Born during the revolutionary and musically-rich '60s, Psychedelic Rock provided a platform for British and American musicians to experiment not only with hallucinogenic drugs, but also with new sounds that included elaborate studio effects, non-Western instruments -such as sitar and tabla-, disjunctive song structures and surreal and esoterically-inspired lyrics. The Psychedelic Rock Box is a 6XCD compilation that showcases the work of the genre's most prominent artists and many of the essential tracks from that era. The Fuzztones, Arthur Brown, Spencer Davis Group, The Deviants, Sun Dial and Plasticland are only a few of the performers included in this definitive collection of the genre. With fantastic artwork and remastered sound, The Psychedelic Rock Box is an fundamental addition to your rock music collection. And remember that it is not available on streaming platforms!

The GRAMMY award-winning sextet, Earls of Leicester, have returned with a triumphant live album. Taped over two nights at Nashville's historic Country Music Hall of Fame and Museum, the robust 23-song set, features 14 new recordings, and fan favorites from their two previous studio albums. The all-star outfit of Jerry Douglas, Shawn Camp, Barry Bales, Johnny Warren, Charlie Cushman, and Jeff White bring the Foggy Mountain Boys to life, capturing a night of pure Flatt & Scruggs magic.

Legendary Detroit arranger, producer and guitarist Dennis Coffey released ‘Evolution’ in 1971 and sampled-heads will know the importance of the breakbeat funk of ‘Scorpio’ – much sampled in the hip-hop world, but also check the driving groove of ‘Getting It On’. The heavily percussive ‘Son Of Scorpio’ develops the theme while the funker ‘Theme From Enter The Dragon’ is classic 70s soundtrack action. The clavinet laced ‘Can You Feel It’ is also another highlight on a set that includes 11 bonus cuts mainly lifted from the ‘Electric Coffey’ LP as well as the ten that made up the original album.

Young and talented Elisa Tomellini loves challenges and is used to climbing high mountain peaks. Both physical as well as musical. No wonder then that she is the first woman to perform the first version of the Etudes aprés Paganini (S.140) that Robert Schumann reviewed as “the most difficult work ever written for the piano, as is the original for the violin. Certainly only a few pianists will be able to tackle them, perhaps no more than four of five in the world.” Dynamic is proud to feature one of them.

Strut and Art Yard present another exclusive from the vast catalogue of cosmic jazz pioneer Sun Ra: a previously unreleased radio session most likely recorded at the WXPN FM radio studios in Philadelphia, 1974-5.

2 CD, 36 tracks including gems from Artie Shaw, Count Basie, Benny Goodman, Chet Baker, Louis Armstrong, Miles Davis and many more!

Expanded double disc editions on vinyl and CD of LC, the second studio set by The Durutti Column, originally issued by Factory in 1981 and ranked among Vini Reilly's finest albums.

Released in 1983, label-owner Miguel met the band in the Manchester before subsequently inviting them to record a single in Portugal. As the story goes, Vini came and recorded a whole albums worth of material, which would be quickly developed into following releases. This was the pre-cursor to Without Mercy and it contains some beautiful little tunes and is highly under-rated and overlooked.

A collaboration between virtuoso guitarist Vini Reilly and legendary Manchester producer Martin Hannett, the Return of The Durutti Column paired Reilly's non-rock sketches with Hannett's electronic textures to produce "perfectly realized, correctly ambient and inventive music" (NME). The infamous sandpaper sleeve was somewhat less user friendly. Inspired by a 1959 Situationist publication by Guy Debord and Asger Jorn, the relentless iconoclasts at Factory hoped that the abrasive packaging would destroy existing record collections.

“The Hidden Man of the Heart” is most ambitious, grandiose and high-flying opus of the band at the present moment. It consists of 14 tracks and lasts 63 minutes. Various keyboards, guitars, bass, drums, flute and trumpet are supplemented by exotic kinds of percussion, mandolin, bass clarinet and even string quartet! It is that this album extremely emphasizes strange combination of memorable/hooking melodies and sophisticated compositional structures with complex system of leitmotivs. Such combination of “familiarity and weirdness” is one of the trademarks of ROZ VITALIS.

The Oriental Jazz Project presents its new album "Proche Orience". Here are four musicians of the new generation of European Jazz, who are not afraid to mix Arab-Andalusian, and world music with modern jazz, to offer us an organic and sophisticated universe, resolutely modern… Created by the belgian-moroccan pianist Marie Fikry, the oriental Jazz project offers a repertoire of original compositions that creates a dialogue between Europe and North Africa. The oriental percussion occupies a key place as a soloist, while the piano, echoes like a Oud instrument, which offer the Oriental touch to the project.

First-ever compilation of his Atlantic Records recordings and featuring previously unissued live take on “Darn That Dream.”

HEXVESSEL and Century Media Records are happy to announce the release of HEXVESSEL’s fourth studio album, “All Tree”, the successor to the band’s highly acclaimed album “When We Are Death” (2016).

Yannick Bovy, the young cronner all the way from Belgium together with Mr. Cole’s enormous repertoire, this musical celebration will surprise you with a life unforgettable hits and swing you to the moon. To refresh all the great memories with Nat King Cole, Yannick also released his album “Yannick Bovy Celebrates Nat King Cole” as a tribute to Nat King Cole’s unparalleled repertoire and gained rave reviews from fans around the Globe.

Composer John Luther Adams is one of today’s most original voices, often finding a common ground between nature and music, as in his deftly sculpted, Pulitzer Prize-winning orchestral soundscape Become Ocean. In Everything that Rises, written for the JACK Quartet, Adams sets his four musicians on an ever-upward hour-long trajectory as they journey towards, and dissolve into, eternity. The work makes use of both complex harmonics and “just intonation,” a tuning system whose intervals are rooted in earth, corresponding with the vibrations found in everyday physical objects. The resulting sense of timelessness is both unsettling and mesmerizingly beautiful.