Upon his emergence during the mid-'60s, Donovan was anointed "Britain's answer to Bob Dylan," a facile but largely unfounded comparison which compromised the Scottish folk-pop troubadour's own unique vision. Where the thrust of Dylan's music remains its bleak introspection and bitter realism, Donovan fully embraced the wide-eyed optimism of the flower power movement, his ethereal, ornate songs radiating a mystical beauty and childlike wonder; for better or worse, his recordings remain quintessential artifacts of the psychedelic era, capturing the peace and love idealism of their time to perfection…

Limited three CD box set that contains all three Woman's Heart albums: A Woman's Heart, A Woman's Heart 2, A Woman's Heart - A Decade On. Listening to Ireland speak from the heart is to hear a woman's voice. A Woman's Heart is a rare collection of Ireland's top female vocalists, including Maura O'Connell, Frances Black, Dolores Keane, Sharon Shannon, Eleanor McEvoy, Sinead O'Connor, Mary Coughlan, and Mary Black… Each artist is famous in her own right and sings one of her signature pieces.

32 tracks from guitar legends such as Mark Knopfler, Lynyrd Skynyrd, Eric Clapton, Stevie Ray Vaughan, Allman Brothers Band, B.B. King, Fleetwood Mac, Ry Cooder, ZZ Top, Gary Moore, Chris Rea, Santana and more, all help make this 2 CD set a sure fire hit.

"Tumbleweed Connection" is the 3rd studio album by English singer-songwriter Elton John. It is a concept album based on country and western/Americana themes. All songs are written by John and Bernie Taupin, with the exception of "Love Song" by Lesley Duncan. The album was recorded at Trident Studios, London, England in March 1970 and released in October of the same year. It peaked at #2 on the UK Albums Chart and #5 on the US Billboard 200 chart. In the US, it was certified Gold in March 1971 and Platinum in August 1998 by the RIAA. In 2003, "Tumbleweed Connection" was ranked #458 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Chris Smither spent a fair chunk of time in the mid-2010s looking back, culminating in Still on the Levee, a two-disc set from 2014 that found the singer/songwriter revisiting songs he recorded in the past. Arriving four years later, Call Me Lucky functions as something of an answer to that aesthetic, finding the singer/songwriter living squarely in the present. He opens the album with the lively blues shuffle "The Blame's on Me," which is quickly followed by a minor-key rendition of Chuck Berry's "Maybellene," and he effectively sets the pace for the rest of the album. As Call Me Lucky rolls on – the album proper is ten tracks, but there are six additional "B-Sides" featuring alternate takes of songs on the album, plus an introspective version of the Beatles' "She Said She Said" – Smither adds some slower, gentler touches (highlighted by the lovely "By the Numbers"), but he retains this same sense of immediacy. By playing so directly and simply – the album isn't unadorned, there are additional harmonies and guitars, yet it feels like it is – Chris Smither creates a bracing, intimate record, one that feels filled with earned truths.

"Empty Sky" is the debut studio album by British singer-songwriter Elton John, released on 6 June 1969. It would not be released in the United States until January 1975 (on MCA), with different cover art, well after John's fame had been established internationally.

Released in 1989, "Ghosts Upon the Road" was Eric Andersen's first American album in 12 years. Making his best album since his classic "Blue River". The sound here is friendly, rich and mostly acoustic. Andersen's smoked tenor is as reassuring as ever, and his deft control of melody pleasingly familiar. The Stories here are not all pretty, but they ring true, even if it hurts. "Though a lot of the songs on the album were written in Norway, they're very much about America," Mr. Andersen said. "I can see New York City more clearly when I'm away from it that when I'm there".

Moby Grape '69 is the third album by the psychedelic rock band Moby Grape. It is the first album after the departure of co-founder Skip Spence. Spence nonetheless is heard on one song, "Seeing", presumably from the Wow/Grape Jam sessions, and positioned as the final song on Moby Grape '69. As Peter Lewis describes the album, "We made Moby Grape '69, in an attempt to rebound from the Wow album, which was over-produced. And it's a cool album. Although we could have rehearsed it a little more, we still believed in it. But I think we were waiting for Skippy to come back, and he never did." The album peaked at a disappointing number 113 on the Billboard chart. While it did not sell well at the time of its release, in a recent (2008) review, it is pointed out that the album would be particularly appreciated by persons who like the music of Poco and The Eagles. For Moby Grape fans at the time, the album was perhaps too country in musical orientation. In some respects, the album was ahead of its time, predating the more popular first country rock releases by Poco and The Eagles.

