It's difficult to call a guitarist who routinely shows up in the upper reaches of "100 Greatest Guitarists Ever" lists underappreciated, and yet the first impression the towering seven-disc box set Skydog: The Duane Allman Retrospective makes is that Duane Allman does not receive his proper due…

'Ultimate… Movies' four-disc set, celebrating some of the biggest movie hits of all time. Features 72 classics, from Elvis Presley, Aretha Franklin, Judy Garland, Simon & Garfunkel, Celine Dion, Sarah McLachlan, Van Morrison, Johnny Cash, Survivor, Kenny Loggins, Dolly Parton, Carly Simon, Billy Ocean, Herbie Hancock, Bob Dylan, Henry Mancini, John Barry, and many more!

Three decades ago Bruce Iglauer founded Alligator Records, selling his hero Hound Dog Taylor's records out of his car trunk. Since then, Alligator has become America's best-known and most prolific blues label, and many of the reasons for its success appear on this two-disc 30th anniversary collection. Much of the material, including Marcia Ball's "Louella" and Shemekia Copeland's "Turn the Heat Up," comes from relatively recent recordings, since the label also released anthologies honoring its 20th and 25th anniversaries.
But the 30th holds its own, presenting guitar greats like Lonnie Mack ("Stop"), Johnny Winter ("My Time After Awhile"), and Lonnie Brooks ("Two-Headed Man"), as well as harmonica heroes James Cotton ("When It Rains It Pours"), Junior Wells ("Keep Your Hands Out of My Pockets"), and William Clarke ("Broke and Hungry")…

If Al Kooper isn't a living American musical legend, no one is. Who else has performed with Bob Dylan, The Rolling Stones, Jimmy Hendrix and countless others? And not just performed but been an important component of legendary songs (how about the Hammond organ on both Dylans' Like a Rolling Stone and The Stones' You Can't Always Get What You Want)? As a solo artist he is best known for his work as a founding member of both the Blues Project and Blood Sweat and Tears. Many more famous recordings have followed and lead us to this great selection - a CD that is, in my opinion, a classic: a two-CD Al-fest. Recorded live at NYC's Bottom Line, Al performs his great tunes from the Blues Project and Blood Sweat and Tears, as well as his solo recordings such as I Stand Alone. The excitement from the packed audience is only rivaled by the intensity Al and the band bring to such classics as I Can't Quit Her, Somethin' Goin' On and New York City (You're a Woman). It's Blues, Jazz, Rock and Roll and a great time, as only Al Kooper can bring.

Though Little Freddie King may not be a household name quite yet, his self-styled "Gut Bucket Blues" approach is well worth a listen for any of those who like rough but precise vocals, warm blues harp, and fat, incisive guitar.
King's style is a rough fusion of T-Bone Walker's sharp attack and Albert King's laid-back, smoky stylings: economical, precise, and thick, tending to simmer but never boil. His rented-mule vocals, likewise, do capably in the pepper-and-vinegar of his mostly self-penned album. Bobby DiTullio adds reliable harmonica, while the backing band keep a likeably primitive rhythm on low heat…

Billy Hawks played the organ and sang the blues – a combination that in the late '60s, when Hawks recorded and released The New Genius of the Blues and More Heavy Soul! for Prestige, meant that he was most certainly a practitioner of soul-jazz. Working in a similar vein to Jimmy Smith, Jimmy McGriff, and other funky professors of the Hammond organ, Hawks didn't play straight-up jazz on either of his Prestige LPs, here captured on a single-disc 2014 reissue by Ace. For one thing, he sang, a choice that positions his recordings much closer to R&B than jazz. Clearly, Ray Charles made an impression on Hawks – "I Got a Woman" shows up on New Genius, "Drown in My Own Tears" on More Heavy Soul! – but with his intimate trio (on New Genius, he's supported by guitarist Joseph Jones and drummer Henry Terrell; on More Heavy Soul! by, Maynard Parker sits in for Jones, and Buddy Terry is added on tenor sax), he was grittier and funkier than Charles was in the '60s, walking the line between mod-jazz and soul.

