In 2015, Big Apple Blues released the album ENERGY, which described day in a life of New York City. Boasting entirely original material, ENERGY marked a departure from the well-trodden blues genre towards a fusion of instrumental blues, soul, funk, and rock. Unable to assign the album to a pre-defined genre, the critics labeled it as the “Big Apple Blues Sound.” MANHATTAN ALLEY builds on ENERGY and presents more of the feel-good Big Apple Blues Sound. Like its predecessor, MANHATTAN ALLEY tells its own story, aiming to draw from a well of energy and philosophical, utterly positive reflections on life and creativity. It is inspired by New York City itself - NYC with a nod to Tin Pan Alley - the collection of New York City music publishers and songwriters that dominated popular music in America in the late 19th and early 20th century.

The music of Hungarian composer Ernst von Dohnányi took a dive in concert program frequency after his death in the U.S. in 1960, when the fashion was for Bartók or still more progressive composers. It has been making a comeback, however, and this satisfying release by Britain's venerable Nash Ensemble, largely specialists in contemporary music, should only help it along. Dohnányi was classified as a conservative, and indeed there is a strong Brahmsian streak in his music.