A collection of previously unreleased songs from Gary Moore's substantial body of outstanding work in his back catalogue. The album contains 4 originals, and 4 songs previously recorded and made famous by classic bluesmen like Elmore James, Sonny Thompson, Memphis Slim and BB King. It's our hope that current and future generations of music fans discover and re-discover Gary Moore, revelling in the artistry of not just a great guitarist, but a supremely talented musician. Back to the future with Gary Moore.

Guilty! is a 1971 collaborative album between Jimmy Witherspoon and Eric Burdon. At the time, Burdon used the Los Angeles group War as his backing band, and some of their members are on this album. This is taken from an ARG (Avenue Records Group) CD reissue with the title Black & White Blues.

Regarded by none other than the record collector magazine, as being the finest collection of "Hendrix" sessions ever released, this limited edition ten cd box set contains over 100 tracks over ten hours of music & contains some of finest sessions/outakes "Jimi Hendrix" ever made. This box set is limited to a 1000 copies, each one is individually numbered, it also contains a 20 page detailed booklet.

“Dangerous” Dan Toler—who played with The Allman Brothers Band from 1978-82, participated in the band’s 1986 reunion shows and toured with both Gregg Allman and Dickey Betts—is currently suffering from Lou Gehrig’s Disease. But the noted guitarist has mustered the energy to record a new studio album with The Toler Tucci Band, Doc’s Hideaway which is set for release on November 6 via Magnolia Records. In addition to Toler and band co-namesake Doc Tucci, the group features The Platters singer Verceal Whitaker, keyboardist Jake Hansen, bassist Harry DeBusk, percussionist Mike Tucci and Gregg Allman Band percussionist Chaz Trippy.

A collection of previously unreleased songs from Gary Moore's substantial body of outstanding work in his back catalogue. The album contains 4 originals, and 4 songs previously recorded and made famous by classic bluesmen like Elmore James, Sonny Thompson, Memphis Slim and BB King. It's our hope that current and future generations of music fans discover and re-discover Gary Moore, revelling in the artistry of not just a great guitarist, but a supremely talented musician. Back to the future with Gary Moore. "How Blue Can You Get" is available on light blue 180 grams vinyl and a Limited Deluxe CD.

Based out of North Central Florida and inspired by classic & contemporary blues, the Bridget Kelly Band has placed their unique stamp on the "electric blues" genre, with high-energy live performances and a hybrid sound that mixes Texas, Chicago, and Memphis Blues with various Southern Blues traditions and blues-rock of the 1960's and 70's. The powerful and sultry vocals of singer Bridget Kelly and the incendiary lead guitar work of Tim Fik forge a signature hybrid sound that combines female urban blues with riff-driven rockin' blues guitar; held together by a dynamic rhythm section comprised of Alex Klausner on drums and Mark Armbrecht on bass.

The latest recording project from Blinddog Smokin' in elegant packaging replete with photos, notes, lyrics. All original music covering electric blues, funk, jazz, and gospel. Blinddog Smokin’, known for its intense presentation, dynamic volume swings, and humorous storytelling, brings anywhere from six to ten performers to its shows, and often features in addition, famous guest blues artists like Bobby Rush, Carl Weathersby, Sherman Robertson and Billy Branch. For several summers, award winning British sensation, Oli Brown toured with Blinddog. The big Blinddog bus has carried on tour such notables as Zora Young, Miss Blues, Aynsley Lister, and Holland’s Coen Wolters. The shows are innovative, always colorful, and often dramatic, and in one night may feature many configurations, looks, and song styles.

Driving Towards the Daylight is the tenth studio album by blues rock guitarist Joe Bonamassa, released on May 22, 2012. Recorded at The Village Recorder in Los Angeles, CA and Studio at the Palms in Las Vegas, NV, Driving Towards the Daylight is a balanced and "back-to-basics album that highlights Bonamassa’s signature style of blues, roots, and rock & roll". Driving Towards the Daylight was produced by Kevin "Caveman" Shirley (Black Crowes, Aerosmith, Led Zeppelin), making this Bonamassa and Shirley's seventh album collaboration in six years. The album debuted at number 2 in the UK. This constitutes the highest performance to date of a Joe Bonamassa album on a non-blues- or rock-specific chart. In Canada, the album debuted at number 55. In the U.S. the album debuted at number 1 on the Blues albums chart and number 23 on the Billboard 200.

Los Angeles axeman Rick Holstrom, best known for his work with Rod Piazza and the Mighty Flyers, delivers an album full of diversity on this, his first Tone-Cool release. The 13 songs included on Gonna Get Wild play out like a catalog of guitar stylings, running from the uptempo blues of "I'd Hate to See You Cry" to the sounds of swing and early rock & roll. Holstrom is able to pull off the different styles with ease and finesse, playing in rich, clean tones without overdoing it on the distortion. That's one reason why his songs have the uncanny ability to sound both retro and modern simultaneously.

