Ultimae proudly presents the new remastered edition of Connect.Ohm's first album 9980 a subtle and emotive story born of the musical encounter between Hidetoshi Koizumi aka Hybrid Leisureland and Alexandre Scheffer aka Cell. The nine tracks on 9980 compose a serene ballad in atmospheric realms where finely chiseled rhythms and fluid melodies are sustained by discreet downtempo grooves and deep drones. Koizumi’s widely spread, otherworldly, organic, sustained wizardry, compliments Scheffer’s spiraling, liquid, delicate yet sumptuous acid ambient type architecture. This combination creates a kinetic and spacious tapestry that stimulates the mind and soul. A pure delight for vast soundscapes audiophiles.

Digitally remastered edition of this album from the French electronic music pioneer. Geometry of Love is the fifteenth studio album by Jean-Michel Jarre, originally released in October 2003. This album has more in common with the preceding Sessions 2000 album than releases prior, but the style here is still more electronica than jazz. The music was to be lounge music, played in the background or in the chill-out area of a club. The album was commissioned by Jean-Roch, as a soundtrack for his VIP Room nightclub in France.

The Gothenburg-based duo, known for its soothing analog atmospheres and complex melodic evolutions through the minimalist cycle, has pulled digital remasters on its lush back catalog. This the band's first ambient album, made even before they took the name Carbon Based Lifeforms. For the first time on CD.

Feed The Kitty/Tails Out is a compilation-style release by Shy Tiger that brings together melodic hard rock material rooted in the late 1980s and early 1990s American glam and arena rock tradition. The album combines polished guitar-driven hooks, melodic choruses, and emotionally charged vocal performances with the energetic spirit associated with the classic hard rock scene. Throughout the record, the band balances radio-friendly songwriting with heavier guitar textures and rhythmic drive, reflecting the transitional period between glam metal and mainstream melodic hard rock. Themes of romance, nightlife, heartbreak, and youthful rebellion dominate the lyrical atmosphere, while the production emphasizes layered guitars and accessible melodies. The collection preserves the nostalgic character of the era while offering fans a broad overview of the band’s melodic and hook-oriented style. Feed The Kitty/Tails Out stands as a strong archival release for listeners interested in underground melodic hard rock and AOR-inspired metal from the period.

Carl Czerny found a continuing source of inspiration in the music of his teacher Beethoven, even after he had established himself with a series of influential pedagogic works, piano exercises and studies. His works for piano trio show a flair for vivacious themes and unusual rhythms, such as the Spanish bolero in the second of the Deux Trios brillants, Op. 211 as well as opportunities for brilliant display, notably for the pianist. The Trois Sonatines, Op. 104 are equally lively, showing a transitional style that bridges the period from Mozart to Liszt.

"I will not be treated as property," John Lydon howled on "Public Image," the first single Public Image Ltd. released in October 1978. While the group would take a dizzying number of creative twists and turns over the next four decades as they evolved from dub-obsessed experimentalists to a polished and pop-savvy alternative rock band, the one thing that remained constant was the voice of Lydon - angry, theatrical, dripping with venom, sometimes curiously witty, and always overflowing with passion, even if it was usually expressed in negative terms. PiL was his vehicle, and while he may have had valued collaborators, there was never any mistaking that this was Lydon's show and his message. Lydon's two years as Johnny Rotten in the Sex Pistols have burned deeper into the pop culture consciousness, yet PiL has proven to be his definitive musical statement, and with 2018's The Public Image Is Rotten: Songs from the Heart, he's offered a deep dive into the ongoing project's history…

The Mozartists present an unprecedented survey of Mozart’s childhood stay in London from 1764-65. The wide-ranging programme includes Mozart’s remarkable first symphony (composed when he was eight years old), along with his two other London symphonies and his first concert aria. The repertoire also explores music that was being performed in London during Mozart’s stay, including works by J. C. Bach, Thomas Arne, Abel, Pescetti, Perez, George Rush and William Bates, many of which have not previously been recorded.