"Coming Up" is the third studio album by the English rock band Suede, released in September 1996. It was a commercial success, reaching number one on the UK Albums Chart and producing five top-ten singles, marking a shift to a more pop-oriented sound following the departure of guitarist Bernard Butler. Collected here are selected recordings from the reading gig, broadcast on BBC radio 1, plus some previously unreleased studio takes of the album’s tracks recorded for the station’s evening session and Mark Radcliffe shows. Cherrypicked by the band as the best possible ‘coming up’ BBC recordings, they’ve been sequenced for ‘coming up at The BBC’ in the same order as the original studio album.

U2's first two greatest-hits albums neatly divided themselves by decade, with the first covering the '80s and the second summing up the '90s. Their third hits comp, 2006's U218 Singles, is at once more ambitious and more concise, offering an overview of their first 26 years on a single disc comprised of 18 tracks - and since two of those are new songs, that leaves just 16 songs to tell their whole story. That's not much space for a band with a career as lengthy and ambitious as U2, so it's inevitable that some painful cuts have been made. Nothing from October, Zooropa or Pop is here, and unless you're buying various import editions that have "I Will Follow" as a bonus track, there's nothing from Boy, either. There's only one cut each from The Unforgettable Fire and Rattle and Hum - and bucking conventional wisdom, none of their three widely accepted masterpieces - War, The Joshua Tree, or Achtung Baby - provide the most songs here…

They Might Be Giants treat the entire history of popular music as a trampoline rather than a rulebook.

3CD, 60-track set exploring the UK’s psychedelic scene in the late 1980s. A sequel to the critically acclaimed ‘Another Splash Of Colour’.

40th anniversary reissue of their long out of print third album. Released in 1986 and produced by Jerry Harrison of Talking Heads, The Blind Leading the Naked saw Violent Femmes expand their sound beyond the stripped-down folk-punk of their early work. Incorporating a horn section featuring the Stooges’ Steve Mackay on saxophone, legendary guitarist Leo Kottke on the acoustic 10-string, and acclaimed experimental artist Fred Frith, performing an array of homemade instruments, the album marked a commercial breakthrough for the band.