Hard rocking blues, featuring Andy Watts' virtuoso guitar, Dov Hammer's soulful harmonica and vocals and some unique original songwriting. The Blues Rebels began in 2012 as a one-time friendly jam between two veteran Blues artists – guitarist Andy Watts and singer/harmonica player Dov Hammer – but the immediate chemistry between the two and the powerful stage show that resulted was undeniable. The Blues Rebels soon became one of the hottest Blues bands on the scene, playing with world-class Blues artists such as Joe Louis Walker, Lucky Peterson and Bernard Allison. The band was also chosen to open for the legendary Johnny Winter, who told the band how impressed he was by their performance.

Five CD box set containing a quintet of original albums packaged in mini LP sleeves and housed in a slipcase. Collects "Twice Removed From Yesterday" (1973), "Bridge Of Sighs" (1974), "For Earth Below" (1975), "Live" (1976) and "Long Misty Days" (1977).

The term "Guitar Hero" is bandied about loosely these days. Seems like all you have to do is look good holding the thing and you qualify. But if you ask the actual guitar heroes–-like Brian May, Jeff Beck, and Eric Clapton–-who THEIR Guitar Heroes are, Steve Cropper is definitely on the shortlist. If all he had done were the records with Otis Redding that would be enough, but shortly thereafter he was leaving his fingerprints on records by Wilson Pickett, Sam & Dave, Johnny Taylor, Albert King, and virtually anybody worthy who came within earshot of Memphis. He was a Guitarist's Guitarist, and a Songwriter's Songwriter. Fire It Up is Steve Cropper's first album of new Soul/R&B material in 10 years. The album was produced by Steve and Jon Tiven, and will be released worldwide on April 23, 2021 via Mascot Label Group/Provogue.

Final recordings: Face to Face combines previously released material from John Lee Hooker with unfinished tracks he was working on before he died. Compiled by the estate of Hooker, with his daughter Zakiya at the helm, the unreleased material leans heavily toward soul-blues united with Hooker's patented electric Delta boogie. "Loving People," "Funky Mabel," "Six Page Letter" (a ballad with synth strings), and "Rock These Blues Away" are highlights. Zakiya Hooker takes the spotlight on "Mean Mean World," singing lead alongside her father, and the acoustic "Wednesday Evening Blues" features George Thorogood on guitar. Hooker staples "Dimples," "It Serves Me Right to Suffer," "Mad Man Blues," and "Boogie Chillen" also make their perennial appearances. While there are no real surprises here, Face to Face still sounds great and is recommended alongside John Lee's last official releases, Chill Out and Don't Look Back, both on Pointblank.

Joey Gilmore's first release in ten years following his victory as the winner of the International Blues Challenge. A recording career that spans over 35 years from his first single in released in 1969. This release is a Soulful, inspired session of modern electric Blues with Soul. Opening with "Ghosts Of Mississippi", a brilliant piece written by Graham Wood Drout, with Gilmore and band hitting thick and muscular ala Albert King's "Born Under A Born Sign". Gilmore's pinched, slightly raspy voice and tart guitar licks get All Star support from Drout on bass, Cam Robb's skins and icy keyboards courtesy of Bob Abernathy on this cut. Other songs on the disk incorporate the songwriting duo of Gilmore and George Caldwell, his touring bass player backed by Darrell Raines on guitar and Lionel Harrison on Drums. The compositions include four Soul Blues pounders plus the moody, provocative "Things Have Not Changed", chronicling 48 years of racially-motivated crimes beginning with the lynching of Emmet Till up through the Rodney King episode. What makes "Ghosts" special beyond superb playing and strong songs is Jim Nestor's warm, organic production wraping the CD's theme, chronicling the transition of the Blues into the next millinum from the opening note throughout the disk.

Electric blues, Texas style! Inspired by the greatest players, he sounds like a Freddie King/Johnny Winter blend. If you like extended guitar soloing on a good level, and Johnny Winter-like vocals, you will love Texas Slim! Texas is a big state and Texas blues is big blues - so a name like "Texas Slim" is not to be used lightly. John Lee Hooker got away with it on King Records back in 1949 as he was a long way from Texas and probably had little to do with it. Many years ago, Johnny Winter settled instead for "Texas Guitar Slim" - but both are relevant for our man here, as the first blues he recalls hearing was by John Lee Hooker, and as for Johnny Winter, well, let's hear from Slim himself: “Johnny Winter is certainly my favorite guitarist of all time! I liked him before I realized he WAS blues.