The international release The Paul Simon Anthology was a two-CD abridged version of the three-CD box set Paul Simon 1964-1993. For this version, the first two discs of the box set were condensed into a single CD, while the third disc, left untouched, was now the second disc. This accentuated one of the weaknesses of the box set, weighting the selections even more heavily toward Simon's later work. Here, his recordings originally released between 1965 and 1983 (including six Simon and Garfunkel tracks) made up the first disc, and the second disc covered only the period 1986-1993, and really 1986-90, since the only recordings released after 1990 were "Thelma," an outtake from the 1990 album The Rhythm of the Saints and three performances from the 1991 live album Paul Simon's Concert in the Park. While the abridgment seemed to have been made with an eye on the British charts, for the most part eliminating only songs that had not been hits in the U.K. (the exceptions being "America" and "Take Me to the Mardi Gras"), the album still didn't function as a full-fledged greatest hits album, lacking such British chart singles as "Homeward Bound" and "I Am a Rock" (neither of which were on Paul Simon 1964-1993, either).

Released in early 2007 as part of Universal's extensive and cheaply packaged Number 1's: Temptations series (see also: volumes dedicated to James Brown and Marvin Gaye), this disc compiles 19 number one R&B singles from the Temptations. It's worth mentioning that some of the inclusions – "The Way You Do the Things You Do," "You're My Everything," "I'm Gonna Make You Love Me," "Ball of Confusion" – were number ones on the Cash Box chart, rather than the Billboard chart (the usual source), and 1998's "Stay" is a bit of a stretch since it topped Billboard's Urban Adult Contemporary chart. Nothing can argue against the set as a decent introduction to the group, even though several great singles – such as "Cloud Nine" – peaked below the top spots.

Blues With a Message isn't just about lost love and the toils of specific lives, the blues (particularly within the folk-blues traditions) spent some time dealing with sociopolitical issues on the side, primarily before the rise of electric blues. Here, Arhoolie has compiled a set of pieces related to a surprisingly large number of issues. Among them: Minstrel shows, the mechanization of cotton farming, and its related exodus to the North, sharecropping, segregation, the Korean War, the influenza epidemic, the New Deal, civil rights movements, Chicago employment opportunities – all are given a song or two here. The music quality is roughly equivalent to many of the folk-blues recordings available, though the "big name" artists are largely absent from this one (Lightnin Hopkins does make an appearance singing about sharecropping, however). The songs are deliberately focused on the issues more than the music, but the music can still carry its soul. This one probably won't be on many highest-sales lists in the blues, but it's both historically important and musically enjoyable.