Wow, the sophomore album by multi-talented Moby Grape, brims with ambition, adventure and a determination to show the world the San Francisco quintet could do it all. Firmly in the post-Pepper spirit of the day, the set, first issued in 1968, features everything from taut rockers and blistering blues to touching melodic ballads, country waltzes and the outright unclassifiable. The band's guitar-heavy sound is augmented in spots with piano, brass, string orchestration and, in its original vinyl incarnation, one track made to be played at 78-rpm.

Days Like This is the twenty-third studio album by Northern Irish singer-songwriter Van Morrison, released in 1995. It is a diverse group of songs offering a variety of moods and styles. It ranked No. 5 on the UK album charts and was nominated for the Mercury Prize. His daughter, singer-songwriter Shana Morrison performed duets with her father on two tracks, "You Don't Know Me" and "I'll Never Be Free". "Ancient Highway" was nine minutes long and contained the words "praying to my higher self/Don't let me down". It is said to be the one song on the album where he comes closest to following his muse. The title track has continued to be a popular song in concert to the present day.

Sixto Diaz Rodriguez, known professionally as Rodriguez (born July 10, 1942), is an American singer-songwriter from Detroit, Michigan. His music career initially proved disappointing in the United States, but unknown to Rodriguez his albums became extremely successful and influential in South Africa, where he is believed to have sold more records than Elvis Presley. His work also found a following in some other countries in Africa, and also in Australia and New Zealand. Because information about him was scarce, it was incorrectly rumored there that he had committed suicide shortly after releasing his second album. In the 1990s, determined South African fans managed to find and contact Rodriguez, which led to an unexpected revival of his musical career. This was told in the 2012 Academy Award–winning documentary film Searching for Sugar Man and helped give Rodriguez a measure of fame in his home country.

For her second album, Shawn Colvin took a temporary break from longtime collaborator and producer John Leventhal, teaming up instead with Larry Klein. And while the strongest songs – "Tennessee," "Climb On (A Back That's Strong)," and "Object of My Desire" – are Colvin/Leventhal collaborations, credit should be given to Klein, who incorporated a glossy, more dynamic production and top-notch session players for a stronger and more accessible album. In addition to turning in a strong batch of songs, Colvin shows much more diversity, tackling everything from rootsy rockers to more sensitive folk ballads with equally passionate delivery. "I Don't Know Why" (the first song she wrote) and "Round of Blues" both found considerable success in adult contemporary radio formats, adding to her growing fan base.

Few debuts are as initially powerful and permanently impressive as this 1967 set from San Francisco's Moby Grape. The triple-threat quintet (every member played, sang and wrote songs) serves up an utterly unique first course that mixes psychedelia, hook-filled pop, blues and country elements. The album tosses off diamond-delicate ballads and full bore rockers with equal soul and inspiration – and more energy than any other band then on the scene. Without a single duff cut, here's an album that plays as fresh and strong as the day it was first released. In 2003, the album was ranked number 121 on Rolling Stone magazine's list of the 500 greatest albums of all time.

The ancient, shamanistic, musical traditions of the Samis of northern Scandanavia, in what was once known as Lapland, are given a modern twist by vocalist and drummer Mari Boine (Persen). Although her highly rhythmic songs are rooted in the wordless, yodeling-like, vocal style of yoik (or joik), Boine's arrangements incorporate influences of jazz, rock and other ethnic elements.

Often overlooked, the Hooters' Nervous Night was a defining record not only for the band, but for 1985 itself. Filled to the brim with fun, danceable new wave-ish rock, the album is a wonderful representation of a lighthearted era. The peppy vocals of keyboardist Rob Hyman and guitarist Eric Bazilian give the band an assured, happy energy, while the sporadic use of the mandolin and melodica (a combination harmonica/keyboard) gives the group its distinctive sound. "And We Danced" and "Day by Day" became instant pop hits, but the remainder of Nervous Night is almost as strong. "All You Zombies," which refers to stories in the Bible, is the band's most powerful moment; along with "Where Do the Children Go," the track showed that the Hooters could be serious and dramatic as well as upbeat. Although the band wasn't able to maintain its momentum with subsequent records, Nervous Night remains a noteworthy contribution to mid-'80s rock and doesn't sound quite as dated as the work of some of the band's contemporaries.