Among the many instrumental pieces that remained incomplete at Mozart's death there were four particularly beautiful fragments for violin and piano. Timothy Jones has made multiple new completions of these fragments based on Mozart's evolving style during the 1780s, exploring the open-endedness of the fragments and the different directions the music might have taken. Rachel Podger and Christopher Glynn present the world premiere recordings, which include two completions of each Sonata fragment, enabling listeners to take alternative journeys through Mozart's material.

Pairing the music of Schoenberg with the composer’s own paintings, "Expressionist Music" is a new album featuring remarkable interpretations of Schoenberg from soprano Claire Booth with pianist Christopher Glynn. This evocative album explores the expanses of human emotion through Arnold Schoenberg's captivating songs, each corresponding to Schoenberg's paintings. The particular works chosen for this recording encompass themes of expectation, flesh, nocturne, hatred, satire, thinking, and tears, providing a comprehensive journey through the complexities of human nature. Schoenberg's profound connection to painting is reflected in these songs, unveiling shifting colours, raw emotions, and profound sensuality.

Christopher Glynn continues his Lieder in English series by joining three of today’s foremost singers to perform Robert Schumann’s best-loved song cycles in new English versions by Jeremy Sams – a new way to encounter and enjoy some of the most romantic and atmospheric songs ever composed.

In these two premiere recordings Kingdoms and Metropolis, the stories will be familiar to many with their universal subjects, including the need for wisdom within the halls of power; transcendent love; an immigrant’s homesickness; the search for inner peace; all flow through the album evoking the spirit of our day and age. Despite our current turmoil, the overall tone of the album is a hopeful one, making it a welcome balm during our turbulent times.

SOMM Recordings announces The Distances Between, the second volume of songs – including 17 first recordings – by Stephen Dodgson marking the 10th anniversary of his death. The Distances Between features soprano Ailish Tynan, mezzo-soprano Katie Bray and baritone Marcus Farnsworth, accompanied by Christopher Glynn (piano), Mark Eden (guitar) and Ian Wilson (recorder). All but Farnsworth are returning from Volume 1.

Christopher Glynn continues his series of Schubert in English releases with a new recording of ‘The Fair Maid of the Mill’ (Die schöne Müllerin) with acclaimed Scottish tenor Nicky Spence. Set to a new translation by writer and director Jeremy Sams, Willhelm Müller’s direct and emotionally-charged poetry became the basis of Schubert’s first cycle to tell a complete story over the course of its 20 songs.

Rachel Podger, “the unsurpassed British glory of the baroque violin” (The Times), and Grammy award-winning pianist Christopher Glynn recorded Beethoven’s Sonatas for Violin and Piano Nos. 1, 5 and 10. Following the critically acclaimed Mozart/Jones Sonatas "Fragment Completions" (2021), this Beethoven album marks Podger & Glynn’s second release together…

The everyday is transfigured in this intimate collection of chamber music and songs by leading young Scottish composer Martin Suckling – settings for mezzo-soprano and piano of five magical, moonlit poems by Michael Donaghy and a string quintet written in collaboration with the poet Frances Leviston, whose readings of her own texts frame the four movements of a piece which pays dual homage to Schubert and to Emily Dickinson.

Soprano Claire Booth and pianist Christopher Glynn follow their critically acclaimed collaborations Percy Grainger: Folk Music and Edvard Grieg: Lyric Music with Modest Mussorgsky: Unorthodox Music, interspersing a selection of the Russian composer's under-represented songs with solo piano works.

Working in an era before Arts Council grants, public sponsorship, recording royalties, and long-term publishing deals, Elgar had to write for the public demand as much as personal satisfaction. The effort required for his large-scale works was rarely reflected in profitable income, so writing songs could be a useful way to earn money. The England of Elgar’s time favoured popular ballads, sung by well-known singers.

Soprano Claire Booth and pianist Christopher Glynn explore the fascinating and multifaceted folk song output of the original and inventive composer Percy Grainger.