A brand new remix and remaster from the original files by Adrian Fisher. Includes the never before released original demo for Broken. Kites was the third album from This Winter Machine, sees a change of personnel, their ability to write and perform songs which are both tuneful and epic continues to shine through. Leo Trimming at Prog Radar writes: "Kites can be blown about in many unpredictable directions but somehow they remain tethered to the ground, and that appears to be a perfect symbol of the journey of the third This Winter Machine album 'Kites'. Let's face it, the world has taken a rather unexpected battering in the last couple of years, but, on another level, This Winter Machine have also faced considerable upheaval in that period, leaving the main man Al Winter to have to recruit a whole new band around him. Such disruption would have spelled the end of many bands but on the evidence of this album it appears that Al has used it as an opportunity for the band to be re-born."

Colin Clue's third album is a spiritual and philosophical tale about the search for wisdom. The author asks existential questions, building a coherent narrative: from loss and a critique of civilization, through personal awakening, to spiritual enlightenment and a call for change. As a philosophy enthusiast, Colin's lyrical work draws on the thought of ancient philosophers, and as a composer, on classic progressive rock at its finest. The songs, full of space and guitar sounds, are reminiscent of Pink Floyd or the solo releases of David Gilmour and Roger Waters. "Ultimate Wisdom" is not just a collection of songs, but a cohesive, captivating story worth listening to in its entirety. A personal, generational, and universal album about the search for simplicity, true values, and meaning in a modern world filled with noise.

LEAVING CALIFORNIA was originally released in 2021. This new Expanded 5 Year Anniversary Edition includes the original album plus newly-arranged and recorded renditions of two of the songs. When the band reformed in Vermont back in 2022, we adapted two songs from this album for our live sets, changing the instrumentation and adding new material. Although recorded in the studio, these new versions contain minimal overdubs and production, to better represent the immediacy of the live band. Leaving California may be our sunniest, most heartfelt album to date, and we’re happy to finally be able to bring it back out into the light.

Salva are back with a themed album centred round the chilling tale of a serial killer's life and impending demise at the hands of justice. The music on the album is filled with Salva's trademark blend of hard rock, metal, symphonic prog and pop but, this time they have also added an even more cinematic feel to narrate the story. The diverse blend of musical styles and shifting moods takes the listener on an intensive journey through the tragic life and warped mind of its protagonist until it finally reaches its chilling finale. This is a most welcome return from a band that has been active for almost 25 years and now treats the listener to one of their best offerings of their career.

Something Deeply Hidden is the 5th record by instrumental prog band, Poly-Math. 7 tracks blending Ethio-Jazz, Classic Prog, Math-Rock & Post-Rock. Released digitally, on vinyl and CD by The Laser’s Edge in April 2026. Recorded at Brighton Electric with producer Mark Roberts (Delta Sleep, Toska, Black Peaks, The Physics House Band), Something Deeply Hidden delves more deeply into Jazz and Prog and away from the heavier instrumentation of previous albums. The new record is expansive and diverse, focussing on complex instrumentation and abstract poly-rhythms. The album title and track names are inspired by American theoretical physicist, Sean M. Carroll’s book on Quantum Mechanics, Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime. The album artwork includes a series of abstract expressionist oil on canvas paintings by guitarist, Tim Walters.

Tohpati Ario Hutomo is a Indonesian guitarist and songwriter. Tohpati is one of the famous jazz guitarist. That is because he often appeared on TV with pop singers like Kiyani, Barry Manilow, Rossa, Tim and others. Many of his works combine elements of traditional culture in line with efforts to incorporate elements of modern and traditional Indonesian music. The influence came from many different international jazz guitarists, but the most significant influence came from Pat Metheny. Member of SimakDialog, Trisum, Ethnomission, Bertiga and many other.

Anyone in the mood for some ear-splitting volume? While the Lost Society faithful would likely answer with a resounding yes, Hell Is a State of Mind bears almost no resemblance to the Finnish band’s original sound. Their transition away from classic retro-thrash toward a more modern rock and metal aesthetic has been hinted at previously, but here it reaches its definitive culmination. In place of their signature "thump-thump" thrash beats, fans are now met with 90s-inspired nu-metal riffing and polished, pop-leaning clean vocals. Even the harsher vocal deliveries often lean into a rap-influenced style reminiscent of Rage Against the Machine. As an opening statement, "Afterlife" is emblematic of the entire record, signaling a shift where thrash has been moved firmly down the priority list.

