and the best tracks here should prompt any serious fan of late-'60s rock to reaffirm Moby Grape's status as one of the finest acts of their time." According to another reviewer, "After the essential debut record, this is the Moby Grape record I would recommend next."

Although former New Christy Minstrels singer Barry McGuire scored a fluke novelty hit with the Bob Dylan-styled folk-rock protest anthem "Eve of Destruction" in the summer of 1965, neither he nor producer Lou Adler's startup label Dunhill Records seems to have had a long-term plan for his solo career beyond trying to score another hit single. Naturally, Dunhill quickly issued an Eve of Destruction LP, filling the tracks with McGuire covers of recent folk hits and more originals by P.F. Sloan, who'd penned the hit. Sloan also wrote the follow-up singles "Child of Our Times" and "This Precious Time," neither of which made the Top 40. By the end of the year, Dunhill had another McGuire LP, This Precious Time, again mixing Sloan songs with other people's hits like "Do You Believe in Magic" and "Yesterday." That is the first of two McGuire albums combined on this two-fer CD reissue.

Moby Grape '84 is a 1984 album released by Moby Grape on the San Francisco Sound label. It is also known as "Silver Wheels" album, after the introductory song on the album, and as the "Heart Album", as referenced to the album cover. The album is notable in that it is produced by the band's former manager Matthew Katz, who also owned the San Francisco Sound label. Paradoxically, since the early 1970s, Moby Grape had been in litigation with Katz over ownership of the band name and related royalties; at the time of recording the album, matters had not been resolved.

After the expanded instrumental scale and sonic experimentation of Court & Spark and The Hissing of Summer Lawns, Joni Mitchell reverses that flow for the more intimate, interior music on Hejira, which retracts the arranging style to focus on Mitchell's distinctive acoustic guitar and piano, and the brilliant, lyrical bass fantasias of fretless bass innovator Jaco Pastorius. Known for his furious, sometimes rococo figures beneath the music of Weather Report, Pastorius is tamed by Mitchell's cooler, more deliberate ballads: these meditations coax a far gentler, subdued lyricism from Pastorius, whose intricate bass counterpoints Mitchell's coolly elegant singing, especially on the sublime "Amelia," which transforms the mystery of Amelia Earheart into a parable of both feminism and romantic self-discovery. This isn't Mitchell at her most obviously ambitious, yet the depth of feeling, poetic reach, and musical confidence make this among the finest works in a very fine canon.

First time on CD for this collection of early Folk recordings from Barry 'Eve Of Destruction' McGuire and other members of The New Christy Minstrels, originally recorded in 1963 for the Horizon label, a short lived American Folk label whose most prominent artist at the time was Hoyt Axton. McGuire recorded a number of tracks for the label in the company of Karen Gunderson , Art Podell, Paul Potash, Barry Kane, all members of the New Christy Minstrels. These were collected together as Star Folk volumes 1 and 2 . The material is for the most part originals by McGuire and his contemporaries such as Hoyt Axton, Art Podell, Rod McKuen. These classic American Folk recordings have not been available since the mid '60s and include many standout recordings including 'Greenback Dollar', 'Town And Country' and 'So Long Stay Well'.

The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released in February 1982 on Warner Bros. Records. It was recorded in September 1981 at a free benefit concert in Central Park, New York City, where the pair performed in front of more than 500,000 people. Proceeds went toward the redevelopment and maintenance of the run-down green space in the middle of Manhattan. This concert and album marked the start of a short-lived reunion for Paul Simon and Art Garfunkel.

With hits such as "Luka" and "Marlene on the Wall," folksy singer-songwriter Suzanne Vega helped pave the way for future artists the likes of Tracy Chapman, The Indigo Girls and Sinead O'Connor. This retrospective features all 16 of Vega's videos, including "Tom's Diner," "In Liverpool" and "99.9Fº." Extras include an alternate video of "Caramel," promotional videos for three of Vega's albums, a discography and a rarities archive.