"The Next Day" is the highly anticipated album by rock legend, David Bowie. The influential musician surprised fans with a haunting video for a new song entitled "Where Are We Now?" and buzz soon began. Produced by long-time collaborator Tony Visconti, "The Next Day" is Bowie's first album in ten years. This rich artistic statement has already received praise from The Guardian, The Independent, The Times, Rolling Stone, Billboard, and many others. Bowie's impressive track record includes album sales exceeding 130 million and countless sold-out shows. His vocals and bold songwriting are as strong as ever.

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (often shortened to Ziggy Stardust) is the fifth studio album by English musician David Bowie. Described as a loose concept album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars is about Bowie's titular alter ego Ziggy Stardust, a fictional androgynous bisexual rock star who acts as a messenger for extraterrestrial beings. The character was retained for the subsequent Ziggy Stardust Tour through the United Kingdom, Japan and North America. The album, and the character of Ziggy Stardust, were influenced by glam rock and explored themes of sexual exploration and social taboos. The album received widespread critical acclaim. In 2017, it was selected for preservation in the National Recording Registry, being deemed "culturally, historically, or artistically significant" by the Library of Congress.

Scary Monsters (and Super Creeps), also known simply as Scary Monsters, is the 14th studio album by David Bowie, released on 12 September 1980 by RCA Records. It was Bowie's final studio album on the label and his first following the Berlin Trilogy of Low, "Heroes" and Lodger (1977–1979). Though considered very significant in artistic terms, the trilogy had proven less successful commercially. With Scary Monsters, Bowie achieved what biographer David Buckley called "the perfect balance" of creativity and mainstream success; as well as earning critical acclaim, the album peaked at No. 1 and went Platinum in the UK, successfully restoring Bowie's commercial standing in the US.

Let's Dance is the 15th studio album by David Bowie. It was originally released in April 1983, almost three years after his previous album, Scary Monsters (and Super Creeps). This album was nominated for the Album of the Year Grammy Award in 1984 but lost to Michael Jackson's Thriller. It has sold 10.7 million copies worldwide, making it Bowie's best-selling album.

Borrowing heavily from Marc Bolan's glam rock and the future shock of A Clockwork Orange, David Bowie reached back to the heavy rock of The Man Who Sold the World for The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Constructed as a loose concept album about an androgynous alien rock star named Ziggy Stardust, the story falls apart quickly, yet Bowie's fractured, paranoid lyrics are evocative of a decadent, decaying future, and the music echoes an apocalyptic, nuclear dread.

Taken from recently discovered sources in The David Bowie Archive®, I’M ONLY DANCING (THE SOUL TOUR 74) was recorded mostly during David’s performance at the Michigan Palace, Detroit on 20th October, 1974, with the encores taken from the Municipal Auditorium, Nashville on 30th November, 1974. The only song missing from the full set on the 20th October performance is ‘Diamond Dogs’ which was unfortunately only recorded in part. To make up for that it was decided to include the encores from the 30th November performance which featured ‘Diamond Dogs’ but also enables a fuller representation of the set from The Soul Tour including such numbers as ‘Knock On Wood’ and the ‘Foot Stomping / I Wish I Could Shimmy Like My Sister Kate’ medley.