The Kalpataru Tree sound is sculpted with a sacred intention of healing through inspiring imagination. Distilled from the souls peak experiences into sonic form, etheric realms unfold riding along a dub backbone. Music in devotion to the mystery. A prayer of sound in resonance with dream like unfoldings of this present reality unfolding. A distillation of the souls quandaries in sonic form, The Only Now We've Ever Had is meant to be listened to from start to finish. His 7th Studio Album to date, veteran chill out artist Kalpataru Tree revisions his musical roots of psydub electronica into untethered territories of genreless musical expressions.

With II, Juzz move beyond the promise of their debut and settle into a much more confident and fully formed sound. This second album feels less like a step forward and more like a clear statement of identity. You can hear echoes of Weather Report and Soft Machine in the DNA, but the result never feels derivative, the mix of jazz fusion, psych rock atmosphere and vintage textures comes across as natural rather than forced. One of the album's strongest points is how collective it feels. Nobody is trying to dominate the music. Instead, everything unfolds through interaction: the sax and guitar respond to each other constantly, the Rhodes and Mellotron create space instead of just filling it, and the rhythm section keeps things fluid without losing direction.

"La bambola" (Italian for 'The Doll') is an Italian pop song written by Franco Migliacci, Bruno Zambrini and Ruggero Cini, and performed by Patty Pravo. The song had been previously refused by several artists, including Gianni Morandi, Little Tony, Gigliola Cinquetti, Caterina Caselli and the Rokes. The single peaked at number one on the Italian chart for nine consecutive weeks between May and June 1968 and was certified gold. It had sold 200,000 copies by May 1968 and a million copies by December 1968. The single also charted in Argentina. It is considered as the song which consecrated Patty Pravo to fame. "La bambola" was covered by numerous artists. It was also used in several films, notably Anton Corbijn's The American, Michele Placido's Romanzo Criminale, Emanuele Crialese's Respiro, and Bigas Luna's Bambola.

A thoughtful songwriter with a deceptively sweet voice, Mirah blends indie pop, folk, jazz, soul, and more into her empathetic music. In the late '90s and early 2000s, she defined the sound of K Records along with artists such as the Microphones, whose leader, Phil Elverum, became one of her most inspired collaborators. Together, on albums including 2000's You Think It's Like This But Really It's Like This and 2002's Advisory Committee, they crafted a skillful concoction of guileless indie and more sophisticated influences.

Following two of his best albums and several worthwhile EPs, Nathan Fake moved to the InFiné label for the release of his seventh full-length, Evaporator. As with Blizzards, much of the material on Evaporator was recorded in single takes using analog synths. In this case, Fake constructed the tracks using an old edition of Cubase. The tracks are often warm and luminous yet a bit rugged, and cover a wide range of styles and tempos. "Aiwa" is a smooth sunrise of an opener with skittering breakbeats, while "Hypercube" is a more alert and active trance flashback that elevates and fizzes but refrains from delivering an earth-shaking beat drop.

San Francisco-based musician Tim Arndt makes warm, emotive electronic music under the name Near the Parenthesis. His reflective, expressive melodies, usually created by pianos or guitars, are often underpinned by heavily detailed beats and glitches, as well as field recordings and sampled voices. His music impressively achieves a duality between relaxation and excitement, balancing comforting ambience with wistful melodies and intricate production.

Live Revelations showcases songs from both Impermanence and Blazing Revelations, performed in the grand surroundings of Birmingham's Symphony Hall. Our live renditions differ from the studio versions in terms of arrangement, and these variations were implemented both for logistical and creative reasons. This album is a warts-and-all statement of what you can expect from my band and me in the live arena; we don't play with a click, we don't play with backing tracks and there are no added frills. This is what was captured on the day, and in that respect, it is honest old-school progressive rock at its most ugly, twisted and uncompromising. I hope you enjoy! Released February 27, 2026.