Singer/guitarist Larry Garner hails from the city of Baton Rouge, Louisiana, where the legen- dary nightclub Tabby’s Blues Box was his proving ground during the 1970s and 1980s. After winning the International Blues Challenge in 1988, he made his recording debut with the British JSP label in 1994 and has since released numerous albums on the Verve, Evidence, Ruf Records and DixieFrog labels.
All in all, Garner has been bringing his electric Louisiana blues and soul to the people for over four decades. He’s a five-time Blues Music Award nominee and member of the Louisiana Blues Hall of Fame - a tasteful guitar player who sings with both humor and emotion who has also earned a reputation as a first-class songwriter and storyteller.

2009 two CD live set from the Classic Rock guitar great, recorded in 2008. Following on from the successful Seven Moons (a collaboration with Cream's Jack Bruce) Trower presents this double disc dose of live recordings capturing Robin in action last year in America…

This set of Edgar Winter's jazzy remakes of older tunes and some new ones is all over the place. With a cast that includes guitarists Robben Ford and Hiram Bullock, Steve Lukather, and Michael Hakes, and bassists like Will Lee, Mark Meadows, and Tom Lilly, as well as trumpeter Lee Thornburg, one gets exactly what one expects: a slick, groove-infested ride through Winter's past and present.

Calvin Jackson (1961-2015) was an American drummer from north Mississippi. He is considered an innovator in the Hill country blues style of drumming, having incorporated elements of the regional Fife and drum bands style in the blues band setting.
In 1999 he released the only album under his own name, Calvin Jackson & Mississippi Bound's Goin' Down South. For this effort Jackson covered songs by such obvious influences as Mississippi Fred McDowell plus added his original complaints to this whining, fussing genre such as "Hard to Get Along" and "It's Gonna Rain". The album was nominated for a Blues Music Award in the category of "Best New Artist Debut".

The fact that a comprehensive collection like this one can exist well into the twenty-first century gives testament to both the staying power of the blues and to the wide influence it has had on other areas of popular music. Whilst few of these have ever been major worldwide hits in the conventional sense, so many of them have provided the roots to rock music that is enjoyed by millions today. This is, we hope, a collection that makes you seek out more, and our Not Now catalogue can offer you very many fine albums to take you further.

Lightnin' Hopkins is the star of this live recording, made at an August 1961 concert at the Ash Grove in Hollywood featuring Hopkins, Sonny Terry and Brownie McGhee (with Big Joe Williams sitting in on three numbers…

Mississippi-born but Texas-based Omar Kent Dykes understands a fundamental fact about the blues. He knows there are only a handful of rhythms and themes in the blues grab bag, and he uses them all over and over again in slightly different guises, which is far from a bad thing. It is the fundamental conservatism of the blues and its limited palette that has kept the form alive long after its colorful offspring (R&B, soul, rock & roll, etc.) flew the roost, taking a large part of the audience with them. But Omar understands all this. He has had a 30-year career playing these rhythms, and he knows how to keep it all simple, direct, and powerful, and how to build new songs out of the fabric of the old songs without destroying their familiarity.

JSP, one of the U.K.'s most active historical reissue labels, presents an outstanding postwar Chicago blues anthology packed with essential recordings made between 1947 and 1955 by Sunnyland Slim & His Pals. Out of the 104 tracks (not 97 as stated on the front of the packaging), 60 are "by" Sunnyland Slim; the other 44 were released under the names of Johnny Shines, Robert Lockwood, Floyd Jones, Leroy Foster, J.B. Lenoir, Jimmy Rogers, and St. Louis Jimmy. Sunnyland sat in on each of these dates; the enclosed discography denies his presence on the Johnny Shines date, although his piano is clearly audible…